Home Creators Posts Import Register Favorites Logout
haven't archived this post yet. have a subscription? use the importer!

Downloads

  • hlbc morrison 1.mp3

Missing 3 full-res photos, 1 file, as this post has not yet been imported.

Content

'Mr. Smith's blue silk wings must have left their mark, because when the little boy discovered, at four, the same thing Mr. Smith had learned earlier - that only birds and airplanes could fly - he lost all interest in himself.'

Today we are flying through the beginning of Toni Morrison's achingly beautiful novel. We are meeting her characters together, wrangling with complex themes, and immersing ourselves in the vivid world of Song of Solomon.

We're discussing symbolism, fairy tales, family lore, rememory, the power of true names, writing about race vs culture, the metaphor of flight, injustice, death, birth, and much more.

Please do feel free to enjoy the discussion even if you haven't read up to these chapters yet. I'm continuing to be mindful of staying away from spoilers for things that are unravelled later in the narrative.

Timestamps:

0:00 flying through Song of Solomon

2:00 appreciating the first sentence

6:00 flight of Mr Smith from Mercy

9:00 Kafkaesque, gothic, magical realism

11:00 splashes of colour symbolism

14:00 ‘oh Sugarman done fly away’

16:00 flight, freedom, death, euphemism

19:00 the birth of Milkman in Mercy

23:00 Toni Morrison’s ‘rememory’

26:00 life in the Dead household

28:00 Ruth’s flight from reality

30:00 the thread of golden light

33:00 appreciating Rumplestiltskin

35:00 the power of knowing true names

40:00 Morrison on writing about race

45:00 concentrating on things behind us

48:00 Macon Dead vs Dr Foster

52:00 Macon’s relationship with Pilate

55:00 the symbolism of Macon’s keys

58:00 Macon’s relationship with Ruth

1:02:00 ‘Give me hate. No more love’

1:06:00 getting to know Pilate Dead

1:10:00 family lore coming together

1:14:00 beautiful wisdom from Pilate

1:16:00 two words for the same thing

1:18:00 ownership vs self-possession

1:22:00 the backcloth of World War 2

1:25:00 when Milkman smacks his father

1:30:00 ‘I certainly am my daddy’s daughter’

1:32:00 Macon tells Milkman about his mother

1:38:00 ‘you have to deal with the whole truth’

1:42:00 Morrison’s allusions to real murders

1:45:00 Milkman and Hagar’s relationship

1:48:00 extending boyhood into adulthood

1:50:00 your thoughts on Song of Solomon?

Resources to Explore:

  • Fairy Tales: Toni Morrison's work is richly allusive and prompts us to lovingly reacquaint ourselves with fairy tales, like Rumplestiltskin and Hansel and Gretel, that helped to shape many of our imaginations growing up. This hardback edition of The Complete Grimms' Fairy Tales, replete with illustrations, is a gorgeous treasure trove. And this narration, designed for lulling listeners to sleep, is also excellent.

  • Scripture: In addition to layering her narrative with allusions to fairytales, folklore, and mythology, Morrison also weaves a tapestry with threads of biblical literature from both the Old and New Testament. You may find it rewarding to give the biblical Song of Solomon a read-through and think about how that complements Toni Morrison's novel.

  • Literary Criticism: If you're interested in exploring Toni Morrison's literary criticism, then you may find it rewarding to check out her incredibly thought-provoking Playing in the Dark: Whiteness and the Literary Imagination here.

  • Nobel Prize Speech: Whenever you read a writer who has won the Nobel Prize for Literature, it's often a great idea to check out their acceptance speech to understand their thoughts on the craft of literature, life, and the human tradition. Toni Morrison's speech is one of the best and you can listen to it here and read it here.

  • Thought Experiment: Morrison dedicates Song of Solomon to her father and prefaces the book with this self-created epigraph: 'The fathers may soar / And the children may know their names.' If you were to write a deeply personal novel at this moment in your life, who would you dedicate it to? And what would your opening inscription be?

Reading Assignment:

Our next discussion will cover from chapter five up to and including chapter nine, which will take us to through to the close of part one of Song of Solomon.

Questions for You:

1) What are your impressions of Song of Solomon thus far? What do you make of Toni Morrison's characters and narrative style?

