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Everly

“You,” Everly hissed, pointing her leg at one of her two remaining mercenaries. He was an ogre with pinprick eyes and an oversized, crushed nose on his damnable, emotionless face. He’d spent the last several moments holding up the rock ceiling as sand poured in from all sides. The mantis didn’t know why, but the sight of the ogre standing there, straining and grunting made her unreasonably angry.

“Watching you try to hold up the ceiling is irritating me. You’re not going to stop it, so don’t bother. Dig, if you must. Just don’t stand there like that.”

The other mercenary, a dwarf, was on his hands and knees, desperately sifting through the sand, looking for the key hole. Everly watched him work for a few moments, panting as he dug with his hands, digging and digging through the meter-deep sand, looking for the tiny hole. They didn’t have the key. They hadn’t found it on the floor above before they’d had to jump down or get crushed. It was pointless.

Still, he worked. Blood ran down the dwarf’s thick, callused fingers as he dug. Tears streamed down the mercenary’s dirty face.

He’s right there, Everly thought as she watched him, strangely fascinated. Unlike the ogre, this one didn’t annoy her nearly as much, and she wasn’t certain why. Right on the edge. He still held out hope, no matter how unreasonable that hope was, and he clung onto it with everything he had.

But Everly could see it, like water seeping from a punctured skin. The hope draining from him with each passing moment.

She pitied him. For the first time, the mantis pitied one of her mercenaries. How many had she hired over these last several floors? Two, three dozen? Some, she’d fired in a rage. Some had simply disappeared and still remained on her payroll, much to her annoyance.

The rest had died.

The Inevitable Ruin. That’s what their queen used to call this moment. The moment you realized there was no hope, nothing left to do, and all that was left was to die and reflect upon what you’ve already done while you waited. To ruminate on how you’ve helped the colony, and to beg forgiveness of God for not sacrificing enough.

When Everly was younger, she used to think she’d be like the dwarf if and when she faced this moment. The Inevitable Ruin. She would fight to the end, unable to accept it.

Yet, here she was. Sitting in the sand, doing exactly what her mother, the queen, said she would do. What all her kind did. She’d accepted death, and all that was left was to ponder.

She almost laughed out loud. The younger version of herself would be raging right now. It’s not over, she’d say. It’s not over until you’re dead. Get down there and help, damn you.

And by younger, Everly meant the version of herself from just before the demons had come to her world. It’d only been half a turn. Yet, it seemed so long ago. Lifetimes. She’d left the colony just a few days before that. Set out on her own because she couldn’t abide the rules, the lack of individualism in mantis culture. She’d become an outcast, left to wander the sward on her own.

This is it, she thought now, watching as the giant ogre also fell to his knees and into the sand. He dug with desperate eagerness, causing a great cascade to fan out into the air, like a mole excavating a new burrow. Half the sand the ogre tossed was landing in the hole the other mercenary was working on, who didn’t seem to notice.

Above, the ceiling groaned and cracked as it continued to lower. Lights dotted the ceiling, the only illumination in the room, giving it a yellow, sickly glow.

This eighth floor had been a strange world. A long, flat, grass-covered plane meant to mimic the sward. But hidden in the grass were thousands of round holes of various sizes, each one leading downward to a different area, ever going down and down like the labyrinth of a cavern wasp colony. The stairwells to the ninth floor were supposedly somewhere at the bottom.

But instead of going down through the holes, there’d been another option. In the very middle of the grassland was a tall, wide tower, rising about fifty levels into the sky. On the front door of the tower was a simple note that read Warning: If you enter the tower maze, you must proceed to the top before you’ll be allowed to go back down. No teleporting or phase allowed in the tower.

There’d been no other information than that. No indication if it was necessary to use the tower or not. The others debated whether or not to risk entering. It seemed like someone had to go in there and try it. For all they knew, it was the only way to open up the stairwells far below.

And then, Everly received the benefactor box from her sponsor, who so far had been quite generous with gifts. The sponsor’s name was Dictum Waystation Controls, Limited.

The item in the box was called Gordon’s Compass of Vertical Labyrinth Management. 49 uses.

It was a simple device, and it appeared it was going to be enormously helpful. It showed the bearer the “quickest and safest” path through a maze.

But there was a problem. The description specifically stated it wouldn’t work in subterranean mazes. It was clear that the compass was meant to be used to navigate the tower.

In addition, she’d received a notification that the AI had initially disallowed the compass to be awarded, but a lawsuit had been filed, and her sponsor had been victorious. And then a second lawsuit by a third party had also attempted to block the prize, but that attempt had been equally unsuccessful.

Everly had taken that as a good sign.

So, she and her ten mercenaries decided to enter the tower while several other crawlers waited at the bottom. Some of her fellow mantises had offered to go with her. She refused their help, like she always did.

Each stairwell upward ended in a landing that consisted of five one-way doors, with supposedly a different danger behind each one. Each time, the compass pointed to the “safest and fastest” path. Each time she opened the safe door, the other doors disappeared, revealing a small, empty hallway and another set of stairs, and that was it. No danger. The compass could only be used 49 times, and the tower was 50 levels high.

With the help of the compass, Everly and her team managed to carefully creep their way up the fifty flights of stairs in a matter of hours. When they used the compass the 49th time—to go from the 49th to the 50th floor—it pointed to a single door before shattering into a dozen pieces.

At the very top of the tower, they came to a large, round room. At this point, Everly had received multiple awards for viewership. She wasn’t one to feel much emotion other than annoyance, but she did allow a glimmer of excitement to creep in. A fan box. She’d heard of such things from others, but she’d never been the most popular. But now she was finally getting recognized. The entire center system was watching her, alone, traveling up this tower on a mission to possibly help save her fellow mantises.

That was a good, unfamiliar feeling, and she savored it. She wondered what her mother would’ve thought.

Sitting in the middle of the room upon a pedestal was nothing more than a folded tent of paper. She warily skittered forward and picked it up. It was a note, and the moment she touched it, the system read the note out loud.

The announcement came in a voice she’d never heard before.

Never trust your life to Gordon Waystation Outfitters. There’s no safe or cheap path to safety.

This dead end was sponsored by Dictum Waystation Controls, Limited.

“Don’t get caught with nowhere to go.”

“What?” she said out loud, not understanding. It took a moment for it to sink in.

It was an advertisement. The whole tower had been an advertisement. She’d seen a few of those throughout the dungeon. Traps that announced they were sponsored by so and so before they went off. The announcer man said it was a pilot program this season.

But this... this was something else. This entire tower had been built by her own sponsor, and they’d given her an item that deliberately led her here. An item, she now realized, that had been named after one of their competitors.

Humiliation. And then anger.

That anger washed over her. An anger so powerful that it temporarily blotted out the fear. An advertisement? They had used her for an advertisement? How fucking dare they?

There was a loud, grinding noise, and a trap door appeared in the floor.

You may now make your way downward. The path you used upward is no longer available.

She pulled up the scratchpad and scrawled an angry note, but she was interrupted by a new sound. The roof above them started to slowly crush down. Her mercenaries started to shout and point. They quickly turned, and they moved to the stairs, which led down to a landing with four doors.

Now, only ten flights down, and only three of them were left alive.

