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In this new video, I dive into the powerful technique of using pink noise for mixing, especially within ambient music production. I’ve been using this method for years, and it's one of the quickest ways to achieve a balanced mix without getting lost in the weeds of EQ and volume adjustments. By using pink noise as a reference, you can immediately hear where the track elements need to sit in the mix, ensuring that your levels are dialed in before you start applying effects or tweaking other parameters.

For those looking to refine their workflow and avoid the pitfalls of over-processing, this approach is invaluable. I walk you through the step-by-step process, from setting up pink noise in your DAW to fine-tuning your mix with dry levels before adding reverb or other effects. The beauty of this method lies in its simplicity and the clarity it brings, cutting down the guesswork and speeding up your mixing process.

Whether you're new to mixing or a seasoned producer, this video is a must-watch if you're looking to elevate your sound and mix with precision. Let me know your thoughts in the comments!

Cheers and enjoy,

S1gns

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Comments

Thayer

Thanks for posting this, Chris! I'm going to use this as I explore remixing a number of tracks I've written, working toward getting my first album released before the end of this year.

Kevin [Roots of Quiet]

I’ve really been enjoying this! I’ve been applying the technique you shared in your Mix & Mastering series a while back, and I’m glad you went deeper into it this time (the pink noise trick was a game-changer!). Since having that “aha” moment, my mixes sound way more balanced and full. I do have a question, though. It’s about the Utility template I adopted (with a few tweaks of my own). On every track, I use the Production channel strip (Utility + EQ8 + Compressor). From what I understand, that’s mainly for gain staging, and that’s how I’ve been using it. But here’s where I’m a little confused: why do you place all FX after this chain instead of before the compressor? Because once I add FX, my gain changes again. I’ve been experimenting with putting my FX inside the channel strip—after the EQ but before the compressor—so that I can keep the gain staging consistent. Could you explain the reasoning behind your approach? Thanks again for all your amazing work!

James Bochenek

Hey Chris. One more question on mixing with pink noise. This has to do with Automation. Do I turn off automation while performing this pink noise procedure? Seems logical to me since automation turns up and down the gain. 🙏