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This is our post-play analysis for The Tragedy of Macbeth.

You may wish to listen after your first reading of the play, using the lecture as an opportunity to reread. Or you may wish to listen as you make your way through the play.

We have timestamps indicating the topics, with acts and scenes referenced throughout the video, so feel free to digest our discussion in the way that best serves you.

We also have some questions below the timestamps, which will result in our next Macbeth video being a collaborative piece.

Video Timestamps:

  • 0:00 the tradition of Macbeth
  • 2:00 opening on the blasted heath
  • 5:00 speaking in binaries
  • 9:00 Macbeth’s actions in battle
  • 11:00 the prophecy of the weird sisters
  • 14:00 meeting Macbeth and Banquo
  • 14:30 was Macbeth a real person?
  • 15:30 “so foul and fair a day I have not seen”
  • 17:00 past, present, and future in an instant
  • 19:00 Shakespeare’s mastery of the abstract
  • 22:30 “nothing is, but what is not”
  • 25:00 Macbeth’s overleaping of obstacles
  • 26:30 King Lear vs Macbeth
  • 27:30 “stars, hide your fires”
  • 30:00 do we identify with Macbeth?
  • 31:30 meeting Lady Macbeth
  • 34:00 does Lady Macbeth lack a conscience?
  • 35:00 was there ever a time without trauma?
  • 38:30 “unsex me here”
  • 41:00 marking our own tomorrow
  • 43:00 beguiling the time
  • 44:00 doing things first in the mind, then in reality
  • 46:15 “if it were done when ’tis done”
  • 50:00 Macbeth’s vaulting ambition
  • 53:00 one of the most chilling images in Shakespeare
  • 55:00 the ominous poetry of Macbeth
  • 57:20 “is this a dagger which I see before me?”
  • 59:00 Berkley, Plato, and our sense perceptions
  • 1:00:00 Raskolnikov, Macbeth, and guilt
  • 1:02:00 the murder of King Duncan
  • 1:04:00 “a little water clears us of this deed”
  • 1:07:00 “confusion now hath made his masterpiece”
  • 1:09:00 the strange temporality of Macbeth
  • 1:12:00 “there’s daggers in men’s smiles”
  • 1:14:00 King Macbeth orders the killing of Banquo
  • 1:16:00 “O, full of scorpions is my mind”
  • 1:17:30 Shakespeare, Montaigne, and animals
  • 1:20:00 Banquo’s murder, Fleance’s escape
  • 1:21:00 the most important lesson in Macbeth
  • 1:22:40 the ghost of Banquo at the banquet
  • 1:25:00 Hecate and the scene Shakespeare didn’t write
  • 1:26:00 Shakespeare’s iambic pentameter
  • 1:27:00 “double, double, toil and trouble”
  • 1:28:00 Birnam Wood to Dunsinane Hill
  • 1:29:30 what makes a play a tragedy?
  • 1:31:00 the murdering of Macduff’s family
  • 1:32:00 Lady Macbeth’s sleepwalking
  • 1:34:30 “tomorrow and tomorrow and tomorrow”
  • 1:40:00 “life’s but a walking shadow”
  • 1:42:00 the death of Macbeth
  • 1:44:00 exploring different productions of Macbeth
  • 1:46:50 what did you think of Macbeth?

Questions to Consider:

1) What lines/scenes would you like us to focus on and appreciate together? Our next Macbeth video is the third piece in our “three reads” approach, and will involve comparing different productions.

2) Do Macbeth and Lady Macbeth have a good marriage?

3) Do we identify with Macbeth or Lady Macbeth to any degree?

Bonus - Let us know what your reading experience looked like. Did you watch any adaptations? Did you read in a single sitting or space it out? Did Macbeth exert any influence upon the other books you're reading? 

Happy reading, everybody!