Everly wondered if this would’ve happened if she’d allowed some of the others to go up the tower with her. Maybe one of the others had heard of this Gordon Waystation company and would’ve figured it out.

But she’d insisted on staying alone this whole time. Even after she’d entered the dungeon and found thousands of her fellow mantises, all equally confused and afraid. She’d wanted to work with them. They’d wanted to work with her.

Still, she’d struck out on her own, determined to fight it all in her own way. Her only companions were the NPCs and the invisible words etched on her prayer mat.

The dwarf finally stopped digging. He rolled onto his back and looked up at the ceiling and closed his eyes. He reached up, almost able to touch it now.

“The Inevitable Ruin.”

She’d whispered it out loud.

That’s when it had happened, wasn’t it? Not now, here in this damn tower. It happened when I abandoned the others. So much earlier than I realized.

Next to her, the ogre, who hadn’t said a single word since she’d hired him, changed. He, too, had stopped digging and now lay prone atop the sand like he was going to sleep, his head turned toward hers. She watched the change happen. There was a flash, like a screen booting up, deep in the back of his small, black eyes.

“Maybe there’s more to it than this,” the ogre said just as the slow-moving ceiling kissed the side of his face. His body shifted and was pushed into the sand. “Maybe it’s not inevitable, like you say.”

She reached her arm out and touched the ogre just as it started to hurt.

Class: Explosives Engineer.Race: Primal.Birth Race: Sward Mantis.Top Level: 62Dungeon Exit: crushed to death on the eighth floor.Author of the fifth edition of the Dungeon Anarchist’s Cookbook.Current status: Dead.

Chapter 16

Time until Ceasefire Ends: 31 Hours.

“Okay,” Mordecai said as Katia sat nervously on the hospital cot. I paced back and forth behind them, equally anxious. I had a bed of my own waiting for me. “This is going to take aboot eight to ten hours for you, Katia. Carl, I’m not sure how long your session will take. It should be significantly less, but I don’t think anyone has actually tried this outside a drug den before, so who knows.”

He placed the fizzing, green jar on the counter. It looked like thick, carbonated slime. The concoction made a hissing noise. “This jar is enough for both of you. It’s basically two hits of Glory Bound, but compounded with a subdermal gel and mixed with a potion called ‘Tough Love.’ Kinda like that anti-alcohol potion I gave to Louis and Firas on the fifth floor, but with a long brew time. I started making this on the previous floor, and it has to sit nice and long before it gains its potency, and we are now in that window. It goes stale fast, so it’s now or never. The dose I’m giving to you, Carl, I’m also going to combine with another potion called ‘Removal Order.’ That way we’ll be visiting the spider’s memories instead of your own.” He paused, swallowing hard. “I hope.”

“Removal Order will work for such a powerful entity?” Bucket Boy asked. The crocodilian kid, a former attendant of the Penis Parade, stood in the room and somehow looked pale, despite being covered with scales. “Isn’t that for weaker possessions?” The NPC looked over at me nervously. He leaned in toward Mordecai and whispered loud enough for the whole room to hear, “Like, won’t his head explode if it doesn’t work right?”

“Wait, what?” I asked.

“No, his head won’t explode,” Mordecai said. “Not the way we’re doing it. Probably not.”

I sat on the cot. “Jesus,” I muttered.

We’ll both die. Don’t do this, Carl.

“Shut the fuck up,” I said, slapping myself on the chest.

Katia had only taken the insidious, addictive drug Glory Bound once, which had caused her to re-live her favorite memory. But the drug was terribly addictive and came with several nasty side effects, one of which was her losing her grasp on what was real or not. We’d only seen a few minor examples of this so far, but we needed to get this taken care of now before it got worse.

And that required her to take Glory Bound a second time but with a version of the drug modified by Mordecai. Katia would go under, but she would be forced to confront something from her past. I didn’t know what that was, and I didn’t ask. That was her business, and it was something she’d have to face on her own. Based on the hollow look in her eyes, I knew it would be something terrible. She trembled.

We weren’t inside of a saferoom, but in a newly-built field hospital at our base. Katia would be unconscious but constantly monitored, and saferooms had some strange rules about this sort of thing. Mordecai insisted it would have to be outside.

As for me, the treatment required someone to remove my new toe ring once I was konked out. That also required me to do this independent of the safety of the guild.

Outside, the clanging, pulsing sound of rapid construction continued unabated. The multi-layer, anti-magic shell was being erected over the base. They were behind schedule, and I could hear shouting from several directions. This new shield looked like a kid’s jungle gym, and it was designed so different mages could cast spells in different hexagons of the structure, like tiles, allowing for stronger protection and denying the enemy a single point of failure. Killing a mage usually canceled out any of their active protection spells.

“Carl,” Rosetta said. “If you’re still under when Katia comes back, I’ll induce the wake-up sequence. You should be able to initiate the ejection yourself, since it won’t be your own memory.”

“Even with the ring off?”

“Once you’re under, the ring shouldn’t matter, but we’ll make sure it’s put back on before you wake up. Imani will cast a protection spell on you, too, so that should bolster your defenses.”

“And if I am in one of my own memories?”

“Then it will probably be unpleasant,” Rosetta said.

“What about Katia?” I asked, looking over at the woman next to me. She was in her regular, human form, and she looked so small in the bed. She caught my eyes and smiled. She reached over to grab my hand, but she was too far away. Rosetta moved between us.

Edgar the tortoise appeared, walking slowly into the room. He made slow, painful progress toward Katia. “Even though you’re both getting the same drug,” Edgar said, “you two are undergoing two very different treatments. Once Katia is under, she’s on her own. If we wake her up early, it could be fatal.”

“That’s a cheerful thought,” Katia said.

In the room was Edgar, Mordecai, Rosetta, Bautista, Imani, a few former crawlers I didn’t know, and Bucket Boy the crocodilian strip-club attendant NPC, who was also a low-tier healer. He was present to assist Imani, and once the fighting began, this field hospital would be his domain along with some of the other healers.

Bautista remained in the back of the room, pacing back and forth, chewing on one of his finger claws. I wasn’t too clear on the state of Bautista and Katia’s relationship, but she’d asked for him to be here. Based on the flashing of their eyes, they were talking privately.

Donut remained in the guild, in her bathroom, taking shower after shower in a fruitless attempt to get the stench out of her and Mongo. Rend was with them, apparently a big fan of the shower. Donut had sent no less than two dozen messages in the past ten minutes, demanding to know what was happening.

I took a long breath. I touched the tattoo on my chest. The eye was open and blinking, angrily looking back and forth, desperately attempting to cast this or that. I had my Wisp Armor spell active, which added extra protection against Shi Maria’s attempts to take over my body. Despite that, she’d just been able to talk in my mind. We had to do this now.

We had several options on how to deal with the spider’s presence attached to my body. All were dangerous. None were guaranteed. This particular method was ensured to be painful whether it worked or not, but it came with the benefit of having to use a powerful potion that Mordecai had already made.

I worried about that. Whenever there was a coincidence or a convenience—not that anything about this was convenient—I knew that there was another hand involved in all of this. Whether it was the show runners or the AI or some combo of both. And that always meant some sort of unwelcome fuckery was about to go down.

