Home Creators Posts Import Register Favorites Logout
haven't archived this post yet. have a subscription? use the importer!

Content

Let's talk about how to prepare for our book club reading of Great Expectations.

This discussion is completely spoiler-free. 

Whilst some of us are rereading this great novel, many of you are in the enviable position of enjoying Dickens' masterpiece for the first time. So we will keep the surprises safe for now and talk about how to "unlock" Great Expectations without revealing the finer details just yet.

If you would like to get jumpstarted on the novel, I recommend reading chapters 1-19, in the pace that best suits you, before the first deep-dive lecture and discussion.

We have timestamps for the video, so feel free to jump to any discussion point that most interests you. And we have some reading assignments and questions to consider below the timestamps.

Video Timestamps:

  • 0:00 introduction to Great Expectations
  • 1:30 painful transformation is at the heart of the novel
  • 3:00 Dickens’ most intimate bildungsroman
  • 3:30 the original publication of Great Expectations
  • 5:20 reading into the heart of your own development
  • 6:00 symbolism of fire, the forge, chains, money, clothes, food, weather
  • 8:20 collecting characters and what they represent
  • 8:40 round vs flat characters
  • 9:00 reading Dostoyevsky, Hugo, and Proust in light of Dickens
  • 9:30 our psychological development and perception of others
  • 10:00 the narrative style of Great Expectations
  • 10:30 shame, guilt, and reminiscing
  • 12:00 the hero’s journey
  • 13:30 how to meet the characters of Great Expectations
  • 14:50 collecting your favourite chapters
  • 15:30 Dickens and Shakespeare’s sonnets
  • 16:30 what makes a great chapter?
  • 17:00 Dickens’ cinematic prose style
  • 18:00 Charles Dickens and Victor Hugo
  • 20:00 Dickens’ gothic mode
  • 20:50 Charles Dickens and George Eliot
  • 21:00 realism vs romance
  • 21:40 how to sharpen your aesthetic appreciation
  • 22:10 “fine, new, and grotesque”
  • 23:00 why you should read some Dickens aloud
  • 23:40 popular vs high literature
  • 24:15 leverage Shakespeare’s Hamlet
  • 25:00 writing exercises centred around the themes
  • 26:00 reading structure for Great Expectations
  • 27:30 the joys of reading Dickens at the end of the year
  • 29:00 thank you to deep readers of Dickens

Optional Reading Assignments:

1) Collect 3x meaningful chapters (or characters) as you work through Great Expectations. Beautiful prose, charming characters, humorous incidents, affecting sentiments - these are a few great reasons for marking a chapter as your personal favourite.

2) Read a favourite section aloud. Dickens designed his stories to be appreciated aurally. Reading aloud either to yourself or sharing a passage with someone else is a wonderful way to get into the spirit of the great writer's work.

Questions for You:

1) Where are you in your life now? What is behind you and before you? Reflecting on one's own transformation and past self is a rich compliment to the story.

2) What other writers are you reading Dickens up against? What books are fresh in your mind as you prepare to embrace Great Expectations?

Happy reading, everybody!

Files

Previews only

How to Read Great Expectations (Preparation & Reading Assignments)

0:00 introduction to Great Expectations 1:30 painful transformation is at the heart of the novel 3:00 Dickens’ most intimate bildungsroman 3:30 the original publication of Great Expectations 5:20 reading into the heart of your own development 6:00 symbolism of fire, the forge, chains, money, clothes, food, weather 8:20 collecting characters and what they represent 8:40 round vs flat characters 9:00 reading Dostoyevsky, Hugo, and Proust in light of Dickens 9:30 our psychological development and perception of others 10:00 the narrative style of Great Expectations 10:30 shame, guilt, and reminiscing 12:00 the hero’s journey 13:30 how to meet the characters of Great Expectations 14:50 collecting your favourite chapters 15:30 Dickens and Shakespeare’s sonnets 16:30 what makes a great chapter? 17:00 Dickens’ cinematic prose style 18:00 Charles Dickens and Victor Hugo 20:00 Dickens’ gothic mode 20:50 Charles Dickens and George Eliot 21:00 realism vs romance 21:40 how to sharpen your aesthetic appreciation 22:10 “fine, new, and grotesque” 23:00 why you should read some Dickens aloud 23:40 popular vs high literature 24:15 leverage Shakespeare’s Hamlet 25:00 writing exercises centred around the themes 26:00 reading structure for Great Expectations 27:30 the joys of reading Dickens at the end of the year 29:00 thank you to deep readers of Dickens

Comments

Jeanne Morigeau

I LOVE chapter four with the Christmas dinner discussion. I love Joe plopping more and more gravy on Pip's plate each time a morality lesson is directed Pip's way. I love the interactions between Joe and Pip - giving each other warnings about Mrs. Joe's temper, trying to silently mouth words behind her back, etc. I can clearly imagine those scenes as if I'm sitting in the room with them!

James

Ah very pleased to have re-joined the BC. I am just finishing my first term at university (English language and literature) and I am at the point where reading fatigue has set in -- making it harder to read for pleasure. Alas, Dickens is the perfect writer to help me out of this reading slump. Given my first encounter with 'Great Expectations' was when I was about 13, it will be interesting to see what resinates with me more now I am in my 20s. Happy reading everyone!

hardcoreliterature

Ha! That is hilarious :) It certainly does feel as though we are present at the table too. I anticipate similar events in our family's upcoming Christmas dinner...

hardcoreliterature

Well done on making it to the end of first term, James! I completely sympathise with that feeling of fatigue. During first year, everybody would go home around half way through the term. The initial excitement would wear off, and students would look like zombies dragging their corpses across campus. By the time the entire course was finished, I didn't want to look at another book again. It's such a shame that a subject like English Language and Literature can, ironically, have the effect of nearly obliterating one's love of reading. But you're right that Dickens is a great writer for busting out of slumps. If I find myself too worn out to read, I always default to Dickens and he rarely fails me. Happy reading, James - the slump is normal, and you'll get through it!