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'Hurled headlong flaming from th' ethereal sky, with hideous ruin and combustion, down to bottomless perdition, there to dwell in adamantine chains and penal fire...'

We begin our journey through one of the greatest works of literature by meeting Milton's Satan.

We're discussing the anxiety of influence, the sublimity of Satan, responding to scripture and ancient epics, fall narratives, disobedience, resentment, appreciating great poetry, and much more.

Timestamps:

  • 0:00 breaking into Paradise Lost
  • 1:00 Milton’s anxiety of influence
  • 3:00 on Johnson’s ‘Life of Milton’
  • 6:00 the experience of reading this epic
  • 7:00 Milton’s desire to be the first
  • 10:00 how great writers begin their epics
  • 12:00 reading the opening together
  • 20:00 Milton’s revision of scripture
  • 23:00 ‘unattempted yet in prose or rhyme’
  • 24:00 epic’s elevation of style & theme
  • 26:00 ‘of man’s first disobedience’
  • 29:00 ‘justify the ways of God to men’
  • 30:00 ‘what in me is dark illumine’
  • 32:00 the Miltonic religion of one
  • 35:00 meeting with Milton’s Satan
  • 37:00 on the English Civil War
  • 40:00 the composition of Paradise Lost
  • 41:00 ‘hurled headlong flaming…’
  • 43:00 Aeschylus’ Prometheus Bound
  • 44:00 on pride narratives of the fall
  • 45:00 feeling sympathy for the devil
  • 47:00 why does Milton begin with Satan?
  • 50:00 the sublimity of the fallen angel
  • 54:00 Galileo as the Tuscan artist
  • 55:00 ‘better to reign in hell…’
  • 56:00 the resentment of Milton’s Satan
  • 59:00 meeting the host of rebel angels
  • 1:00:00 ‘from morn to noon he fell…’
  • 1:03:00 the building of Pandemonium
  • 1:03:00 the physiology of the angels
  • 1:05:00 appreciating the Miltonic line
  • 1:06:00 heaven & hell as states of mind
  • 1:08:00 sitting in the council of hell
  • 1:10:00 the hierarchy of the cosmos
  • 1:14:00 the decision to corrupt mankind
  • 1:15:00 Satan’s voyage from hell
  • 1:20:00 your thoughts on Paradise Lost?

Resources:

  • Life of Milton: Dr Samuel Johnson's critical review of Milton's work makes a fantastic entrance to Paradise Lost. It's worth studying how Johnson approaches aesthetic appreciation. You can read his 'Life of Milton' in the Oxford edition of his major works here.
  • Anxiety of Influence: As we make our way through Milton's masterpiece, it may be worth revisiting Harold Bloom's theory of influence in his slim tract here or by listening to our podcast on his theory here.
  • Poet of Revolution: For more historical contextualisation, Nicholas McDowell does an excellent job with his book on the making of John Milton.
  • Prometheus Bound: Aeschylus makes a tremendous pairing with the opening to Paradise Lost, so you might wish to revisit our lecture on Prometheus Bound here.
  • The Tenure of Kings and Magistrates: If you're interested in exploring some of Milton's prose, you might wish to start with his essay defending regicide. This is available in the Oxford Classics edition of his major works here.
  • The Sublime: We have recommended the work of Edmund Burke before, but Milton prompts a rewarding return to 'A Philosophical Enquiry into the Origins of the Sublime and Beautiful' which is available in Penguin paperback.
  • How to Read Paradise Lost: For readers looking for a refresher on how best to break into this masterpiece, our introductory lecture is here.

Questions for You:

1) How do you feel about the opening to Paradise Lost?

2) What do you make of Milton's representation of Satan?

3) What lines, passages, or ideas resonate the most with you?

Happy reading, everybody!

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Comments

Kristen Egener Chaddah

Ben, this was a stupendous lecture! My goodness! You are masterful in your handling of this supreme work of literature. Bravo! I must say that having the audible reading of it as I follow the text line by line helps me tremendously to make sense of the unfolding dramatically intense action. I must be experiencing something of the sublime because I feel chills at times and real terror in the presence of Satan and his fallen angels. The scene with sin almost made me recoil in dread. This was not how it affected me when I first read it as a young woman. I have become more spiritual with age moving away completely from formal worship and Christian dogma so why do I feel this, I wonder. Do I naturally resist this fear based theology? It’s quite terrifying. As you say in your lecture, with Martin Luther, there is greater emphasis on the devil, on sin, in order to stimulate and strengthen belief in God. I find it impactful and at the same time am thankful I am free of the oppressive weight that religious devotion can impose.

Kristen Egener Chaddah

“To do aught good never will be our task, But ever to do ill our sole delight, As being contrary to his high will Whom we resist. If then his Providence Out of our evil seek to bring forth good, Our labour must be to perfect that end, And out of good still to find means of evil (159-164, Book I).” This gives me chills. Can you imagine committing your energies to these perverted ends?

Anonymous

Oh shoot, I did it again, sorry. Then I joined Hardcore. Just today I finished book one and was able to listen to the lecture. I love it! I do have a religious background so I love the story and I love the new insights I am getting on Satan and the Fall. I love Milton, Love! His life was so hard and so sad. In some ways I can relate but not as greatly as what he went through. There is something about having deep loss that takes one so much deeper and closer to God. I do find the language extremely hard. But I love the challenge and the Oxford notes that help me so much. And the dictionary. I know I can't catch-up but that's okay. I am loving what I am doing and that's all that matters. Thank you so much for all you do. You are opening my eyes and my heart and giving me new knowledge. And as a Scorpio, that is my heart's desire. Thank you Ben. You are awesome!

Josh LaMar, He-Him

I just finished book 1 and I’m glad I listened to the lecture now. I got a lot more out of the rereading of the passages and now feel ready to look at book 2. This is beautiful and laborious. But I’m enjoying the language and the lines deeply.

Dave Paul

The clownishness of Satan. This is my first impression of the Satan being described and characterized by Milton. I find the character of the “Satan”who acts and speaks at the beginning of PL to be clownish. “To do ill our soul delight.” That is just silly. I believe that if there really is a Satan, then that beast is far more twisted up than that

Serena J Cavanaugh

I actually like him. He says interesting things and I sympathize with him. He feels very much like Achilles coming up against Agamemnon.

Serena J Cavanaugh

This is my second time reading PL but I didn't remember much of it from my first time besides the basics. 1. I felt captivated by the opening. Starting in hell, waking up with Satan and feeling his loss, his rage. I'm reminded of Achilles at the opening of the Illiad and I struggle not to get fully behind Satan against the tyrant, God. 2. Sarah is terrifying and beautiful. In his fierce desire for independence and freedom, my modern mind finds sympathetic sentiments. However under this is the envy of one who can't accept being second best, which is not attractive at all! So it's been an interesting back and forth in my judgement. I think this is highly reflective of our own struggles on the spiritual realm in our daily lives. We vacillate between the justification of lesser traits and knowledge that they really are lesser. I think it's interesting that Satan can't help but defile his own daughter and that illustrates the extent of his self centered adoration. Whereas God created beautiful and perfect Eve, not for his own enjoyment but for her own self. 3. Almost everything Satan says resonates with me.