But what other choice did I have? This was our only opportunity to deal with this problem before it was too late

According to both Mordecai and Rosetta, this particular drug—Glory Bound—was based on a real-life, outside-the-inner-system medication originally designed to help train people to do various, difficult tasks. It was a two-part process that first involved subliminal conditioning over a long period of time. And then the trip portion of the drug was used to unlock the knowledge. But, as with most drugs that could do such a thing, it started to get abused before the whole process was replaced by some other technique.

But the drug and its effects persisted in the dungeon, used for literally dozens of quests over the seasons, or as a sort of trap, which is exactly what it had been for Katia. Sometimes the drug’s effects were tweaked to fit into a particular storyline. But more than once, there had been “possessed” quests that required the victim to find the drug den in the Desperado Club to get themselves cured.

In order for Katia to clear the physical effects of this addiction, she needed to re-live this experience, whatever it was.

For me, it was more complicated. I needed to enter the memory of the spider, who also would experience her “worst” memory. I would not be a memory ghost in the reminiscence. I could—and probably would—be injured. I could feel pain. My memory body could die. But I would reconstitute each time. And as long as I kept my wits about me, my real body would be fine. I would have to witness this dream, whatever it was, and because of the drug Mordecai added to the mix—Removal Order—I could choose to lock Shi Maria in the memory at the end. She would remain forever trapped.

The tattoo would remain on my chest, but I would have control over it. I would gain a skill or two, if I did it properly. And that’s what worried me. There were no specific instructions on how to “lock” her in the dream. It would manifest itself in a different way each time. Mordecai said it would probably be clear.

But if I failed to properly trap her, I’d wake back up and would have to deal with a very pissed-off entity inside of me. We’d be back to square one.

“Here we go,” Mordecai said as he slipped on a glove. “This potion is a gel I’m putting on your skin.” He took a handful and started to rub it on Katia’s neck. He then added another potion to the jar of goo and moved to me, slopping a cold blob of the green stuff on me. It fizzed and kind of tickled. “It’ll take about five minutes to start working, but it’s safer and more effective if you’re unconscious when it takes hold. So wait until your potion cooldown has passed, and then I’m going to knock you both out.” He pulled off the glove with a deft finger and dropped it into the jar as Imani handed each of us a potion.

“Drink these as soon as you can,” Mordecai said. “This will help the sleep come fast. The potion will make you a bit loopy. You might see some weird shit, but it won’t last long.”

Potion of Somnolent Embrace.

This won’t remove your worries or your bad dreams for more than but a moment. But it will ease them long enough to let you sleep. Sometimes this is all we can hope for.

Gently brings you to rest until you fall asleep.

Katia looked at the potion, gave me a quick, nervous smile, and then shrugged. “Skál,” she said, drinking the potion manually.

A moment later, she added, “Oh wow, this stuff is great.”

“I don’t have the fancy bed you guys have,” Mordecai said. “It’s what I use sometimes.”

“Sometimes?” Rosetta asked.

“What do you know aboot it?” Mordecai asked her.

“I saw Odette’s story about you the other day.”

“Her what?”

I drank the potion down, and I instantly felt a warm tingling rush over me. I turned my head toward Katia. She had a golden, glowing halo over her. The others in the room were still talking. Mordecai was growling something at Rosetta, but all I could hear was Katia.

“Do you want to hear a secret?” Katia asked me as her eyes got heavy. Her voice was loud and clear.

“Sure,” I said.

“My favorite memory and my worst memory are the same thing. I’m going to the same place I was last time. I hope that doesn’t mess this up.”

“Katia,” I heard myself say. “Quick. Grab my hand. We can do it together.”

“Okay,” she said, reaching out. Her arm stretched and grasped onto my wrist. She started to twist and twist, like a vine growing up my arm. She started to pull me from the table.

“No,” someone shouted. “Separate them!” Edgar. His voice was distant. Not nearly as clear.

Imani was there, unravelling us. “No touching, you two,” she said, her voice surprisingly gentle, yet so far away. She was wearing gloves. Why was she wearing gloves? “It’ll confuse the dreams.”

“But we’re still touching,” I whispered as my consciousness fled. I could feel it, the river, flowing from myself and crashing against the rocks of Katia’s mind. There was no purchase there, no permanent path back to me, but still, my thoughts crashed into hers, like a tsunami, and for a moment, I flooded onto her, overwhelming it all.

I heard her gasp, and I could see things there. I saw her mind.

And with the backsplash, I briefly touched the minds of others nearby. Imani, who was terrified. Mordecai, equally wary. Rosetta who just seemed so very tired. Edgar, who was worried. Just flashes, like my hand running through a flame. The moment only lasted microseconds.

Katia was the one I’d truly crashed against, and while it was still short, the glimpses I felt of her lasted longer. Told me more.

She, too, was afraid. Afraid that she was a burden. Ashamed. Ashamed that we were all doing this for her. And angry, too. Angry at herself. Angry at the world. Angry at... at... Me? Why would she be angry with me?

I quickly started to recede.

Would I get away in time? I could feel the event horizon looming. The precipice of the dream rushing up to meet us. And behind me, another presence menaced. Two presences. Three presences, but one well hidden. I tried to retreat, fleeing away from Katia’s dream. She needed to do that alone. I needed to turn around and face this, whatever it was.

Katia stood beside me, her arm still twisting like a snake around my own as the two sides crashed toward us, like a pair of hands clapping together in a clumsy attempt to capture a bug.

“It’s not that I’m angry with you,” she said in the microsecond before the two hands joined. “I’m just mad that you let people hurt you. You meet someone, you start to care for them, and then it becomes...”

She was interrupted by a warlord notification. The sound was distant and hollow, yet it was enough to cut her off completely.

The Lemig Sortion has offered you free passage to their headquarters in order to treat for peace. They are offering...

Slap.

Chapter 17

I blinked, and I woke up.

The Scavenger’s Daughter has been fed. Unleash her wrath.

I wasn’t in the Icelandic hospital anymore. My mind reeled.

Is this still the dream?

I slowly looked at my hands, confused.

I was covered with blood. What the hell?

Quest Failed. The Bedlam Bride.

Katia, I thought. Where was Katia? I thought of the memory, of the dream we’d just shared. Of Annie, the little baby girl. Of that prick of an ex... boyfriend? Husband? Fannar was his name. Of the cancer diagnosis. After all those hoops, after all she’d overcome. They’d caught it early. She’d be okay. But, despite that... it’d come with a terrible price. I understood, finally. Katia’s addictions. Fannar had told them. I didn’t understand why. She’d been clean for so long, struggled so long, so hard to stand on her own feet. And then a one, two punch. By dungeon standards, all of this was almost nothing. Just another one of life’s shitty events. A debuff. A minor setback. But to Katia, it had been everything. A shattering.

I thought of the social worker, coming to pick me up from the interrogation room. Come on now, she’d said. Come on now.

But this time, when I remembered it, she said something else in my memory.

The inevitable ruin. I heard it clearly in her clipped, matter-of-fact voice.

I knew that phrase. I knew what it meant. Paulie had said it was of Mantid origin, a phrase meaning the point of no return. But what the hell did it mean in this context? The altered memory came unbidden. The words appeared and disappeared in my mind, like smoke.

