Born in the Belle Époque (Close Reading of Proust) (Patreon)
Content
Today's video is one part French historical context, one part art appreciation, and what I hope will be a motivating discussion on the ethos of reading Proust deeply.
We're discussing why readers stray from Proust, the sociological concept of "face", the Third Republic, Belle Époque, Fin de siècle, and a deep-dive into the artwork of Jean-Bapiste-Camille Corot (a favourite of Monsieur Swann's).
We also have a fun art assignment/thought experiment for us all to collaborate upon - details of which are at the end of the video, and below the timestamps.
Video Timestamps:
- 0:00 the philosophy of reading Proust
- 3:30 different paces/gear changes for literature
- 7:30 why readers abandon Proust
- 8:30 how to deal with the length of the Search
- 9:40 go slow to go fast
- 11:00 the ethos of the Proust Project
- 11:40 Proust as a primer for poetry
- 12:15 the work is never finished
- 12:50 why you cannot fail in reading Proust
- 13:50 what if you’ve fallen out with Proust?
- 14:30 meeting your friend Marcel after a rest
- 15:00 the sociological concept of “face”
- 16:30 politeness theory
- 17:30 social mobility and the invisible caste
- 18:28 a hack for reading Proust (and real-world interactions)
- 22:00 French historical contextualisation
- 25:40 Third Republic, Belle Époque, and birth of Proust (1871)
- 26:00 who was writing during Proust’s childhood?
- 27:00 the Fin de siècle
- 29:00 Proust the dandy
- 30:30 paintings during the Belle Époque
- 32:00 how to prepare for Proust through immersion in art
- 33:15 the paintings of Jean-Bapiste-Camille Corot
- 35:00 a fun thought experiment for you
- 37:00 colour and harmony in Proust and Corot
- 38:00 appreciating the artwork of Corot together
- 39:00 what paintings did M. Swann have in his collection?
Art Appreciation Assignment:
What paintings of Corot do you believe Monsieur Swann had in his collection?
Enjoy a leisurely browse through Corot's catalogue of neoclassical paintings, pick three paintings, and share them with us.
Questions to Consider:
1) What does your choice of artwork say about Swann? What does it say of how you view Swann? And, therefore, what might it say about you?
2) Have you left Proust for long periods of time? If so, why? How does that feel?
Happy Prousting, everybody!
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