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We get into the Writers Guild of America strike, why this is an important labor action to watch, the terrible conditions they are striking again, the mindset of the professional class of capital managers that control “content” production, and how the potential use of AI in tv/movies follows from already existing practices like “mini-rooms,” which brought gig economy dynamics to the work of writing.

Stuff we reference:

Hosted by Jathan Sadowski (www.twitter.com/jathansadowski) and Edward Ongweso Jr. (www.twitter.com/bigblackjacobin). Production / Music by Jereme Brown (www.twitter.com/braunestahl)

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Comments

Josep C.

I don't agree at all with the argument some publications made that this strike won't be effective because " there's a lot of Netflix now". Please people already watched that. They don't want to wade through loads of cable grade truecrime documentaries. The consumers want the good series, the new breaking bad or game of thrones (first seasons). Best of luck to the writers.

Ijon Tichy

Damn right Cops ain't Labor, there's like 30 of them in one Subway station every fucking night doing fuck all!¹ [1] please do not interpret this as me saying that cops doing things would be better.