There was screaming.

I was still groggy. A lot of screaming. What was going on? Where was I? I was standing. Standing in the middle of a room. Standing in a circle of blood and corpses.

My eyes focused on a goblin thing. He was in the familiar, cavernous room with me, and he had a gun in his hands. He aimed it right at my head and pulled the trigger. The goblin froze, and the gun didn’t go off. The word Naughty appeared over the goblin’s head. There were multiples of the creatures in the room. Most were dead. One was on the floor, sobbing as he dragged himself away from me. His legs were gone, and he smeared bright, bright blood on the tiled floor.

I know this place, I thought.

And the goblin, too. The one screaming with no legs. I recognized him as well. His name was Luke. He was a representative from the Lemig Sortion. As I watched, he groaned, and then he died.

Corpse of Luke. Level 64 Lemig Goblin.

General in the Democratic Sortion.

Killed by a fellow soldier under the control of Shi Maria.

I... I was in the high elf castle. The castle from the fifth floor. We were in one of the ballrooms, but the walls were cracked all around. I shook my head. This didn’t make sense.

“Sorry,” a new, gravelly voice said. “It’s being ruled an AI action, not an attack. The ceasefire has no rules against teammates fighting one another. Or monsters. You could’ve fought back against the unaffiliated NPC while he was under control of that thing, but you waited too long. Now that he’s no longer possessed, you can’t touch him while the ceasefire is in effect. The AI is claiming he had a notification over his head while he was vulnerable.”

I turned around to face the voice. I blinked a few times, still completely disoriented. There was something wrong with my eyesight, and it was making me dizzy. There were two aliens standing there in the midst of all the carnage. God, how many dead were in here? It looked to be fifty, or more.

The one who’d been speaking was a tall, purple-skinned creature. A dreadnaught. The notice over him said his name was Panford. Adjutant for the Democratic Sortion. The alien he was speaking to was a giant, fuzzy thing. He was a good seven feet tall and looked like an upright caterpillar. Commander Stockade. Level 76 Phase Sorcerer. Warlord of the Lemig Sortion.

“An AI action?” Commander Stockade shouted. He was screaming at the dreadnaught. The caterpillar’s voice surprised me. He had that same, weird accent as the rest of their kind, even though the rest were mostly goblins. He sounded like an aged surfer dude straight out of southern California. “He walked right into our throne room and killed half of my family, and it’s considered an AI action? This is utter, complete bullshit. I want to file an immediate appeal.”

I continued to look around. I was starting to realize this wasn’t a dream. Was I really here? How in the hell had that happened? The entire ballroom was filled with blood. It looked as if someone had set off a bomb.

Also, I realized, this wasn’t the same goodwill ballroom I’d been in for the Butcher’s Masquerade. The exits were in different places. I suspected this was the third one. The one near the top of the castle. Queen Imogen’s private ballroom. When we’d transferred this castle to the ninth floor, I knew it’d landed in the territory of the Lemig Sortion, and they’d started using it as their headquarters.

“You can’t file an appeal,” Panford the adjutant said. “They’re all dead. You can’t appeal them back to life. If you had informed me of your ill-conceived plan, I could have told you why it wouldn’t have worked. That entity is a demonic demigod. Not a full demon. Carl was not possessed in the traditional manner. You planned on turning Carl into a vegetable and having the spider kill everyone in the room back in the other base. Instead, Carl is safe, and now your throne room is destroyed.”

“This is cheating! He turned into that thing and killed the entire room in seconds! That’s not how this works! The AI changed the rules.” His voice was starting to crack. “Luke, oh gods, Luke is dead. My beautiful, beautiful Luke. Reeves is dead. They’re all dead.”

My eyes caught the timer in the corner of my vision. We had 20 hours until the ceasefire ended. I’d lost 11 hours.

“What happened is exactly what always happens when you attempt to improperly extract an entity that powerful. This is your fault. This very thing happened three seasons ago,” the dreadnaught said, jabbing a finger at the caterpillar. “I asked you where you got your information, and you refused to answer. All spies must be disclosed to adjutants. You know this, and you have made no such declaration. Unless you can prove you have a mole in the Princess Posse camp, I am going to assume you have an external influence assisting you, which is clearly cheating. You and Architect Houston both planned this using someone observing the feed from outside the dungeon. I’m afraid I’m going to have to call a foul.”

“On us? You’re calling a foul on us? We are fighting for our lives here, and you’re worried about the rules? When I get out of here, I will make you pay.”

“Both the Lemig Sortion and the Madness will receive heavy sanctions for this stunt. The specifics will come down shortly. In addition, threatening your adjutant comes with additional penalties.”

“What the hell happened?” I asked, coughing the words.

“You,” Commander Stockade said, waving one of his short, caterpillar arms at me. “You planned this! I don’t know how you did it, but you planned it this way!”

I was going to vomit.

Donut: CARL, CARL. WHERE ARE YOU? KATIA IS STILL HERE, BUT YOU DISAPPEARED. YOU TELEPORTED AWAY, AND NOBODY KNOWS WHAT HAPPENED. OUR ADJUTANT LADY SAID YOU KILLED A BUNCH OF LEMIG PEOPLE IN THEIR OWN CASTLE, BUT IT’S THEIR OWN FAULT. SHE’S NOT MAKING SENSE. MORDECAI AND ROSETTA ARE BOTH LAUGHING LIKE THEY’VE GONE CRAZY.

Carl: I don’t know what’s happening, but I’m okay for right now.

Baroness Victory: Hold tight, Carl. They’re asking for a minor quorum. I am coming to you. Don’t make any rash movements or actions. You’re safe if you don’t move.

There was a flash, followed by a second flash and a notice.

A Second Adjutant has Entered the Room.

A Third Adjutant has Entered the Room.

A Minor Quorum has been achieved. All hostilities must be paused while a field ruling is considered.

There was new shouting all around me as mercenaries entered the ballroom from all the doors. A second and a third mercenary—these were large, bugbear-looking things I’d never seen before—attempted to fire their weapons at me. All got paused. There were no chairs here. I had to sit, so I sat on the floor, in the midst of all the carnage. I had no idea what had happened, how I got here, or what had happened while I was under. My head continued to swirl. I remembered the dream, how it started. I remembered the spider. Not Shi Maria, but a different one. A male. Her husband. I remembered how, near the end, Shi Maria had also entered the room, mocking me, telling me I’d be sorry, but then she saw the other spider, and she’d changed. She burst into a rage. She killed him, her own husband. She’d devoured him while she sobbed. After, she’d curled into a ball, right there in the hospital in Iceland.

But then it got fuzzy.

I’d failed the Bedlam Bride quest. The quest to bring her to Larracos. Did that mean she was gone? If so, how had she killed the entire room?

And how the hell had I gotten here? I was now on the other side of the map.

I hoped Katia’s treatment had worked. I suspected it had. That was the impression I had from the dream. My treatment had also worked. Sort of. It had worked according to her husband, who’d reappeared at the end. The order of what happened was a jumble, just like a real dream. What was his name? Hapanzi? He’d been a god.

I have her now, son, he’d said. She is good and trapped. You can always set her free, if you must. But do not unless all is lost.