Files

Previews only

Banquets of Blood 3: Shakespeare's Macbeth

0:00 the tradition of Macbeth 2:00 opening on the blasted heath 5:00 speaking in binaries 9:00 Macbeth’s actions in battle 11:00 the prophecy of the weird sisters 14:00 meeting Macbeth and Banquo 14:30 was Macbeth a real person? 15:30 “so foul and fair a day I have not seen” 17:00 past, present, and future in an instant 19:00 Shakespeare’s mastery of the abstract 22:30 “nothing is, but what is not” 25:00 Macbeth’s overleaping of obstacles 26:30 King Lear vs Macbeth 27:30 “stars, hide your fires” 30:00 do we identify with Macbeth? 31:30 meeting Lady Macbeth 34:00 does Lady Macbeth lack a conscience? 35:00 was there ever a time without trauma? 38:30 “unsex me here” 41:00 marking our own tomorrow 43:00 beguiling the time 44:00 doing things first in the mind, then in reality 46:15 “if it were done when ’tis done” 50:00 Macbeth’s vaulting ambition 53:00 one of the most chilling images in Shakespeare 55:00 the ominous poetry of Macbeth 57:20 “is this a dagger which I see before me?” 59:00 Berkley, Plato, and our sense perceptions 1:00:00 Raskolnikov, Macbeth, and guilt 1:02:00 the murder of King Duncan 1:04:00 “a little water clears us of this deed” 1:07:00 “confusion now hath made his masterpiece” 1:09:00 the strange temporality of Macbeth 1:12:00 “there’s daggers in men’s smiles” 1:14:00 King Macbeth orders the killing of Banquo 1:16:00 “O, full of scorpions is my mind” 1:17:30 Shakespeare, Montaigne, and animals 1:20:00 Banquo’s murder, Fleance’s escape 1:21:00 the most important lesson in Macbeth 1:22:40 the ghost of Banquo at the banquet 1:25:00 Hecate and the scene Shakespeare didn’t write 1:26:00 Shakespeare’s iambic pentameter 1:27:00 “double, double, toil and trouble” 1:28:00 Birnam Wood to Dunsinane Hill 1:29:30 what makes a play a tragedy? 1:31:00 the murdering of Macduff’s family 1:32:00 Lady Macbeth’s sleepwalking 1:34:30 “tomorrow and tomorrow and tomorrow” 1:40:00 “life’s but a walking shadow” 1:42:00 the death of Macbeth 1:44:00 exploring different productions of Macbeth 1:46:50 what did you think of Macbeth?

Comments

Eric Harline

Hi Ben and fellow book club peeps. I'm pretty behind as far as contributions, but I wanted to add this little bit while I was typing up my thoughts about the reading so far. The thing that stuck out to me principally after finishing Macbeth is the comparison of Macbeth to Lucifer by Malcolm in his discussion with MacDuff: “Angels are bright still, though the brightest fell.” Act 4 Scene 3 Line 23 Malcolm doesn’t explicitly compare Macbeth to Lucifer, but I think it is helpful and illuminating to consider this in understanding Macbeth's motivations, which in my first reading, seemed all-of-a-sudden. In Isaiah chapter 14, Isaiah compares the king of Babylon to Lucifer (my preferred is the KJV): 12 How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! 13 For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north: 14 I will ascend above the heights of the clouds; I will be like the most High. 15 Yet thou shalt be brought down to hell, to the sides of the pit. I can’t help but link what Malcolm says to Macbeth as this helps fill in the seemingly abrupt murderous intent with which Macbeth is filled. The allusory comparison to Lucifer may not be entirely valid, but I still find it compelling in my understanding of the motivations of Macbeth, especially when the scripture states: “I will ascend into heaven, I will exalt my throne above the stars of God… I will be like the most High.” Macbeth himself calls upon the stars: “hide your fires; Let not light see my black and deep desires. (Act 1, Scene 4, Line 53)”, which are to “be like the most High”, (Duncan). Lucifer being the son of the morning, the brightest in Heaven, and having fallen in trying to ascend above those stars, just gelled really well in my mind as I read that line from Malcom.

hardcoreliterature

Nice find, Eric :) Macbeth as fallen Lucifer! And the KJV you have supplied is sublime poetry, some of the finest we can get our hands on. I frequently find myself reading Shakespeare through Milton, and needing to remind myself that Milton came afterwards - a compliment that the great writer would have undoubtedly enjoyed!

Brian Whooley

Listening to Ben's comments per "... walking shadow" and the idea that this suggests a presence. I couldn't help but think of these lines from Donne's A Nocturnal upon St. Lucy's Day... If I an ordinary nothing were, As shadow, a light and body must be here. And yes... I discovered this poem through Ben's video on most impactful poems. Thank you!