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Video

A lightly dusty print greets Imprint's Pork Chop Hill, a small qualm in an otherwise natural, clear presentation. Hard gray scale produces depth, highlights firm and shadows dense, with the in-between limited. Hard transitions limit the gradients. Telecine wobble pairs to a number of scenes.

Grain resolves easily via a well encoded compression routine. This keeps definition intact, crisp, and sharp. A minor suggestion of sharpening leaves the slimmest ringing behind, the only thing amiss and with minimal impact overall. Pork Chop Hill still looks like film, the digital-ness a tiny bother.

Texture stands out in close. Wide shots set the action, defining the environments.

Audio

Understandably limited by age, this PCM track preserves the source material well, even producing the slightest bass response at the deepest points. That's clear, and while the treble stays pinched, there's enough to reach peak volume minus distortion.

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