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How do you get a Universal Pictures Monsters shared universe off the ground? By focusing on making one awesome story that stands on its own, but does so in a way that picks up threads from the most popular such movies in recent memory, is inclusive and modernized, and hints at a larger world without taking time away from the things important to your first film. Here's my pitch:

It is 1950. In communist Romania, Alex O'Connell (early 30s white, British, he/him), son of Lord Rick O'Connell and Lady Evelyn O'Connell, manages to gain permission for an archaeological team to catalog and record items being removed from an ancient abbey in the Carpathian Mountains prior to the abbey 's demolition as part of a plan to build a massive road to access the Transylvanian Plain. The Romanian official warns Alex he is only doing this as a favor to Alex's parents, who were allies during the War and in the troubled years afterward.

Alex brings the good news to Jonesy Johnson (early 30s, black, French/American dual citizen with links to Paris and Harlem), the head of expedition security, and Doctor Mary Jessica Van Helsing (early 30s, white, Dutch, she/her), the expedition's leader. Jonesy had set up an advanced camp, and had permission to do that, but Alex managed to get permission for a dig, and Mary has arranged the financing and hiring of local crews and experts. The three talk about the archaeological value of such a mission, as well as the political and regional dangers. Now they must go to the advance camp (or return to it, in Jonesy's case), and as they prepare for that all three hint their parents raised them to be... cautious. Alex has a cat. Jonesy has a German shepherd. Mary has a fancy white rat. The three animals get along surprisingly well.

Meanwhile at the aforementioned Abbey, looters are holding local workers at gunpoint, forcing them to use their digging tools to break through the back of the abbey's basement wall. The looters have an old map that claims the "Eyes of the Dragon" have been locked away in a secret chamber. The looters think these are gems.

But the Eyes of the Dragon actually refers to Dracula, who leaks out of a tomb under the Abbey in a mist form when the wall is cracked, and one by one turns the looters and workers into his ghoul minions. Only one worker manages to flee out of the abbey, into the sunlight.

Alex, Jonesy, and Mary (and their expedition) reach the worker's camp at one end of the Carpathian pass, but find the nearby Abbey abandoned. All three become very suspicious, and eventually find the survivor from the Abbey dig, who explains what he saw. Alex asks if there were hieroglyphics, or Chinese or Aztec symbols. Confused, the worker says no. Jonesy asks if there were vials, chemical agents, or signs of drug making. More confused, the worker says no. Mary asks if there were symbols of dragons and inverted crosses. The survivor says there were... maybe. He wasn't paying much attention.

The expedition decides to send the laborer back to the big city with half the expedition's Romanian guards, to report the attack to the government. Alex, Jonesy, and Mary all three slip the laborer letters to send to their respective parents, each without the others knowing. They establish a new base camp.

That night, the base camp is attacked by the ghouls Dracula made from the looters and workers in the Abbey. The main characters' pets all send up warnings, allowing Alex, Jonesy, and Mary to gear up with their respective monster hunting equipment. (Alex's are in the false bottom of a steamer trunk. Jonesy's are stashed in musical instrument cases. Mary's are secreted away in a hidden drawer of her traveling work desk.) During the fight, they run into each other, and realize they all have anti-monster experience.

Mary: "You've fought vampires before?"

Alex: "Vampires? Those are real?! No, mummies. Mostly. And one dragon."

Jonesy: "Mummies are real? I've fought vampires and a dragons, yeah. Never a mummy."

Mary: "Dragons? Like, fire-breathing flying lizards? Those are real?!"

The ghouls are all destroyed.

Curious as to how his ghoul's attack was repulsed, Dracula visits the camp the next day. He asks one of diggers at the camp if he may enter the camp, and is told yes, causing Dracula to give a big smile. He goes up to Alex, Jonesy, and Mary, and asks if they were the ones to treat his pets so harshly the night before. Alex begins to draw down on Dracula, but Jonesy stops him, asking the vampire if he was invited into the camp. He affirms he was, and Jonesy rolls her eyes. Mary then tells Alex a vampire can't attack them while he is their guest, and if he is attacked they'll be cursed.