2) Do you remember losing your childlike sense of wonder? Your belief in the magical and fantastical? How might we recapture that?

3) Toni Morrison said she wanted to carve out a world in her stories that was both culture specific and race-free. Do you think she succeeds in doing that?

4) Where does your name come from? What does it mean?

If this is your first reading of Song of Solomon, I would love to know how the story is meeting your expectations. If this is a reread for you, what is it like returning to the story? And please do share with us your favourite passage from the story so far.

Happy reading, everybody!

Files

Previews only

Comments

livelaughletgo

I’m really enjoying the writing style of this book so far.

Charles S.

I’m a few chapters behind where I planned, but Toni Morrison has gained my trust. I have no idea what might happen as the story goes on, except that Milkman will be going south at some point. But I am sure whatever happens will be exactly right when it does happen.

Hannah

I feel pretty dumb for not realising the homonym for Pilate and pilot! Really enjoyed the lecture for unlocking a few extra things I hadn't noticed. Thanks Benjamin 😊

Harry Keller

Toni Morrison - what a writer! Real depth and layers of meaning to her fascinating story. The story just gets better and more interesting as you read. This almost hypnotic pull to go deeper into the writing reminds me of the effect Cormac McCarthy’s writing has on me. I love it.

Estella

I'm really enjoying this book! I related the topic of colors in the book that Ben included in his lecture to something I read recently in "Wouldn't Take Nothing For My Journey Now" by Maya Angelou when she speaks about what she likes to wear: "Loving colors, I bought for myself beautiful reds and oranges, and greens and pinks, and teal and turquoise. I chose azure dresses and blouses and sweaters" This particular chapter was beautiful and impressive to me because Angelou is poetic and frank about her choices which I deeply appreciate. The theme of colors in Morrison's book is also beautiful and revealing. On another note, I was impressed by the description of Milkman's reaction to what his father reveals to him in Chapter 3. He feels "disassociated" (75) and calls his father "The alien" (75). Now that he knows more about his father and his mother's disturbing past, he separates himself and places himself in the position of protector in order to reconcile and cope with his actions and newfound knowledge. "Wasn't that the history of the world? Isn't that what men did? Protected the frail and confronted the King of the Mountain? And the fact that the frail was his mother and the King of the Mountain his father made it more poignant, but did not change the essential fact." (76). This spoke to me on a personal level, but also speaks of how people quickly seek to reconcile traumatic events in neat, easy-to-handle morsels to be sorted through at a later time. Milkman did the best he could with what he was given, "Milkman put on his jacket and left the house...he wouldn't know what to feel until he knew what to think" (75).

Brian P

Thought I would get a little ahead and started part II during lunch today. Couldn’t stop until I finished the entire thing. What a journey. What amazing language. What treasures she has left us to enjoy.

Jules

Just finished this - it’s phenomenal! I am going to be mulling over the characters and the language for days. Thanks HLBC

Leah

I am definitely flying through this book. I like Toni Morrison's style. I find it exciting how the plot is unveiled in unexpected ways and in fragments. I keep finding myself wishing that I could watch this as a movie as well. I want to see Milkman with Guitar and the scenes at the barber shop. I don't particularly feel I lost my childlike sense of wonder. Maybe for a while in university where I feel like a lot of rigid thinking was encouraged and also probably from the stress of trying to both study and take care of myself. One moment in Milkman's life that really resonated with me was his reflection on his life after a conversation with Guitar and there was this sense of boredom or pointlessness and as Ben said in the lecture - stasis. I find myself feeling this way a lot and try to use this feeling to motivate me to do make changes but I often feel stumped on what really to do. Milkman is 31 in this point of his life - same age as me. My name is from the Hebrew Bible and it apparently means weary or weary one. I believe Jacob married Leah because her father made him marry his oldest daughter first but Jacob really loved Rachel. I don't think my parents had the meaning in mind when they chose it.

Donna F.

I appreciate the thought-provoking lecture and comments. I don’t have anything to add

Donna F.

I listened to this lecture twice. The Sugarman chanting reminded me of a folk song. “Oh Sinner Man/where you gonna run to/all on that day?/run to the moon, moon won’t you hide me/all on that day./Moon said, Sinner Man, you shoulda been a prayin/all on that day.” That’s all I remember.