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Today we are appreciating a curation of poetic masterworks from Walt Whitman: 'The Sleepers,' 'I Sing the Body Electric,' 'As I Ebb'd with the Ocean of Life,' and 'Song of Myself.'

We're talking about existential crisis, wisdom literature, symbolism, empathising with others, body and soul, the unconscious, dreams, mortality, self-love, the Shakespearean in the Whitmanian, and much more.  

Timestamps:

  • 0:00 the healing power of Whitman’s poetry
  • 3:00 the power of rereading great poetry
  • 5:00 poetry appreciation for ‘The Sleepers’
  • 8:00 ‘I wander all night in my vision’
  • 13:00 how to find your personal rhythm
  • 15:00 ‘I become the other dreamers’
  • 18:00 equality, mortality & spirituality
  • 22:00 Whitman vs Shakespeare’s Hamlet
  • 25:00 ‘everyone that sleeps is beautiful’
  • 28:00 poet speaks to us from the coffin
  • 34:00 dreams of drowning & shipwrecks
  • 38:00 ‘the myth of heaven indicates the soul’
  • 41:00 poetic return to the preconscious state
  • 44:00 self-love & uniting with the collective
  • 46:00 appreciating ‘I Sing the Body Electric’
  • 49:00 Whitman wonders about the soul
  • 51:00 ‘the expression of a well-made man’
  • 53:00 ‘to be with those I like is enough’
  • 55:00 presentation of male & female form
  • 59:00 ‘the flush of the known universe’
  • 1:02:00 Whitman improves our empathy
  • 1:04:00 how to relish Whitman’s catalogues
  • 1:06:00 ‘As I Ebb’d with the Ocean of Life’
  • 1:08:00 Walt Whitman’s existential crisis
  • 1:12:00 washed up leaves on the shore of life
  • 1:15:00 ‘ebb ocean of life, the flow will return’
  • 1:16:00 the influence of William Shakespeare
  • 1:18:00 the real Whitman stands untouched
  • 1:20:00 further appreciating ‘Song of Myself’
  • 1:21:00 leaf of grass as journeywork of the stars
  • 1:25:00 book club response to Walt Whitman
  • 1:27:00 medicinal value of Whitman’s poetry
  • 1:30:00 grass as the uncut hair of graves
  • 1:32:00 Whitman helps us see & hear clearly
  • 1:36:00 spontaneous overflow of powerful feelings
  • 1:39:00 the musical power of Whitman’s poetry
  • 1:41:00 the poet’s intimate tone & tactile nature
  • 1:44:00 ‘whoever degrades another degrades me’
  • 1:46:00 the next poems up for discussion

Resources to Explore:

  • Poetic Influence: We can locate much of the biblical, Shakespearean, and romantic running through Whitman's poetic veins. You might find it useful to read Hamlet's soliloquies up against Whitman's poetry. If you have a good anthology of poetry (like this one and this one), you might find it rewarding to turn to Wordsworth and Shelley. For biblical literature, spend some time with Ecclesiastes and the Psalms. 
  • Man and His Symbols: Many have found it rewarding to read the poetry of Walt Whitman through a Jungian lens. If you're interested to know more about symbolism, dreams, and Jungian psychology, I highly recommend checking out the essays in this volume.
  • Mindfulness Exercise: After reading Whitman's poetry, spend some time outside in the natural world. Do you find your perception heightened or altered in any way? You may find it useful to focus on two sensual impressions simultaneously (like sight and sound, or smell and touch) when you want more grounding. I also like to use Whitman's poetry as an opportunity to check in to my body and the present moment
  • Audio: If you would like to listen to the original 1855 Leaves of Grass beautifully read, I highly recommend Benjamin Crow's superb narration here. For a music inspired by the Lilacs elegy, Ethan McGrath's composition is gorgeous. There's a tremendous reading of 'Out of the Cradle Endlessly Rocking' here. And for 'Crossing Brooklyn Ferry', Brooklyn Public Library conducted a very impressive recitation here.
  • Film Recommendation: If you haven't seen the 1989 film Dead Poets Society, starring Robin Williams, I highly recommend giving it a watch as it's incredibly complementary for a reading of Whitman's poetry. You can check out some great clips from the film here, here, here, and here.

Poetry Reading Assignment:

In our next discussion, we will appreciate the following poems: 'When Lilacs Last in the Dooryard Bloom'd,' 'Out of the Cradle Endlessly Rocking,' and 'Crossing Brooklyn Ferry.' I also recommend treating yourself to a viewing of Dead Poets Society.

Questions for You:

1) What is your personal response to Whitman's poetry? 

2) Does Whitman's poetry change the way you see the world?

3) What are the greatest challenges and rewards with Whitman's poetry? 

And please do share with us your favourite lines, images, and ideas you've discovered from your reading of the poetry of Walt Whitman.

Happy reading, everybody!

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Comments

Katherine Bzhestovska

Words about dreams reminded me Po You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream.

Imogen Thurbon

Re The Sleepers , suddenly brought to mind Stanley Spencer’s Resurrection in Cookham Churchyard.

