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Day seven straight, of only using daylight.
The amazing Krisowitz shot on some rolled up and shrink-wrapped Hay-bales stored near the runway near my studio. 

You’ll see more of those in a couple of other shots.
The quality of the light here is the afterglow just after the sun set, but with clouds on the sku to reflect some of the light. It's super soft yet still directional.

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