I could now see from the eye on my chest. It wasn’t a tattoo anymore, though it still disappeared when it was closed. I could feel it. I had to make a conscious effort to keep the eye closed. Another wave of nausea flooded me.

Katia: Carl, where are you?

Carl: I think I’m in the high elf castle! I have no idea what the hell is going on.

Katia: They’re saying you teleported away right when it started, but you remained translucent, like you were in two places at once, and at the end, you completely disappeared. And now your adjutant is saying you killed a room full of the Lemig goblin guys. She said something to Mordecai, and he fell over laughing and hasn’t explained why. Donut is here losing her mind. The Lemig guys knew the precise moment you went under, and they attempted something to ruin the procedure. Something using the warlord chat I don’t understand. That in itself wasn’t against the rules, but them using outside information is. The fact it backfired on them is irrelevant.

Carl: Holy shit.

Katia: Carl, we left her there. We left Shi Maria alone in that room with Annie.

Carl: It’s not real. It was just a memory. The spider is trapped, and she’s not trapped in you. Her husband said so. But your Annie. The real Annie, she’s gone. They can’t touch her.

Katia: Carl...

Carl: It worked, right? Did they say it worked?

Katia: I think so. It’s not like a switch that one flips on and off. We won’t really know right away. But, yes. I think it worked.

Carl: Then that’s all that matters.

Shi Maria wasn’t truly gone, but she was trapped. I remembered now. She was like an egg inside of me. One I could break at any time, but I had to do it myself.

That should’ve been an enormous relief. It was not.

I tried opening the third eye, but I clenched it shut a moment later. I had to close it. There was power there. So much power. I had to keep it closed.

