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"Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed."

Ulysses is a beautiful book. It’s profound, poetic, allusive, and humorous. But it’s also a novel filled with ghosts.

My aim with this series is to guide you through and spark a lifelong love affair with James Joyce’s masterpiece.

Today’s talk is on the first episode of Ulysses: Telemachus. 

In the Penguin Modern Classics edition, this takes us from pages 1-45.

Timestamps:

  • 0:00 introduction to Ulysses
  • 3:30 who is Telemachus?
  • 5:00 why Homer’s Odyssey?
  • 8:00 the pain of returning home
  • 9:30 the beginning of Ulysses
  • 11:00 Homer’s sophisticated narratives
  • 11:30 seeking one’s father & male maturation
  • 13:00 Telemachus, Hamlet & Stephen Dedalus
  • 14:00 Ezra Pound & T. S. Eliot on mythic structure
  • 16:20 trying to awake from the nightmare of history
  • 17:20 what happens in the first episode?
  • 17:57 Joyce’s picture of Dublin
  • 18:45 the Martello tower
  • 19:00 “Stately, plump Buck Mulligan…”
  • 20:00 artists as antennae of the human race
  • 21:30 the death of Stephen's mother
  • 22:00 pain, grief, guilt & remorse of conscience
  • 24:00 Joyce’s Flaubertian prose
  • 25:00 unlocking memories with Marcel Proust
  • 25:50 how secret meanings unfold
  • 28:00 analysing the first paragraph of Ulysses
  • 30:00 the vision of Stephen’s mother
  • 31:30 dealing with guilt during grief
  • 34:10 what does ‘Agenbite of Inwit’ mean?
  • 34:30 Hamlet, Macbeth & conscience
  • 36:30 Stephen’s stream-of-consciousness
  • 37:00 a “living” assignment for you
  • 38:00 what are our thoughts made out of?
  • 39:50 allusions and the theme of rebirth
  • 41:20 Haines, Irish Gaelic & Elsinore
  • 43:00 reincarnation in Joyce’s Ulysses
  • 44:00 Stephen’s ‘Hamlet’ theory
  • 45:00 the mystic Joyce’s love of numbers
  • 45:40 Walt Whitman’s contradictions
  • 48:00 Oscar Wilde’s influence on Joyce
  • 49:00 rage of Caliban & cracked looking-glass
  • 53:45 Ireland as “silk of the kine” & old woman
  • 56:58 names & the meaning of Stephen Dedalus
  • 57:30 the biographical element in modern literature
  • 58:20 the Daedalus and Icarus myth
  • 59:10 the son striving to be atoned with the father
  • 1:00:00 bird symbolism in Ulysses
  • 1:03:00 the omphalos & naval of the world
  • 1:04:50 biological vs spiritual parents
  • 1:08:00 being the father of oneself
  • 1:11:00 the relationship between the characters
  • 1:12:00 enacting the crucifixion afresh in our soul
  • 1:13:20 atonement, death & rebirth
  • 1:15:00 the epic journey of souls
  • 1:16:45 preparing for the next section
  • 1:19:20 some questions for you

Questions to Consider:

1) What do you make of Ulysses so far? 

2) When was the last time you felt the need to ‘return home’?

3) Have you caught yourself thinking? What did you notice about your stream of thought?

Bonus: Please let us know which parts of this first episode were most resonant for you.

Happy reading, everybody!

Files

Previews only

Ulysses Lecture I - Telemachus

0:00 introduction to Ulysses 3:30 who is Telemachus? 5:00 why Homer’s Odyssey? 8:00 the pain of returning home 9:30 the beginning of Ulysses 11:00 Homer’s sophisticated narratives 11:30 seeking one’s father & male maturation 13:00 Telemachus, Hamlet & Stephen Dedalus 14:00 Ezra Pound & T. S. Eliot on mythic structure 16:20 trying to awake from the nightmare of history 17:20 what happens in the first episode? 17:57 Joyce’s picture of Dublin 18:45 the Martello tower 19:00 “Stately, plump Buck Mulligan…” 20:00 artists as antennae of the human race 21:30 the death of Stephen's mother 22:00 pain, grief, guilt & remorse of conscience 24:00 Joyce’s Flaubertian prose 25:00 unlocking memories with Marcel Proust 25:50 how secret meanings unfold 28:00 analysing the first paragraph of Ulysses 30:00 the vision of Stephen’s mother 31:30 dealing with guilt during grief 34:10 what does ‘Agenbite of Inwit’ mean? 34:30 Hamlet, Macbeth & conscience 36:30 Stephen’s stream-of-consciousness 37:00 a “living” assignment for you 38:00 what are our thoughts made out of? 39:50 allusions and the theme of rebirth 41:20 Haines, Irish Gaelic & Elsinore 43:00 reincarnation in Joyce’s Ulysses 44:00 Stephen’s ‘Hamlet’ theory 45:00 the mystic Joyce’s love of numbers 45:40 Walt Whitman’s contradictions 48:00 Oscar Wilde’s influence on Joyce 49:00 rage of Caliban & cracked looking-glass 53:45 Ireland as “silk of the kine” & old woman 56:58 names & the meaning of Stephen Dedalus 57:30 the biographical element in modern literature 58:20 the Daedalus and Icarus myth 59:10 the son striving to be atoned with the father 1:00:00 bird symbolism in Ulysses 1:03:00 the omphalos & naval of the world 1:04:50 biological vs spiritual parents 1:08:00 being the father of oneself 1:11:00 the relationship between the characters 1:12:00 enacting the crucifixion afresh in our soul 1:13:20 atonement, death & rebirth 1:15:00 the epic journey of souls 1:16:45 preparing for the next section 1:19:20 some questions for you

Comments

Anonymous

Not nosy at all. It’s at JoyceGeek.com. Saturdays 12 -2 EST. You are welcome to join. Email Adam Harvey at adam@joycegeek.com. We would love to have you. Especially if you read it 18 times! Wow! It’s a great group. At 2 pm they do Finnegan’s Wake but I don’t do that one. Ulysses is plenty for me. But we go soooooo slow. 8 hours in and just finishing chapter 1. But the discussion is great and opens many rabbit holes.

Josh LaMar, He-Him

Really enjoying this reading! A couple things stand out to me - perhaps also noted in the comments, which I've yet to read through all of, but still my impressions... 1. Opening paragraph: A mirror and a razor. I had quite a lot to think about here about the "mirror held up to humanity" which we later learn is a "cracked mirror." But what about the razor? We often hear about being on a "knife's edge" as if we are about to make an irreversible decision that has equal chance of one way over the other. It is a prescient decision: what are we to do with our lives and what do we make of our modern literature? 2. TS Eliot's Four Quartets: Little Gidding - Last stanza of part V: We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. Metempsychosis. Eternal Recurrence. 5. Five fathoms - Penguin p. 25 - from the Tempest Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. https://www.poetryfoundation.org/poems/47418/song-full-fathom-five-thy-father-lies- Also a reference to eternal recurrence and the Caliban line referenced from Wilde. The novel, like all good literature, creates a sea-change in ourselves. Where we end where we begin, seeing ourselves and the world around us anew.... "And know the place for the first time."

Laura Smith

Wow, I love your reflections Josh. A sea change in ourselves - what a brilliant way to put it.