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Mystical Anarchism, Rosicrucianism, Josephin Peladan, Symbolism/Symbolist movement, subliminal Symbolist techniques, theurgy, Maurice Maeterlinck, The Blue Bird/Project Bluebird, Symbolism is Russia, Georgy Chulkov, Viacheslav Ivanov, Dmitry Merezhkovsky, Zinaida Gippius, Boris Savinkov, Merezhkovsky's Trinitarianism, Joachim of Fiore, the Joachim revival in France, the Status of Spirit/Third Testament/Eternal Gospel, Huysmans & La-Bas, Nikolai Fedorov, Cosmism, transhumanism, noosphere and how it relates to Joachim, Pierre Teilhard de Chardin, Pierre Teilhard de Chardin, Iona Brikhnichev, Alexander Gorsky, the transformation of the God-seekers to God-builders, "The Tower," the Rites of Dionysus, Anna Mintslova, Andrei Bely, Rudolf Steiner, realia & realiora, a society based around the sobornost (cultic-theater), the cultic-theater as a replacement for government, acting as theurgy, acting as an act of possession, Japanese Noh theater and other traditions of possession in theater, audience participation, Mystical Anarchism's influence, role-laying games (RPGs), Dungeons and Dragons (D & D), the shift from passively observing narratives to co-creating them, MAGA as cultic-theater

Music by: Keith Allen Dennis

https://keithallendennis.bandcamp.com/

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Orion St. Peter

So would the Finders with their Game Caller fit into this tradition- or the Stanislavsky Method? It brings to mind the Situationists and their understanding and employment of The Spectacle and its theatricality. Great episode

Recluse S

That's a great question about the Stanislavsky Method. I had wondered about that myself. I didn't see direct connections, but I certainly think it's possible. The Method essentially requires the actor to completely adopt the personality of the character, at times even when they're not performing. I suspect there was at least some awareness of Mystical Anarchism in the Stanislavsky circles. And yes, the Situationists are very much a part of this tradition.