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Matthew Perpetua of the long-running Fluxblog returns to the pod from Brooklyn, but this time his visit is only tangentially related to Steely Dan. This is an episode about the notorious director David O. Russell, whose first film in 7 years, the all-star Amsterdam, just bombed at the box office. But it has a lot in common with an earlier Russell film that was a big hit with audiences, if not with most critics, 2013’s American Hustle, a film Matthew and I both quite liked.

Released in the same month as Scorsese’s The Wolf of Wall Street, American Hustle was derided by some as “Scorsese-lite”, a retread of Goodfellas stuffed with showy performances and cartoonish behaviour. It was reviewed as if it was supposed to be a historical drama (as it was based on the true story of two con artists who worked with the FBI to ensnare corrupt congressmen in the ABSCAM sting operation). But American Hustle worked for us as a ridiculous screwball comedy about desperate people chasing after the American Dream in a cynical age, a film quite possibly made by a madman, though at a time before more sordid details about Russell’s personal conduct became public and tarnished his reputation.

We try to make a case for why American Hustle is Good, Actually, but we also discuss why Amsterdam, another loopy story based on another obscure footnote in American history, with even more big names in the cast, doesn’t succeed.

With sidebars on the oncoming Black Panther: Wakanda Forever and our views on Elon Musk’s early days of “running” Twitter.

Follow Matthew Perpetua on Twitter and subscribe to the new Fluxblog Substack!

Trailer for American Hustle (Russell, 2013)

Trailer for Amsterdam (Russell, 2022)

“David O. Russell is latest face of Hollywood’s workplace abuse problem” by Sonia Rao for The Washington Post, October 7, 2022


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Comments

Goose

Great episode ! I absolutely loved this film when it first came out and now I’m trawling through my old hard drives trying to find it so I can watch it again. Like you guys I cannot understand why anyone wouldn’t like this film. Although I do have a (undeveloped) theory that mass audiences have problems with comedies that aren’t very obviously “a comedy”. Like, if this film starred Will Ferrell instead of Bale and the tone was a bit more obviously absurd, I think audiences would have recognised that it’s supposed to be viewed as comedy. I feel that if the film isnt in the style of Will Ferrel absurdity or Judd Apatow riffing or broad juvenile humour then the marketing is more difficult and comedy audiences don’t show up for it.

Goose

I know this isn’t exactly a groundbreaking statement and this has been the way of dark comedies for decades, with the exception of a few outliers like the Coen brothers. I just think it’s a shame cause a lot of good movies get unfairly judged or completely ignored because of this.