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'For God’s sake let us sit upon the ground and tell sad stories of the death of kings...'

Our journey through the works of William Shakespeare continues with the play that marks the beginning of the bard's glorious rise: Richard II.

We’re discussing dangerous drama, lyrical plays, existential crisis, anagnorisis, mortality, sycophancy, sympathy, love letters to the English language, and much more.

Timestamps:

  • 0:00 ‘I am Richard the Second’
  • 3:00 Richard II as dangerous play
  • 4:45 Shakespeare’s glorious rise
  • 5:17 lyrical & historical tetralogies
  • 6:57 written with sequels in mind?
  • 8:20 what do we mean by lyrical play?
  • 9:30 prose vs verse in Shakespeare
  • 11:00 the first performances of Richard II
  • 12:00 Shakespeare plays the poet king
  • 13:20 monarch of metaphor and simile
  • 16:10 love letter to the English language
  • 16:45 is Richard II a patriotic play?
  • 17:30 on living in turbulent times
  • 20:30 the wisdom of John of Gaunt
  • 22:30 how Shakespeare endured his pain
  • 24:00 ‘this earth, this realm, this England’
  • 28:00 ‘a thousand flatterers sit within thy crown’
  • 30:00 appreciating the Hollow Crown
  • 33:00 the anagnorisis of Richard II
  • 35:00 the King’s existential crisis
  • 36:45 on the comic & the ritualistic
  • 38:00 dramatic irony, sympathy & pity
  • 39:00 the tragic substance & fatal flaws
  • 39:45 anxiety of time & mortality
  • 40:34 sad stories of the death of kings
  • 43:30 jester, death & hollow crown
  • 45:20 ‘mock not flesh and blood’
  • 47:57 ‘my large kingdom for a little grave’
  • 51:30 ‘God save the king, although I be not he’
  • 54:00 experiencing an identity crisis
  • 55:50 a joyful period in Shakespeare’s life
  • 57:20 pain & suffering forge great art
  • 58:00 Shakespeare continues to rise
  • 59:00 what did you make of Richard II?

Recommended Resources:

  • The Hollow Crown: Rupert Gould's Richard II is one of my personal favourite screen adaptations of Shakespeare. Ben Wishaw gives a phenomenal performance as King Richard. One wishes all productions were of this high quality. 
  • Memorisation Challenge: We broached the subject of memorisation with Richard III, and now I encourage you to find another speech to learn by heart from Richard II. John of Gaunt's 'sceptred isle' speech would make for a splendid choice. You can experience four different versions, from the likes of Sir Patrick Stewart and Sir John Gielgud here. Richard's 'of comfort no man speak' is another great choice. There are four great interpretations of Richard's speech here.
  • Arden Edition: The Arden is certainly one of the chunkiest editions of Richard II, but it's stuffed with fascinating information and extensive annotations. Try not to get too bogged down in the footnotes, only looking up the things that most intrigue you.
  • The King's Two Bodies: Ernst Kantorowicz's classic work on medieval political theology makes for interesting exploration for those interested in the historical symbols, ritualistic tone, and identity crisis at the heart of Richard II. 
  • Britain's Bloodiest Dynasty: Dan Snow has another superb documentary here if you're interested in learning more about King Richard II.
  • The Real Face of History: Following who the characters are in Shakespeare's histories can pose a real challenge. Putting faces to names always helps. And this channel has recreated what historical personages like Richard II, John of Gaunt, and Henry IV would have actually looked like.

Questions for You:

1) Do you like this more lyrical Shakespeare? 

2) Do we sympathise with Richard?

3) What line, passage, or idea most resonated with you? And what is your personal grading for Richard II?

Happy reading, Bardolators!

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Comments

Wei Wong

I love the idea of working through the lyrical tetralogy.

Sarah Clark

I came in a little unsure about yet another history play even though I've mostly enjoyed them. However, my side quest into the "real" history of the War of the Roses actually served me well, as Alison Weir's York and Lancaster actually starts a century or so before Henry VI, and her chapter on Richard II's rein told me all I needed to know about his many foibles. I also was a bit wary of the promised lyrical turn of this and the upcoming plays. (Yes, I loved Romeo and Juliet when I was sixteen, but, well, I WAS SIXTEEN. ;-) ) Thus far in Shakespeare's works I've run a little hot and cold on his poetry (loved Lucrece, but V&A was just OK.) Would lyricism work for Richard II? Yes. Yes it Did. Maybe it was all the buildup, maybe it was that I jumped straight to this after the first few books of Paradise Lost and so the style shift wasn't as much of a jolt, but I was swept up in the language and immediately carried along for the ride. B+ and second place overall, though I still prefer Richard III just a pinch. I watched the Hollow Crown adaptations of the Henry VIs and Richard III, so I'll be watching this one too. I need to take a break from this project for a bit so I can catch up on Invisible Man and the next chunk of Paradise Lost, but I'm really looking forward to revisiting the first play of the project that I've read before. Maybe next weekend? Richard III: B+ Richard II B+ Lucrece: B Henry VI: B- (Pt1 C-, Pt2 B, Pt3 B+) Taming of the Shrew: C Titus Andronicus: C Venus & Adonis C- Two Gentlemen of Verona: C- Comedy of Errors: D King John D-