Imogen Thurbon

Just “reread” Song of Myself. I know, from our lectures, that this work was honed and revised countless times by Whitman as he aged. But listening to it again, I am struck by what I feel is the immense intoxication and self-assurance of youth in this poem and the vast expanding ego of youth- I don’t mean this negatively, rather the lovely embracing of all the world in oneself, while feasting almost on the world being “ incorrigibly plural” . And really the impossibility of recognizing death as extinction of self when you are healthy and youthful. This is despite knowing that he would witnessed and been told of experiences of death at 37 and writes of death in war and nursed soldiers, etc so would have been exposed to death in much more direct ways than most western readers today. I find the work beautiful and challenging. Dawkins in his God Delusion talks too and perhaps equally poetically, if you edit out some of the arrogance, of our being the journeywork of stars. And Clive James’ beautiful “And still the earth revolves, and still the blaze / Of stars maintains a show of vigilance / It should, for long ago, in olden days, / We came from there. By luck, by fate, by chance,… “From Star System, by Clive James.

Christina

I had to take a few days to sit with this lecture... So much to think about! Really reflecting on that line you pointed out Benjamin: "I believe a leaf of grass is no less than the journey work of the stars." After listening to some context for it, two other lines of poetry immediately came to mind that I have always resonated with, but had not really connected in the past. I now see all three as connected... PLUS a fourth one that just now came to me as I typed that! 😂 The first is by Rumi "Everything in the universe is within you. Ask all from yourself." A 13th century poet was hinting at this same idea Whitman would express some 600 years later... at the same time the line from "Desiderata" came to me, "Beyond a wholesome discipline, be gentle with yourself; you are a child of the universe, no less than the trees and the stars..." I had to sit with all three of these for quite awhile - and Benjamin is correct: It helps to go outside... the sensory overload when reflecting about the universe contained within us is breathtaking... light and dark, gentle and wild, harmony and chaos... the paradox that we are not this OR that... we are this AND that... 😳🤔 The fourth poem that came to me as I was writing about the 3 poems being connected was from the Tao Te Ching: "Tao produces one One produces two Two produce three Three produce myriad things Myriad things, backed by yin and embraced by yang Achieve harmony by integrating their energy..." The three poems clearly produced Myriad things for me...

Diane

So I've done my homework and it's been another great week with Uncle Walt! Just watch Dead Poet's Society for the first time since it came out. It's a modern day classic. Wonderful to see so many of today's established actors as babies! I also downloaded the Benjamin Crow narration of Leaves of Grass as recommended and listened to the start of Sing of Myself in the car this morning. I've never been so relaxed and serene during rush hour in my life! As far as poems assigned, I loved Out of the Cradle...and Crossing Brooklyn Ferry. They both really moved me. Not sure I understood When Lilacs Last...might need to read that one again but it seemed repetitive and I lost interest. Can't win them all I guess. I look forward to hearing the lecture to find out where I went wrong with that one. All in all though, it was a lovely week with Walt!

Jamie Otelsberg

I’m brand new to reading poetry, and these readings from Whitman over the past few weeks have really been my first experience. I thought before that I didn’t “get” poetry but it seems to me now, that if I sit and read each line slowly and deliberately, poetry takes me- takes my mind I should say, to a place of presence. And that itself is the gift! It’s likely most of you here get that already but it was kind of a beautiful revelation for me. Thanks Uncle Walt (and Benjamin!).

Ms P

The body part catalogue is like a 'body scan' type of meditation, like Yoga Nidra.

Jason M. Meyers

I am quite taken by Whitman's "As I Ebb'd with the Ocean of Life," for many reasons...

Jason M. Meyers

I too, am a native of "the fish-shaped island"; Paumanok; Long Island, New York. What is fascinating to me is that, perhaps like WW in this work, I too have spent most of my adult life there. Thinking that I know the island, the seas, the landscape, the nature of my home. But do I? Can I claim to know the place from simply inhabiting the land? Feeling thoroughly in tune and one with the nature of Long Island merely by visual experience? I feel WW realized that, no - we don't know of a thing simply by looking. "As I wend to the shores I know not," he recognized that Nature is an essence, a spirit, unseen to the eye. "Because I have dared to open my mouth to sing at all." Are we daring to know nature from solely the visual perspective? I believe he is attempting to co-exist and is eager to know of the land, that essence, that spirit. "Whoever you are, we too lie in drifts at your feet." We wish to be a part of you - if you let us; if you allow it. However, perhaps, Nature is inspiring us to do so - if "Thou Mayest." Echos of Adam Trask on his deathbed...'Timshel!" It is up to us; our free will. No invitation required...

Kelly R.

1) My personal response to Whitman's poetry is some initial frustration, followed by a determination to just relax and enjoy the parts I love on my first exposure. Even if I don’t “get” it all, I feel confident it was worth it. 2) I am sure that Whitman’s poetry has altered my view of the world, and nature in particular, in a very short time. Yesterday I attended my 97 year old grandmother’s funeral. At the cemetery for burial the pastor said a few more words and all I could think of was - do you hear that birdsong from the trees behind us?! She loved birds, and I just loved that they sang for her on a February winter day in Canada. Afterward I told my mom how absolutely fitting it was, and she said she hadn’t noticed any birds at all. I think I was mildly aghast. 3) Greatest challenge was the length of “Song of myself,” followed by some of the cataloguing.