The inevitable ruin.

~~~~~

Can you guess what the title for the next one is? It's not 100% set in stone, but as of right now we are going with Dungeon Crawler Carl, Book 7. The Inevitable Ruin.

Okay, folks. Happy Halloween! So a couple notes about those previous two (three, really) chapters. This was tough because it was something we always had to tackle. First off, I’m not a huge fan of these weebly-wobbly, is any of this even real? sort of chapters, but sometimes they’re absolutely necessary. And when you’re in the first person POV of someone who shouldn’t be privy to it al, it makes it even more difficult without being hackneyed. I'm probably still going to tinker with these chapters more so than any others so far before we get to the final product.

Katia’s backstory isn’t really anything super cataclysmic. But it is sad and frustrating and all too common, and I’ve been kinda worried for a while now that by making it so mysterious that the actual reveal would be kind of an anticlimactic. My first attempt at these chapters included the dream itself, and Katia revealing the exact timeline of her circumstances. Instead I’ve left it a little more nebulous, though the facts are now on the table.

Combine that with an equally nebulous way for Carl to temporarily(?) sew-up the Bedlam Bride storyline without completely closing it, and it makes for a weird pair of chapters. .

(And I managed to sneak in a third reference in there from another ill-defined scene from the last book we’ll eventually get to. That one is a doozy.)

As to what actually happened, and why it happened, outside the dream. That will be made crystal clear next chapter, so don’t worry about that.

ANYWAY!

Three news items.

1) Part II of the eight-part Dungeon Crawler Carl, book one audiodrama is now available over at Soundbooth Theater! From now on, all the parts will release every two weeks. This really is something else, and if you haven’t already, check out the first few hours for free. https://soundbooththeater.com/shop/audiobooks/dungeon-crawler-carl-book-1-episode-2-ayudame-immersion-tunnel/

2) The Kickstarter has three days left! Holy shit! Thanks for all your support so far. My wrist is going to hurt more than it did after I first saw the movie Career Opportunities.  https://www.kickstarter.com/projects/dinniman/dungeon-crawler-carl-v1-hardcover-editions?ref=5qmotz

3) I will be at the 20Booksto50K conference next week in Las Vegas. I am having dinner Sunday night with some of ya’ll. If you expressed interest in meeting with me in the comments last time, I should have sent you a message regarding the dinner plans.

4) Bonus news item. There are so many HOLY SHIT things I wish I could tell you right now, but I just can’t. Either way, this... the story itself is the single most important of all this, and I want to thank all of you for sticking it through with me. Every one of these books is an order of magnitude more difficult to write than the previous, and your support means the world to me.

Okay, one more thing.

One of the reached stretch goals for the kickstarter is a pair of full-color endpapers plus several full-color drawings of scenes from book one. The backers get to vote on what they want, but I'm asking you for your input on what scenes you'd like included for the poll. Luciano, who does the regular edition book covers is doing the front and back endpapers. I kinda want the first one something from near the beginning of the book, like the scene of Carl going down the first set of stairs and approaching the giant doorway, and the end scene all the cages from when Donut and Carl get to pick a pet. But ultimately it's up to the backers.So my question is, what scene from book one would you like to see made into art? Think outside of the box.

Files

Comments

Vickie Rashvand

Eep so excited for new chapter day!! In terms of art work.. how about a scene from inside the goblin boss room (where Donut says there were a lot of babies). I’m thinking a pov from inside the room with charred bits of goblin, facing up to the door with Donut saying her line and Carl just out of shot… not sure if that makes sense! 😅

Disabled Tuna

I like the idea of Carl standing in the snow yelling up at Donut in the tree. And the pig orgy ball.

Craig Carey

Ty for the chapters on Halloween!!!!! I was so looking forward to this!!! Love this!!!!! Butthole pics coming soon.....mayby not......;)

Michael Grimmett

GOBLIN BABIES.... or the Maestro getting Glurp Glurped.....

Matt Fitzpatrick

Gotta have some art of the ai realizing the glory of Carl's feet...pushing the bomb cart into the goblin boss+baby room or just smooshing some creatures. Extra spicy!

Jeff M.

Got my Halloween fix, hell yeah

Katherine Van

For the pic question: Maybe a scene of Donut in Mordecai’s mother’s ashes? But maybe that would be too busy, with everything that was going on visually at that moment.

Greg Danes

I would like to see the scene of Maggie My trying to stop Frank Q from looting that corpse with the explosive in it and it starting to explode.

AJ Bruner

Pic: A cart full explosives coming through a door while goblin babies are being read a story (one being dressed like baby Yoda of course).

Kane Vorderbruggen

As to the art, i think the descending into the dungeon would be iconic and fitting. I also like the idea for the back endpaper to be Carl and Donut fleeing the Rage Elemental.

macrocode

There are several arts to pick right, not just 2? I like the doors entering the dungeon, and carl begging donut out of the tree. I think a good one would be carl landing on the goblin after jumping from the murder dozer. But I've always wanted a shot of where they meet Zev for the first time, it's so cute. Besides those moments I'm just thinking of every boss

AJ Bruner

Pic: Mrs. Parsons head on the ground in front of Carl from the waist down, so all you see is heart boxers and crocs.

CosmicCass

Id love carl descending the stairs and seeing the kua tin on the doorway

CosmicCass

Also the rage elemental chasing them down the hall of the second floor would be a cool piece

macrocode

Donut snatching the pet biscuit, carl annoying the maestro. At this point I'm just listing everything in the book. I love it all

Rexosaur

would a shot of carl in the miestros show saving le jna and le jun (I don't remember how to spell names) wasn't that the first time carl went out of his way to save crawlers I think it be cool at least

Stephan Doyle

I think the rage elemental and/or any of the early bosses would make for fantastic pictures!

Tsantensore

I kind of want to see a scene of Carl pushing the bombs into the goblin boss room, with the big goblin reading to the children. A look of instant regret on Carl's face and delight in Donut's face. Goblins showing curious surprise. Messed up scene, but that's what the Apocalypse is all about.

Mike

I think a scene of all the people from Meadow Lark that chose to remain in the safe room when the floor collapsed could be poignant, especially if placed strategically in the book. Maybe that shot of them all having dinner, laughing and celebrating. An eerie juxtaposition against all the horror and implications we are introduced to throughout the book.

T

I don't have any ideas for the illustrations. So just here to give feedback on the chapters. HOLY SHIT, they're so good! I think the dream sequence/is any of this even real bits are well done. I actually really like it. I don't think it's hackneyed at all. I think it fits and feels just right for the scene. It felt confusing and unsettling - just like what carl experienced. I love it!! Katia's backstory - I don't think it's anticlamactic. It's realistic, and human. And thats what I love about your work. Even if the scenarios are insane, the feelings are human. I think this backstory makes a lot of sense and I'm glad it's not sensationalized or intentionally made to shock the reader. That also gives respect to the very real situation some people live through. I love your writing so much. Thank you!!

Jake

When they kill Loita. Carl and Donut standing over her as she dies. Badass

Bru-

Great Chapters, I think a scene of them on Odette's show where Donut is ecstatic and Carl doing an Oh Shit what are we into now would be great. Even if it is when they first get there and meet Lexis. Though saving that for the next book when Carl is in his toilet paper loincloth might be better.

Randell

At the front, it would be cool to see a wide view of the cityscape: rubble, debris, some unroofed structures still standing, dimly lit in the night sky with scatter spotlights rising from stairwells across the city. Sort of an homage to the post-apocalyptic cityscapes you get in other works. For the end, play against that first picture: Carl with Donut on his shoulder, helping some old folks, finding an opportunity to find hope and love life when everything around him has turned into a shitstorm. Combined, the book starts with something dauntingly stark, then ends with something hopeful. Great chapters. I’ll need to re-read that last one to catch exactly what the hell is going on. I like the feeling of confusion — it is appropriate. Great work, as always.

Stephanie Gustafson

Artwork. Hm, Carl, Donut, and Mongo on stage with Odette? Would love to see tiny Mongo with a bowtie or sitting on Donut.

William Smallwood

That one dude's dick when he's pissing on the wall.

Stephanie Gustafson

Oh, and as the opener, I second the scene of Carl yelling for Donut up in the tree

Bo Jarrell

I think it would be cool to see Carl carrying donut and taking his first steps into the dungeon. Then them leaving the first floor and you can see the changes that they’ve gone through.

Jpic

The sun rising on Miriam Dom for the last time. Carl on the couch with donut in book one, before she jumps out the window Tina's Dance.

Jpic

Remember that scene were he crushes the rodent boss? The AI remembers....

Jpic

Just a close-up of penis, moments before disaster

jackyso

Art that would be super cooool: A rendition of what Seattle/The Surface looks like after all the buildings have been squished into the dungeon. There are many questions about the surface, and an illustration of what type of environment is left for those who didn't go into the dungeon sounds awesome.

DannyK

I’d love to see an image of Donut charming the two goblin shamankas while Carl looks on, nonplused, I think it would be so fun to draw Note: guys, just scenes from Book I let’s not get carried away here

Minibom22