Alex notes he thought vampires couldn't move about in daylight. Dracula asks where he got that idea, and Mary confirms it's true for some vampires, but not Carpathians. Jonesy notes it doesn't apply to a lot of Non-western bloodsuckers.

Dracula says he is unsurprised they were able to send his servants fleeing, because Alex reminds him of his most beloved servant and general. Almost as if the spirit of Dracula's dear friend was reincarnated in Alex.

Mary asks Alex if he could be a reincarnation of Dracula's beloved friend. Alex shrugs, and says it's possible... such things seem to run in his family. Jonesy, meanwhile, tells Mary that Jonesy quits, and walks away. Alex is flustered Jonesy would quit NOW, but Jonesy points out her name is on the papers the Romanian government signed too, so she can set up her own, separate, camp if she wants to. Mary tells Alex not to worry, she trusts Jonesy.

Dracula suggests Alex leave the expedition and join him. Jonesy is seen getting people to take down her tent, and draws a line in the dirt, loudly telling Alex and Mary that anything on her side of the line is now HER camp, and screw them. Dracula seems amused, and begins to talk about how hard help is to get these days, when Mary distracts him by noting Dracula still has some scars from where he was injured last century, and wonders how long it took him to heal from that near-death. He is angered and suspicious, and asks her how she knows about his last conflict. Mary tells him her family name, and he looses some of his cool and nearly attacks her.

In the background, Jonesy has gotten all the expedition members to set her tent BACK up. Alex asks if she is leaving, or not, and she tells him if he has a question for her, he can come over where she is and ask her. Alex has his father's confused-and-annoyed expression, but Mary grabs his arm and hauls him across the line Jonesy drew in the dirt. All the remaining expedition workers are around Jonesy's tent. Dracula goes to follow, but stops up short at the line, as if hitting a barrier.

Jonesy says she didn't invite him into HER camp. Alex grins, and he and Jonesy and Mary unload a hail of their weapons at Dracula, who is taken by surprise and flees.

The plot can proceed from there along pretty typical adventure/horror lines -- Alex, Jonesy, and Mary decide Dracula is growing stronger by the day, and they can't wait to stop him, so they go after him in the tomb complex. The three have different and complimentary skills, and make a good team. They hunt down Dracula and seem to destroy him, but when he "dies," a gem that looks like a snake eye falls to the ground. Mary realizes this is one of the two legendary Eyes of the Dragon, relics of the Order of Dracul, and it's how Dracula survived her grandfather's assault in the late 1800s. Alex smashes it, and asks how many such gems there are. Mary says two, and three agree they need to find and destroy the other one.

Searching through in notes found in the camp of the Looters who released Dracula, they find that there were two places the Looters thought the Eyes of the Dragon might be. One was here. The other was Castle Frankenstein, and there is a map to a Lost Lab of Frankenstein's, which might hold the secret location of his original Castle.

End movie.

Castle Frankenstein then becomes the next movie. In that story, Alex, Jonesy, and Mary seek to find Castle Frankenstein, but find they are competing with a man who can become invisible, who apparently is part of an evil occult organization.... and a little mad. During the course of that movie, it's revealed some of Doctor Frankenstein's reagents for creating life came from a lost Black Lagoon, and Frankenstein had sent Igor on an expedition there to gather more materials just days before the villagers stormed his castle, which is why Igor wasn't around when that happened. There's no note saying if Igor ever came back...

As the Shared Universe expands, I can get Wolfman, the Phantom of the Opera, and even the Hunchback into this if the first few are successful. The original characters from The Mummy (1999) as occasional support characters. Like, if the Invisible Man's formula turns out to need blood of an ifrit of the djinn, who are naturally invisible, one of the movies can include a backup appearance by Oded Fehr as Ardeth Bay. And, of course, we can bring in elements from Mary and (rightholders willing) Jonesy's families as well.

Both heroes and villains expand their plans, form allies, and build toward the end of the first story arc, a final showdown with Dracula, Frankenstein's Monster, and the Woflman. But even that is only the FIRST story arc...

(Art by WavebreakmediaMicro)

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