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I’ve been thinking a lot about the way I work. Photography is so seasonal here. We still don’t have an indoor spot to shoot here. The cold and gloom of winter makes for short to non-existent shoots, and as soon as the warm weather comes it’s like my schedules is packed to the limits.


Maybe I should adopt a squirrel strategy shoot all spring and summer. Then do my editing come the winter months.

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aeric meredith-goujon

one of my professors at pratt worked this way. she spent half the year in the city (and elsewhere) shooting, and the other half in her little house with the darkroom upstate developing film and printing. i've often wondered about the kind of headspace that creates to impose that stark temporal separation between the two ends of the process...