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'The road goes ever on and on, down from the door where it began. Now far ahead the road has gone, and I must follow, if I can...'

Today our exploration of the world of J.R.R. Tolkien continues. And we're talking about medieval vs modern warfare, Tolkien's faith, nature, the oral tradition, ring mythology, temptation, evil, and much more.

Timestamps:

  • 0:00 ‘one ring to rule them all’
  • 2:00 ‘the road goes ever on and on’
  • 5:00 is the journey about the destination?
  • 7:00 Tolkien’s implores us to start walking
  • 8:00 what happens at the journey’s end?
  • 9:00 guides, companions & lore masters
  • 11:00 Tolkien’s love of calligraphy
  • 13:00 a celebration of Samwise Gamgee
  • 15:00 being aware of the tale we’re living
  • 17:00 ‘I want to hear more about Sam’
  • 18:00 do we get to choose our story?
  • 19:00 how to live the great books
  • 20:00 the consolatory power of stories
  • 21:00 Tolkien’s female characters
  • 22:00 the tale of Beren and Luthien
  • 23:00 telling stories in dangerous times
  • 25:00 on the stories lost to the ages
  • 26:00 oral tradition vs written stories
  • 27:00 J.R.R. Tolkien & John Keats
  • 28:00 how to fall in love with poetry
  • 29:00 the influence of Tolkien’s faith
  • 31:00 Tolkien and the Great War
  • 35:00 names as portals of history
  • 37:00 being mindful of our many names
  • 39:00 how to read scriptural literature
  • 40:00 religious readings of Tolkien’s work
  • 42:00 is every story about a fall?
  • 43:00 on the tales that are as old as time
  • 44:00 Tolkien’s construction of names
  • 46:00 the language of children’s literature
  • 47:00 epics vs lullabies & nursery rhymes
  • 48:00 The Hobbit, LOTR & The Silmarillion
  • 50:00 story, consolation, and eucatastrophe
  • 52:00 on our awareness of the moon
  • 53:00 mixed company at the Prancing Pony
  • 56:00 history as a chorus of voices
  • 58:00 agricultural metaphors we live by
  • 59:00 Tolkien’s ecological concerns
  • 1:01:00 medieval vs modern warfare
  • 1:05:00 displaced evil spirits & temptation
  • 1:08:00 writer as sub-creator of Catholic work
  • 1:11:00 ‘lead us not into temptation…’
  • 1:13:00 ‘the ring has passed on…’
  • 1:14:00 shapelessness & the sublime
  • 1:16:00 on the symbolism of the ring
  • 1:18:00 Tolkien vs Wagner’s mythology
  • 1:19:00 the opening of the Nibelungenlied
  • 1:20:00 the inspiration for the ring
  • 1:21:00 at the council of Elrond
  • 1:24:00 our next reading assignment

Areas to Explore:

  • Recommended Audiobooks: Tolkien makes a tremendous walking companion. If you fancy taking the story on your wanders through nature, I recommend a taste-testing the Andy Serkis and Rob Inglis narrations.
  • The Monster and the Critics: You might find the essay 'On Fairy-Stories' in this volume to be an enjoyable and illuminating rabbit hole to follow.
  • Tolkien and the Great War: John Garth's biography is one of the greatest works written on Tolkien. I highly recommend it for those who want a deeper understanding of the man behind the myth.
  • The Inklings: Humphrey Carpenter, another great biographer of Tolkien, has put together something special in this book, which details the friendship and 'Inkling' meetings of C.S. Lewis, J.R.R. Tolkien, and fellow writers.
  • Beren and Lúthien: If you found yourself intrigued by this story, you may wish to check out this beautiful volume.
  • Film Appreciation: This film from 2019, starring Nicholas Holt as Tolkien, gives a wonderful insight into the great writer's life.
  • The Poetic Edda: If you're interested in exploring some of the stories that exerted the greatest influence on Tolkien, I recommend this edition of Old Norse mythological stories.
  • Poetry Appreciation: This volume of First World War poetry really brings the brutal reality of warfare to life. I recommend the poetry of Wilfred Owen to get started. If you would like to explore more poetry, Keats, Wordsworth, and Tennyson would make for great complementary writers.
  • Music Appreciation: Tolkien rejected the comparison between his work and Wagner's Ring Cycle. There are parallels, but that is due to both artists drawing from the same sources. For a humorous introduction to Wagner's opera cycle, you might enjoy singer and comedian's Anna Russell's explanation here.
  • Expansive reading goal: If you followed the call to explore one of the influential works we referenced in our last discussion, let us know which one you went for and what you discovered.

Reading Assignment:

Our next discussion will leverage the remainder of The Fellowship of the Ring, which goes through to page 407 in the HarperCollins paperback edition.

Questions for You:

1) Do we get to choose our own story?

2) What does heroism mean to you?

3) What do great works of fantasy give us?

And please do let us know your favourite passages, lines, and ideas from your reading.

Happy reading, fellow questers!

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Comments

Phil

For a most enchanting supplement to the deep reading of this book, I invite you to listen to Johan de Meij’s Symphony No. 1 "The Lord of the Rings." There are movements dedicated to chapters Journey in the Dark and Lothlórien, as well as a single movement on Gollum. A mind-blowing recording by the London Symphony Orchestra has got me fired up as I deep read the final stretch of the Fellowship. Please let me know if anyone else is familiar with this masterpiece of composition and what your impressions are of it. Enjoy!

Mandi Allen

Again, I'm responding to these questions late-- but here I am nonetheless :D Do we get to choose our own story? I'm surprised to see that out of the responses above, nobody is giving an emphatic "yes!" As a middle-class, white, American millennial who grew up in Dallas, TX, I can say that "choosing your own story" was STRONG propaganda fed to me since I was a baby. And it's not just propaganda. To me, it feels real. It feels like I am in the driver's seat of my own life. My decisions matter and have a huge impact. If I don't like something, I can (and should) change it. I get to choose what I do next. I am here because of my own choices. (I'm also an enneagram 3, so maybe this drive has something to do with my personality as well.) But I strongly believe that this feeling is not universal-- I would bet that people who grew up in different circumstances might wholeheartedly disagree with me. Not everyone has the extreme privilege that I do. So many people in our world are bound by oppressions that I don't experience. In a very literal sense, they might not have even a fraction of the agency that I feel. Beyond that, I wonder if this attitude is also strongly associated with American ideology and not applicable to those in other cultures? The culture I grew up in values individualism and personal success above all else. It makes sense that cultures who value other things would place greater importance on the concept of following a destiny that was set out for you by the divine (or by your family legacy). Or it might be socially unacceptable to assume so much personal power-- in which case, it's safer to believe that you have little control over what happens in your life. I'm fascinated by the thought that based on who you are, you might answer this question very differently.