Noticed a small error. When Carl noticed he was in the elf castle, you said it was from the fifth floor (the bobble floor) instead of the sixth floor.

Brooke Hart NF

The front would be great as the first Safe Room/ Mordecai’s room, complete with master splinter Mordecai. The end art should be them going down into level 3. At least, that’s how I see the object as being made into a coherent whole. #objecttheory #uslessartdegree

Jason VanDeven

Back lit silhouette of Carl and Donut going down the dungeon stairs with the city burning in the background. EPIC.

Mist Sparrow

Dang , I was really hoping for some kind of funky "carl does an inception" thing. I can only imagine what kind of box he might get for it.

The Fox Is In

I would love to see Carl staring in horror at the blob that Donut becomes after eating the enhanced pet biscuit. Also a ball of swine action shot of the team in the speed bump.

Duke GIJOE

What about the rage elemental chasing Carl and Donut on the goblin chopper, with there MOAB towed behind?

jackyso

YES, would love to see what a Kua Tin looks like. Plus Iconic

Josh

Trying to think outside the box for the artwork. I think a great one would just be a simple picture of Carl and Donut riding the Goblin Copper Chopper down a tunnel while they look for a staircase down. Maybe the boss fight against the Ball of Swine. The team poking at it while it rolls over them. Or a very easy, clean picture of Carl and Donut getting the mana toast.

Hotha

Carl, in the pink crocs trying coax Donut out of the tree outside their apartment. Carl, running on the ceiling from the Rage Elemental, holding Ellie!

Josh

Just scenes from book 1. We can do scenes from book 5 when that kickstarter comes out.

Jpic

Whoops, got a little ahead of myself there.

Matthew Burt

Goblin shemonkas, pork boy snick I think oddettes interview should be one of, Jack pissing on the wall with an arrow in his head. Dammit now I’m going to listen through again to think of scenes

Peter Saucier

Thank you for the chapters. However, I was not a huge fan of how this part was written (I have loved everything you've written to date, back to Kaiju! So this is a rare occasion). I feel like the story would flow better to experience the dream sequences first, then wake up to the bloody butching field. It could still be the same information, but as a first person experience rather than after the fact, light on the detail, exposition. Even if you added just a couple quick scenes of the dream sequences prior to the gorefest, scenes that don't include much more of the dream than this chapter does now, It would feel more in order and have a better flow to me. Like, if he's remembering it right away, there's no reason we shouldn't have been there with him experiencing it too. Even if it's in disjointed dream scenes and not full scenarios - I feel like the chapter would flow better with it being first person experiencing the dream followed by waking up to a mess, rather than waking up to a mess then getting bits and pieces of the highlight reel of a dream. A dream that doesn't really give the same experience as being there by Carls side as he goes through it. It's just kind of dry and out of order to me. This is probably the only chapter I've ever thought wasn't bliss and perfection from you, all the way back to Kaiju! So I hope you don't see this as the hollow words of a detractor. It is just the musings of someone who loves all of your work, but for the first time feels there is something off or missing in your chapter

Riyon Hutton

Doughnut pooping in mordechi’s room using the ashes?

Serial Kilroy

I'd like to see them fleeing from the rage elemental with the anti gravity spell.

Dang_It_Bobby

One of the art picks should be Mordecai freaking out on Carl and donut in his room while Donut pees in his mothers ashes. It’s an image, I feel, that encapsulates the book well. And it’s just funny.

Ally

I'm on the same page. Up until now, we've been experiencing Carl's journey with him, both the good and the bad. It's a bit disappointing to be kicked out of the story. We end up being told what happened instead of shown, and you know that old chestnut. It ends up being a very unsatisfying conclusion for both the Katia and Bedlam Bride storylines. Like you said though, you're still tinkering with it so I'm not worried. Keep up the good work and stay awesome. ;)

Ally

Maybe Carl meeting Frank Q for the first time in the saferoom? You got the screens showing the player count, the experience cookies and the growing dread that the situation is about to go pear-shaped

Rob Laflamme

Carl and Mordecai, looking at the changing glob of Donut

Patryk Akers

Note: the first time you mention the elf castle it says fifth floor not sixth Also, would love to see the rage elemental sliding into the stairwell. Not exactly close to the end but it’s probably the best scene with the most happening at once

Joshua Skiles

For the artwork - the ball of swine boss battle. it might be too busy of a scene, but i think it would be cool to capture the boss battle graphic, and all the Meadowlark characters that continue to be important later (incl Brandon and Agatha etc)

Steven Myer

First Meeting of Mordecai

Richard Goodwins

Some art ideas for the front/back endpapers: A doorway in the dungeon burst open by an explosion from within, goblins and other, smaller goblins (and various goblin parts) flying out. A view of Carl's surroundings immediately post-collapse with Carl standing in the street, neighbour's head at his feet. The pet cages from the prize room, before Mongo was claimed, the creatures looking out from behind the bars. Interior (or exterior) view of the pre-interview waiting room barge thing. (there could be a callback to this in the artwork for book 4 showing a post-explosion waiting room to reference Loita's death) The crab legs, talkshow desk and impossible fake boobs from Odette's set (without Odette, as if it's the studio after a shoot and everyone's gone home) A troupe of regular, normal boer goats (could do a callback in later books' artwork with dead/surviving goats and Bianca/Pony) A big ol' Krakaren tentacle emerging from one edge/corner

Arthur Sparks

I'd like to see the ball of swine as it explodes into individual depraved partiers - with their glasses still full of champaign.

FauxLegs

Meeting Odette on Dungeon Crawl Afterhours would be awesome. Especially with how essential she has been to the team.

Joshua Cooper

I think we all need some bad llamas in the art work. I don't care where.

Konlin Gappmayer

Carl outside after everything is just gone. with the light of the stairs as a beacon of false hope it’s a now darkened world. The old guy peeing on the wall with the rage elemental kind of coming into being. Like it’s being formed out of smoke. Very sinister in the background. You could depict the fear in everyone’s face. The old folks who decide to stay on the floor. with an emphasis on Brandon and his caring nature saying goodbye for the last time. Saying goodbye to these people that he’s fighting for. I think this bring in some of your wonderful secondary characters and would add more weight if you decided to depict Bradon’s death scene later in the series. Them entering the last stairwell of the book. Carl having shed his look of fear from the beginning illustration to a look of focused rage. You turn the page and in big letters it just says you will not break me. Also I know where are going to get a clearer picture of what happens to Katia next chapter but I would still love to read what happens from her point of view. I understand if it doesn’t flow in the book. But Is there any chance you’d be willing to release that chapter on here just for us?

Dan

Dead goblin babies. Nuff said.

Dan

Empty street with stairwell, a head on the floor and Carl in his crocs and boxers holding a cat.

Brooke Hart NF

Ok, I've been thinking about this and I wanted to provide some feedback RE: the dream sequence stuff. You mentioned you're going to go back and work on it, so I think maybe this might be useful to you? It was really confusing. and not fun confusing or interesting confusing like Harrow the Ninth, but mostly frustrating. Like too much was missing and hidden intentionally. Or maybe like like we got promised one thing and given another, a cheap trick to induce confusion? You don't have to tell us the whole dream sequence but perhaps give us more of the dream to let us actually be in Carl's brain space and with him when he wakes up. Anyhow, just some thoughts, hope it is useful for you. :) I still am enjoying where you're going with this. Feel bad for Carl now having a goddamned eye on his chest. ( ... Totally include a temporary tattoo in the Kickstarter for the Bedlam Bride or The Inevitable Ruin when you get to it. XD )

Brooke Hart NF

P.S. A spot illustration should definitely be Carl's Jugaboom

Daniel Rue

Thank you for the chapter! I know some may not enjoy the disorienting feel/nature of the narrative, but I really appreciated that attempt to have the reader experience what Carl was experiencing. While you could have included the full dream, it would not have had the same impact of cloudy confusion (like waking up from a dream and trying to hold on to bits of information only for it to flow away like water in your hands). Regarding the color pages: whatever scene is chosen, IMO it should be a scene that has a lot of vibrancy and contrast so as to take full advantage of the color pages. With that said: Front Page: I know it technically wouldn't be a direct scene from the book... but maybe... a sports bar style setting full of various flavors of aliens from the universe. On the walls: multiple large TV screens with different scenes of Dungeon Crawler World: Earth. The main one showing Carl punching a Llama in the throat. One or two other screens with other crawlers fighting random monsters. Back Page: Carl dealing with the Rage Elemental. A scene of Carl leading it away while on his Goblin motorbike towing the MOAB, grindle grubs getting squashed, bombs mid explosion, a view counter HUD shown in front of Carl as being off the charts, etc., all would make for a very exciting piece of art. Alternatively, Carl upside-down running along the ceiling carrying Elle while running from the Rage Elemental would be very dynamic and eye-catching as well. Alternatively, it would be neat to have a colorized page with Agatha on it, but have the page constructed in some neat way where she's a holograph. If you hold the page one way, she's not there. If you hold it another way, she's there. Kind of showing how she's been edited out of the tunnel feeds. I feel like that would be fairly "out of the box", although I'm sure that would be very difficult/expensive to implement.

