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(#941, 16th November 2002)

They’re perhaps not intended to be, but Greatest Hits albums are often a sign of a band’s waning vitality, a signal to the fans that the group are moving to an autumnal phase, inviting listeners to tread their way through former hits like fallen leaves. The odd new track can’t truly hide the marks of age. “Unbreakable” is not an odd new track, in fact it’s relentlessly plain, an acoustic-led plod through the Westlife formula which does the things you’d expect in the places you’re expecting them. It’s unmistakable, indeed.

The video is a curious thing, casting the track as a tragic ballad, with a car crash, and a young woman receiving the news of her lover’s demise, precisely as the key change comes in. It’s probably no more than a director’s doomed attempt to find something interesting to do with the song, but I’d like to believe it’s a collective cry for help from the lads, too, trapped on their power ballad hamster wheel. Though if Westlife are harbouring a hidden lust for dissolution, a secret death-drive urge to end this awful, relentless tedium, “Unbreakable” the song hides it abominably well. 

2 out of 10

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ThePensmith

Well well well. Who'd have thought current events would have occurred when there was last a Westlife entry to discuss on here? I have to confess since their comeback - which for all we know could well produce a future bunny yet, their new album's out in November - I've made an effort to revisit their back catalogue as I actually quite like the unbunnied 2019 singles they've had out so far. The 10 year old me of 20 years ago would probably be horrified to find I've given a lot of their early singles a positive reappraisal. 'Unbreakable' is not one of them, for many of the same reasons you give Tom, but I'm tempted to go back and leave my thoughts on some of the ones you've already covered, particularly the ones where Swedish songwriting teams were involved. Speaking with 2002 eyes on, this being from a greatest hits did lead to the slight false sense of security that things were wrapping up and thus all were sighing with relief until the inevitable on Boxing Day. Alas that came and went and twas not to be - for another eight years at least. 1 or 2 is about accurate I think. Two far more exciting new entries further down that week's top 10: Missy Elliott new in at #6 with 'Work It' (the first single off her 'Under Construction' album, and still one of her best for me), and Dannii Minogue in at #7 with the equally saucy and rather brilliant 'Put the Needle On It', the second single from her 'Neon Nights' album (which I acquired on vinyl for its 15th anniversary reissue last year). We came perilously close to discussing its follow up five months later, but between this and her guest vocal on Riva's 'Who Do You Love Now' almost a year previously it was a marked upturn in fortunes for her.