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Early on, whenever I wanted to draw character with a gun, I would get a reference image or a 3D model and trace over it. It worked, but something always felt deeply wrong about it. A lot of professionals do that because they're crunching for time or they need to do ultra precise work, but that wasn't my situation; I was relying on the models and the reference photos because I wasn't actually able to draw guns from scratch. I lacked the necessary skill to draw complex 3D objects CONSISTENTLY from construction.There is no more basic skill in drawing!!! AN ARTIST SHOULD BE ABLE TO DRAW!!!Think about a show like Gunsmith Cats. Countless shots of detailed guns moving around in 3D space. They weren't using 3D models, they weren't rotoscoping from reference images, they just studied the necessary objects until they had a full understanding of their shape.The only real difference between me and them is time in the chair. More time drawing, better focus while doing it. I fuck around too much, I watch to many youtube videos and scroll on twitter too much. I don't expose myself to enough deliberate challenge when I practice.For all of these studies, I start by drawing the side profile of a firearm. I eyeball all the proportions from multiple different reference images. Once I feel like I understand the proportions from the side, I'll try to extrapolate that information and redraw the same firearm at an angle. This forces me to commit those proportions to memory.

I think a lot of people are feeling the way I do. Things are just too convenient, as artists we have so many distractions and so many digital tools to make up for the time we waste as a result of those distractions. With the stress of trying to stay relevant on social media, it's easy to fall back on certain crutches, but don't want to live that way!! I wan't to know that when push comes to shove I can draw like a professional!!

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Comments

Miy Eterp

Wow great art style of the Beretta M9 (include another with a suppressor & laser under rail attached), a Mk22 Mod 0 "Hush Puppy", an AK-74U (one has a modified folded shoulder stock & a suppressor attached that also has a laser underneath) & an H&K PSG1. I like Gunsmith Cats anime too! :D Have to admit working late at night is tiring, nonetheless keep up the great work. ;)

ku3gelblitz

this seems like a really smart way to train yourself to intuitively draw complex 3D objects. does this kinda continue what you were talking about in the moped post?

Jaden

I remember the post you made a while ago trying to stop tracing guns and these are really good!! I love seeing you improve with your art and its amazing that you got to this point of being able to draw these guns this conplex!

hitsujigoods

1000%! I've been doing studies from this FLCL key animation book I bought. Haruko's moped isn't rotoscoped, they just draw it every single time. It made me realize that I need to be able to do that too. An artist should be able to draw a moped from scratch

Katorea

Ooouuughhh

Cyd

I really feel you when you mention the tools and distractions. There's more stuff in the world for me to to than every before (that's immediately and easily accessible), it's both daunting yet addictive. Not like tiktok or something, but a lifestyle. After I got my bachelor's, I've found myself making 3D models, writing, and drawing all significantly less than ever before and it's only getting worse. I don't have the patience for it anymore. Knee-jerk reaction, I wanted to say you should just keep using the tools to save time. But no, I think you're onto something here. The genuine understanding that comes from repeatedly drawing something over and over, along with the patience and discipline it brings, honestly might be what I've been missing these past few years. Anyway, your drawings turned out fantastic. It seems to have paid off. I love your linework.

Chase Tokutaro

As an illustrator and cartoonist myself who has been developing an original comic story involving mecha tanks in the real robot vein (think the Front Mission games for example) these grounded principles of understanding the very foundations of shapes when drawing more technically intricate subjects is super relatable. Part of the reason why I’ve put it aside for later is so I can get more comfortable with honing the skills in drawing mecha tanks from any angle and wherever it’s suited for the said composition. Having the object firsthand and studying the tactile nature of it is so important, doesn’t hurt to have physical models of the subject to study furthermore!

Ein

Tell me you played Metal Gear without saying you played Metal Gear. 😂 These sketches are great, keep up the excellent work!

Jammer

Oh that Beretta is so sexy. You killed it with these!

hitsujigoods

Tracing still has its place, but studying how to construct objects from scratch will make you much more competent at it/give you more freedom

hitsujigoods

Yeah I know Toriyama was huge into model kits, I have to imagine he drew from them a bunch

Dog

HUSH PUPPY!!! YAY