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Here's part 3 of my process for my dark mode painting! Part one and two just got posted - check out the feed to see it. This painting is intended as a companion piece to my light mode painting. I didn't record the final hour of rendering, so unfortunately this stops right before the end, but I still think it's a pretty good representation of my process!

Here’s some information about this process video: 

It has been sped up by 200%, so 2 times the original speed. 

This painting session took me about 6 hours and 15 minutes, split up into multiple sessions.

I edited the process into three parts. This is the final part!

I mostly used the hard round brush from my own brush set to paint this. I also used a lot of brush & smudge combinations to paint and then soften edges. 

This is painted in Adobe Photoshop. You can replicate a similar workflow in Procreate, with the exception of the gradient tool and the number of layers used! 

I wasn't able to record the entire process, unfortunately - but I did record 90% of the process, so this is the whole thing minus the last hour or so of rendering.

Here are some helpful resources that can help understand this process in more detail: 

Soft & hard edges with the lasso tool: This is a technique I use a lot in this video - except rather than using a large noisy brush, I use the smudge tool to soften the edges. This tutorial runs you through how I gradually layer shapes to get this semi-translucent effect. 

Creating interesting & flowy shapes: This tutorial is all about how I combine different types of shapes to create a sense of movement in my image.

STARTING OVER

I was super bummed to have to start over on the dark mode spirit, but I was surprised by how easily it went once I got started. I think that’s because I had already tested out something that didn’t work, which makes it much easier for me to decide what does work. I also know that I want the drawing to resemble the Light mode spirit more, so I can use that as a template. I also make some changes to the girl’s pose and expression so that she appears more hypnotized / controlled by the spirit. Once I do this, I feel like the whole concept works so much better!

LAYERING DETAIL 

Once the foundation works well, it just becomes a question of gradually layering on detail. My technique of combining the lasso tool with the gradient allows me to continually layer on semi-translucent shapes of detail to get a 3-dimensional feeling. It’s a really great technique if you’re using photoshop - and with Procreate you can just use a soft brush instead of a gradient! Again, my tutorial on Soft & hard edges with the lasso tool walks you through the details of the workflow. 

Unfortunately I didn’t record the last hour or so of the process, but since this video brings it to 90% completion, I figure it still gives a good sense of my workflow! I hope you enjoyed it and as always, let me know if you have any questions 🖤

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Comments

Pilar 🌿

Love the final piece! Watching your process videos has been so eye-opening for me. It helped me realise that a similar workflow is what works best for me. Painting & sculpting as you go feels a lot more freeing and at least for me, helps me see what's working and what's not working as I go. I also feel in control. The other approach I was doing - that I'm now letting go of - was, I would start with a black outline for every element of the drawing, and then move on to colouring (like a colouring page). But I always felt that that never helped me achieve so many things that I wanted for the artwork, one of them being the workflow itself. Having outlines that I have to commit to from the start is too rigid for me. So this painting & sculpting, adding details, modifying shapes, adjusting colours as you go, fits my style so much more!

Loish

I relate to this so much! I also used to work that way: starting with clean lines, going layer by layer. but it just never worked for me because there were too many problems that i couldn't solve later in the process because i had already committed to it. that's why i just take more of a cut-and-paste approach now! i'm glad this one resonated with you, the reason i shared it was because i really want people to know that they can go with the flow!

Michael

Going for #3☕️👍🏻

Michael

Ok…I have to ask (after seeing layer 134!), you’ve been asked this before I’m sure….what computer system are you using. I looked up ‘maximum layers that can be used in Photoshop. Of course the specs on your computer would determine what you can do in Photoshop. When I looked up Photoshop maximum layers, it said 8,000❗️😵‍💫. But Adobe Help Center suggests 1,000 is a more realistic maximum! Thank you Loish for sharing any info on what system/computer/processing power you are using to run Photoshop. I’m just very curious. I’ll be sticking with Procreate lol, for a long time. Btw: The Mac that was suggested to run Photoshop was about $2,000.00 but I’m guessing professional digital artist have much more powerful systems. 💙

Loish

haha dang, i didn't realize i had even made THAT many layers. i have a pretty powerful setup (updated my PC for the first time in 15 years so I went all out), you can find the details here: https://loish.net/faq/setup/ but i don't think such a setup is required. i'm just lazy with my layers because there are no limits, but i could easily just save a new version and flatten everything to work around layer limits. procreate and ipad is a pretty good setup too!

Liz Ankers

My brain isn't processing just how many changes and layers you made! That's the first time I've seen how you get the gradients and oh how I wish Procreate had that. It's such a beautiful piece, thank you so much for making that available to everyone. Seeing your process answered a lot of questions I've been wondering for ages, but I have no idea how you keep track of so many layers!