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I have driven by this seemingly abandoned motel/restaurant probably 50 times. It's between [place I live] and one of my airport-transit cities, Missoula, MT. Every time I have driven by it I said I had to stop to get a shot someday.

This morning, after dropping my partner off at the airport in Missoula for the [too many]th time, I drove home before the sun rose, and I had my camera in the passenger seat, and I said I'd stop and get my shots. 

I'd never driven by this place so early in the morning, and I was disappointed when I arrived. There was no direct sun, so all the shots I had planned to take would have been flat and boring in this light; that architectural-drafting side-view style I shoot of old building frequently is usually pretty dull without dramatic shadows. 

I stopped anyway and figured maybe I'd find something, and since I had a nice sky, I took this, which I quite like. (This shot was also created partly because I'm trying to actually use a 35mm lens again, after a year of leaning on my extremely-nice 50mm, which is fun, but also beginning to feel uncreative.) It's still clearly my style, but it does look a lot different than what I'd visualized on those infinite drive-bys, and I'm happy about that.

After driving by this place so many times I figured when I finally shot it, I'd be in perfect light with a tripod and have been waiting for 45 minutes for the sun to hit just the right angle to get the exactly-as-visualized photograph, and instead, I got something I didn't expect. I suppose the lesson is that there's no bad light if you're willing to try anyway. 

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Comments

Mark Kinney

Nice composition, as always, Victoria! Are you bothered by the ubiquitous power lines? They don't seem to detract in this shot.

Tran Girlismo (& Victoria Scott)

Thank you so much! Honestly they used to drive me insane, but I actually have started using them as part of the composition (or if I can’t, I reframe or move entirely). The main two ways I do this are by either including one or both poles they’re attached to as part of the scene to remove the floating element of them, or, like here, I’ll use them to frame a horizon line/draw the eye from the corners of the image/add depth to a scene (bonus points if I can do multiple of these at once)!

Mark Kinney

Yes, they work well as you have composed them here. It just reminded me of them. Probably pointless to hope that they'll eventually be buried!

Tran Girlismo (& Victoria Scott)

Way out here the telephone/power lines will outlast civilization I’m pretty sure, lol. Plus they do add a nice mid-century vibe!