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The Endless Sinner is at one of the reinforced doors next to the shooting gallery on the old airbase where my studio is.

I love the color and texture of this door, even though it’s placed in a spot with total darkness.
So, I set up a large silver reflector behind the camera to get the daylight from the sky in where I needed it.
I rarely use reflectors or flags outdoors, but this was one of the notable exceptions, during one of my spring location workshops.

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