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'My basis for deciding is this: guilt is always beyond doubt.'

Today we are appreciating another iconic masterpiece of the short story form: Franz Kafka's 'In the Penal Colony'.

We're talking about capital punishment, totalitarianism, alienation, injustice, guilt, sacrifice, theological symbolism, public spectacle, prophecy, and much more.

Timestamps:

0:00 anticipation, alienation & injustice

2:00 Kafka’s life at time of writing

4:00 Dostoevsky as Kafka’s ‘blood relative’

7:00 beginning of ‘In the Penal Colony’

11:00 who are the characters in this story?

13:00 psychologically complex absurdity

14:00 the traveller as reader surrogate

16:00 the officer explains the machine

18:00 sadism, punishment & terror

20:00 Kafka’s nightmare bureaucracy

22:00 difference of terror vs horror

24:00 key to writing a great short story

25:00 punitive authority as modern anxiety

27:00 condemned man’s bizarre sentence

29:00 Shakespearean Negative Capability

30:00 ‘guilt is always beyond doubt…’

31:00 democracy & fear of totalitarianism

33:00 being guilty for an unknown crime

35:00 thinking about The Judgement

37:00 negative influence of Kafka’s father

38:00 appreciating the fragment ‘The Stoker’

40:00 Kafka’s tumultuous relationship

41:00 transmuting real pain into symbolism

43:00 appreciating ‘A Country Doctor’

45:00 trapped in a sacrificial position

47:00 hallmarks of Kafka’s damaged psyche

48:00 tyranny & the banality of evil

51:00 fatal entertainment/performance

53:00 Kafka’s theological symbolism

55:00 transfiguration & public spectacle

58:00 a socio-political rehaul in the world

1:00:00 intervention & the bystander effect

1:03:00 intentionality & authentic living

1:05:00 the regime becomes more just

1:08:00 the morality of capital punishment

1:10:00 mounting dread towards the end

1:09:00 Kafka’s subversion of expectations

1:11:00 twists of fate & reversal of roles

1:12:00 the prophecy of rising again

1:13:00 what did you make of this story?

Questions for You:

1) What is your personal response to 'In the Penal Colony'? 

2) What message do you take away from this short story?

3) Why do you think Franz Kafka was so influential?

4) How would you persuade another to read the stories of Kafka?

And please do share with us your favourite passages, images, and ideas you've discovered from your reading of this short story.

Happy reading, everybody!

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Comments

Alan

Keep thinking of the horrors of lynchings in post-civil war US during eras of Jim Crow and beyond.. That so many parents brought their children to the “entertainment “ that taught prejudice and perpetuated racism and dehumanizing of persons of color.

Ylva

This foray into Kafka was amazing. It’s been a week since this lecture went online, and I’ve yet to sort my overwhelming impressions of The Penal Colony, let alone in combination with our other two stories. What I take from Kafka is reading in my native language again with an appreciation I formerly found lost. I also take all-pervading horror with me, and the question why it’s this aspect of his stories which fascinates me almost the most. Maybe it’s because it stands in such stark contrast to Kafka's empathy simultaneously seeping through and portrays so well the urge to escape his nightmarish scenarios without being able to. Whatever it is, I’m grateful this club brought me to this author and his world. Thinking of The Penal Colony today, I recall how numb and depressingly resigned I felt during listening and reading. And as natural as the political and sociological interpretations come in this story’s context, and as much as I usually seek to separate the artist from the work, I couldn’t help but think of Kafka’s upbringing and inter-familiar conflicts. Did they feel like this torture to him? Never knowing what he did wrong, never knowing when the punishment would hit, or end, or which shape it would take this time? Hoping the machine would break and at the same time not because another machine might follow and it might be worse? Feeling like the other end took pleasure in it all? Deciding to retreat to the observations of a bystander because this self-alienation made it bearable in the first place? And another question: Who else finished the story with the unshakable inkling that the buried commandant had risen the moment the traveller left the island?

Imogen Thurbon

Many thanks for the very interesting lecture and fascinating orientation. I just wonder how folks interpret the final act of the officer to sacrifice himself to the machine? Is it realization of his own culpability and the injustice he has been complicit in or is it martyrdom chosen by him for love of the sadistic system he knows is on its way out? Is the “Be just” inscription a literal condemnation of him and his cruelty or is it an ironic reference to the fact he fervently believes his warped beliefs are just? Or something else entirely?

AS

I had a similar response to reading Kafka for the first time, and now I'm hooked. Your sense of the ending is interesting, and though I didn't feel the same, my personal disturbing thought was that there was only one Commandant and that, shockingly, he'd been dead the whole time. Then I reread the first few pages and saw I was wrong, but I have the impression that with Kafka, that could have been a plausible alternative. There is so much in this story, I'll have to reread it several times. At first pass, the things that stood out to me were the role/influence of women (which also struck me in The Metamorphosis, with the 3 women being the ones who actually took care of business), the absurdity of moral relativism, bureaucracy and the deep state, the inevitable rise and fall of social constructs and elaborate human systems, and how far individual psychos/torture and death machines can get before they're stopped. Apocalypse Now came up for me throughout, but I probably should have been thinking of The Heart of Darkness, which I haven't read yet. Joy Williams' book Harrow is also yelling at me to reread it now that I've woken up to the title's likely significance.

Hannah

It took me several days to read this story because it was too unnerving to read before bed! I found viewing the justice system of the colony through the lens of the traveller very interesting. The ending at the tea house and with the grave was all bizarre and unsettling. But I read it as a message that - even if we fight against inhumanity and think it's gone - it always crops up again in different forms.

Luz Rivara

I first read the Penal Colony with Crumb, a masterpiece too!

Shane Felle

I picked up a translation by JA Underwood from early 1980s , it's not s great translation. Who would you recommend as Kafka translator Benjamin.

Donna F.

This story was truly horrifying. Since I read it I’ve been reflecting on how disturbing the penal system is, with sadism perpetrated on inmates from other inmates and from guards, and the inhumanity of solitary confinement. Even when the death penalty is not involved, it’s a barbaric system. I’ve also been reading in the news about inmates’ medical needs being denied…one man who was incarcerated had HIV but was denied medication so that he actually died from AIDS. Still so much inhumanity.

Diane

I have been listening to Amerika (extension of The Stoker) on my runs. I'm about halfway thru and I'm enjoying the ups and downs Karl experiences as he makes his way in a new land. He is a sweet, considerate lad who is always trying to do the right thing, often at his own expense. I have a feeling that this, Kafka's first novel, would be considered Kafka lite, but I'm ok with that after the heavy short stories we have read!

Anna Rowe

The best word I can come up with to describe how I feel when I read Kafka is despair. Utter, empty despair. I am not a sensitive reader at all, but there is something so dark and disturbing about the thoughts that come out of his head. His work always leaves me in a funk. Despite this, I understand that Kafka is a very important and powerful writer. Few writers have the ability to manipulate my emotions in this way. I'm always left thinking - how did he do that to me?