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'History, Stephen said, is a nightmare from which I am trying to awake.'

Today we're enjoying a rich feast of language in the next two episodes of James Joyce's Ulysses: Nestor and Proteus.

In the Penguin Modern Classics edition, this takes us from pages 45-64.

Nestor Timestamps:

  • 0:00 history is a nightmare
  • 2:53 the poet in exile
  • 5:00 what happens in Nestor?
  • 6:00 who is Nestor?
  • 6:54 the technique of catechism
  • 9:00 Stephen’s history lesson
  • 10:30 Nestor’s three movements
  • 10:59 the end of Pyrrhis?
  • 14:00 pier as bridge without end
  • 15:20 Viconian cycles of history
  • 17:40 poetry at war with its age
  • 22:55 Milton’s Lycidas
  • 27:00 Stephen helps Sargent
  • 32:50 Stephen and Deasy
  • 33:30 Joyce’s comments on antisemitism
  • 36:00 history repeats itself

Proteus Timestamps:

  • 42:23 why is this section so difficult?
  • 43:13 what happens in Proteus?
  • 44:55 Joyce’s characterisation
  • 47:20 language as main character
  • 48:55 who is Proteus?
  • 50:55 ‘Ineluctable modality of the visible’
  • 53:00 the musicality of Ulysses
  • 55:00 the law of signatures
  • 1:04:00 walking into eternity
  • 1:07:20 ‘Wombed in sin darkness’
  • 1:11:00 ‘the man with my voice’
  • 1:12:50 ‘whitemaned seahorses’
  • 1:14:00 Stephen sees a dog
  • 1:24:00 ‘Dead breaths I living breathe’
  • 1:36:00 summarising Proteus
  • 1:27:00 our next episodes
  • 1:28:00 some words of encouragement

Questions to Consider:

1) What do you make of Joyce's use of language? And what makes him different from other writers? 

2) Do you agree with Stephen? Is history a nightmare from which you're trying to awake? 

Bonus: Please let us know which parts of these two episodes were most resonant for you.

Happy reading, everybody!

Files

Previews only

Ulysses Lecture II - Nestor & Proteus

0:00 history is a nightmare 2:53 the poet in exile 5:00 what happens in Nestor? 6:00 who is Nestor? 6:54 the technique of catechism 9:00 Stephen’s history lesson 10:30 Nestor’s three movements 10:59 the end of Pyrrhis? 14:00 pier as bridge without end 15:20 Viconian cycles of history 17:40 poetry at war with its age 22:55 Milton’s Lycidas 27:00 Stephen helps Sargent 32:50 Stephen and Deasy 33:30 Joyce’s comments on antisemitism 36:00 history repeats itself 43:23 why is this section so difficult? 44:13 what happens in Proteus? 45:55 Joyce’s characterisation 48:20 language as main character 49:55 who is Proteus? 51:55 ‘Ineluctable modality of the visible’ 54:00 the musicality of Ulysses 56:00 the law of signatures 1:05:00 walking into eternity 1:08:20 ‘Wombed in sin darkness’ 1:12:00 ‘the man with my voice’ 1:13:50 ‘whitemaned seahorses’ 1:15:00 Stephen sees a dog 1:25:00 ‘Dead breaths I living breathe’ 1:37:00 summarising Proteus 1:28:00 our next episodes 1:29:00 some words of encouragement

Comments

Chris Matheson

On the idea that Proteus was aware of the past, present and future, there is this line in Episode 3, page 50, where Stephen is thinking "devour a urinous offal from all dead." At the start of Episode 4, p.53, we see Leopold Bloom eating breakfast "Most of all he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine." Both references to urinous offal in the space of a few pages..I wonder how these are connected...chronologically I believe Stephen is having this thought after Leopold Bloom has had his breakfast.

Chris Matheson

Having now watched the next lecture I can see how the organ of choice in Calyso is the Kidney and how this represents purification, change and also turning waste into urine, which also put me in mind of when Stepehn has to go for a pee on the beach..a symbol of change, of purification but also of weeing.

Laura Smith

Wow, that’s a great pickup! I wouldn’t have noticed these connections at all!

Elizabeth Madden

Chris, so good to have you join us: you are very welcome, and, as Lara said, that is an excellent pick-up. Stephen and Joyce are intimately connected so much so that both characters represent one person: James Joyce, the writer, Stephen is 'young Joyce' while Bloom represents aspects of his mature self. It is fitting, therefore, that the first 3 episodes in which they appear are happening simultaneously, but in different parts of the city. Like an identical twin, Stephen is picking up on cues from Bloom, and vice versa, throughout the book. When Stephen is urinating, at exactly the same time, Bloom is defecating: both symbolically fertilizing the ground so the main part of the book can begin. Please read and respond to my and others' comments underneath these lectures: we will be looking out for you.