Ligeia

Yeah, an upside-down shot of Carl carrying Elle, and then later in another book we can see Elle as the frost fairy, seeing how she's changed by the dungeon. Carl and Donut always look the same (except for gear, of course), whereas characters like Elle or Imani or any early character that really changes would be a nice contrasting image between books.

Kevin Veldman

Regarding the confusing aspect of chapter 17, I got very confused at "I wasn’t in the Icelandic hospital anymore." It made me go back several paragraphs to see if I missed something.

Kuro

I think Carl and Donut entering the Ball of Swine battle, as an epic wide shot showing them and the boss would look great.

Nathaniel Miller

Hands down when Imani dropped the pig harness sex toy after the ball of swine battle, with the whole group beaten and bloody and Donut has her "Everything, right?" Caption

Misty Figs

I am a sucker for art of items! Like flap images of certian loot drop items with breakdown of states in TTRPG style format i think would be super cool. If not flaps as a bookmark or something would be cool too. Just, all of the things, can we have all of the things? XD

Adunk

Interesting observation: The Lemig seem to be thinking the adjutant is there to help them, and are shocked when they do otherwise. The crawlers know that nobody can be totally trusted. Interesting potential advantage for the crawlers, since the rich guys are getting dumped into basically being crawlers but without the mindset of one.

CydiaMX

agatha at the end of the 2nd floor and her shopping cart could be a good end paper

Sandboy OC

I liked the idea of Carl and Katia having an accidental mindmeld and Carl experiencing her back story with her. In my opinion her backstory doesn't need to be earthshattering or described in huge detail, it was an all too common personal tragedy and it's good that she chose to let Carl face it with her. That super close platonic relationship is really important I think because Carl is so independant and unwilling to let anyone in. I love that he is forming a new family which is closer than anything he experienced before the collapse. Please don't make them suffer more than you are professionally obliged to ^_^ For the book illustrations, I was listerning to the 2nd immersion tunnel yesterday and thinking how much I'd like to see the goblin workshop. Engineers working on the chopper, Rory and Lorelei being charmed by Donut, Bomb-bards juggling explosives, coalpiles, worktables, machinery etc. Just think it could be a really busy scene with lots of background detail described in the book. Also the rage elemental for sure! Lucia Mar wall running with Cici and Gustavo could be cool, would be nice to see her once before she goes Lajabless. Donut knocking Mordecai's mothers ashes over? The Krakaren Clone fight? So many cool fight scenes... when are you starting on the animated series? Oh and one last thing, as it gets harder to write the futher you go through remember it doesn't have to be perfect. Just don't pull a G.R.R.Martin on us ;P

Skye Benz

I feel like skipping over exactly what happened in the dreamscape is an excellent way to align the reader's perceptions with those of Carl's, his confusion and distress. I suggest that the most relevant/juicy bits can be doled out later in flashbacks or the like. That way people who have a burning need to know what happened can find out later (similar to how the most relevant bits of Carl's visit to Club Vanquisher were doled out later)

William Lyle

I think the first time Carl and Donut meet Odette would be fun art. Aliens cheering in the background, this big freaky woman thing and a couple protags trying to figure out wtf

Foxa

I like the idea of the first illustration to be of the flattened city with stairwell lights as some have suggested, but also including the fire Agatha lit in the distance.

Dylan

- Donut and Carl ridding the chopper. - frank trying to shoot Carl - blowing up the baby goblins with the boss - Carl trashing the maestro Definitely the early stages of all the main character - Lucian mar with her dogs before she changes races - heckla with survivors (pre race change Katia) - Miraim Dom with her normal goats I would love any of these. Sorry for spelling lol -

Dylan

With donut walking through his moms ashes I could see it

Dylan

Love the mana toast. Cozy like Travis B

Emmett Stokes

A 2 page mural in over the top 70/80s movie poster style with a "header" of the flattened Seattle skyline w/an illuminated dungeon entrance flowing into the mural collage below it.

Melissa Meitle

Wooo! Princess Posse just split the BLOC in half! Time to secure it *fast*. I wonder how many Hunter corpses Carl has? Can we do a row of heads on spikes? Or maybe a wall of corpses? The Bloc teams have all played before but never for the same stakes as the crawlers, the phycological edge seems like it could be important.

Aaron

Illustration- Carl and Donut on Odette show. Or picking out baby Mongo from among the other pets.

Kaci Rider

It makes me wonder if we’re actually out of his drug trip or if this is still somehow in the dream and that’s why it feels like Carl is confused on details.

Matthew Rodebush

Jack, in his bengals hat, pissing on the wall! This would have the meadowlark crew, donut and Carl all in the pic

Billie Jean Van Knight

At the back I’d like to see Donut looking into the Goblin lair where we can see the Goblins inside. Even the babies. 🤣

KeenTowers

I did kind of get the sense I skipped a chapter when going from chapter 16 to 17 but overall understood the intent behind it as I read further into 17. Definitely need more chapters with details as to what happened and what he gained since I’m always a sucker for character upgrades

Douglas Erdman

I thought that was confusing as well, but I think Carl & Katia holding hands when they started caused some bleed-over between the dreams of the two (plus Shi Maria), which made it all the more confusing. Katia mentions that her memory is the same for her best memory & worst memory. While it doesn't come out and say it, I think the memory is the day she was supposed to meet her adopted daughter at the Icelandic hospital, and that was taken away from her. Meeting her (best memory) having her taken away (worst memory). Katia never mentioned the daughter's name before this so her saying they left Annie with Shi Maria confused me until I figured it out.

Woodrow Vowell Crawford

The first scene where everything collapsed into the Earth and Carl is just left standing and staring at his little old neighbor's little old decapitated head. Pretty much set the tone for the entire series. It's a must!

Tyler Vickers

Carl pushing Ellie's wheel chair, upside down on the ceiling, fleeing the rage demon after Jack pissed on the wall.

Ghirahn

just going to throw this title out there: Vengeance of the Daughter.

Sherri

Make it look like one of those cheesy romance book covers with Carl and Donut ...or Donut and Gravy Boat bare chested and a six pack.

Sherri

Oh also have Peter Coal in the background with Carl's toe in his mouth.

Nina

This was my favorite scene. It really blew me away. This series has become one of my favorite series I have ever read. The mix of campy, funny, ridiculous, supernatural, but also sad, dark and dealing with real issues -all makes it so good.

BJ

The "dream" scene definitely worked well. The message as he was fading gave just enough context.

Sonny

I humbly submit the title Dungeon Crawler Carl Book 7: Just So We're Clear, You Guys Know This Series Is A Tragedy, Right?

Emmanuel Lebeau

Bro that series is SO FUCKING GOOD. Ungh. You are a master at making stressed and excited at the same time. That title is so fucking ominous, love it.

Scott Lawlor

yeah, I think this chapter/the dream needs a bit more work fleshing it. It felt a bunch jumbled even with it explained more in the next chapter. Learning about Katia's dying kid should be an emotional gut punch. I want to to be there as Carl realizes what's going on and see his emotional reaction to it. The current version is just a bit lackluster.

Shakespeare

This line hit different. "By dungeon standards, all of this was almost nothing. Just another one of life’s shitty events. A debuff. A minor setback. But to Katia, it had been everything. A shattering." Every terrible event we have no control over is just a debuff from life. Thanks for the reminder.

Selby

I don't think katias kid was dying I think katia had cancer and lost an adoption because of it

jb qspam

Those last two sentences CANNOT be overemphasized. Tho I’d argue you want to Robert Jordan this. If nothing else, bare-bones the plot and details/themes you want to hit and arrange someone you trust to do the cleanup, Brandon Sanderson-style.

jb qspam

Oh man, temp tattoos and patches would be lit!

jb qspam

I feel like that’s a great opportunity for a later book.

Dapperaf

This was very confusing. I wasnt sure if it was still a dream or not, nor about why it malfunctioned Just had to mention it. I still love this series

Nick DeVillers

The chapter 17 start was unreadably confusing. I dont know the fix, but I hope something more polished comes in the final. Maybe have some fleshed out dream at the end of 16 to ease us into the "am I awake or still in the dream"

Victor Archela

I agree with a few of the other comments on the start of the chapter being a bit confuse. I also have a take on the order of things that I think would help. I know it’s important to have the adjudication happen so we get that “wtf is going on” right before the ceasefire reveal. However the way it plays out, making the entire exchange into a replay explanation takes away all the danger of what carl just went through (imo) He’s safe from it all before we even know he was in danger. I think there’s the opportunity for one of those classic dungeon crawler carl “oh fuck how does he get out of this” moment just from allowing us to experience what happened in real time. Like having Mordecai’s decision happen in real time but only explain it during the recap to show how luck carl was and how M did a great job. Things like that. I’ve always enjoyed your capability of balancing carl being in danger with him being saved (by himself, someone else, situation, etc) As it sits, it feels too safe and I think it’s just a matter of how we’re allowed to experience what has happened