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(#971, 21st February 2004)

Sam Nixon and Mark Rhodes are one of the genuine success stories of reality TV pop. Part of that success, from the neutral’s perspective, is that pop and ‘Smark’ left one another well alone after this brief fling. Instead theirs is a charming story: two young hopefuls enter Pop Idol, come second and third, and are smooshed together into a duo by a Simon Cowell needing a plan B after the Michelle affair.

Cowell’s instincts were half right. There’s no detectable on-record chemistry between Sam and Mark, but the two got on well enough to turn a moment into a 16-year career as kids TV presenters, DJs, celebrity contestants, and whatever else you need two likeable Northern lads for… assuming you can’t afford the other ones. Yes, Sam and Mark are very much the Leopard From Lime Street to Ant & Dec’s Spider-Man, but they’ve set their shoulders to that wheel unstintingly, and good for them.

It is inescapable, though, that they did make a record at one point in this heartwarming tale, and it did get to Number 1. It’s not difficult to see why this song was picked. Sam and Mark had become friends, they were helping one another… you don’t make money in this game being subtle, chum. 

Also, it had been Number One twice already. Long-time readers won’t exactly be surprised to learn that I like this “With A Little Help From My Friends” best of the three, and that this really doesn’t count for much. The worst part of the song is when Smark (or is it Mam) does a hand-me-down Cocker-via-Pellow bellow on “I know it’s mine”; for the rest they stay in their lane and push through it.

As has often been the case with pop covers of this period, the music is a bit stranger. This version of “Friends” is arranged for a basic, thudding beat with snippets of strings and what sounds like a mellotron. There’s no mellotron on the Beatles’ track but it’s the most recognisably “Beatley” sound in pop, and that’s how it’s being used here. The overall effect is like a pub rock remix of Candy Flip’s “Strawberry Fields Forever”.

It’s a funny way to say goodbye to the Beatles’ involvement in Popular. They make one more cameo as part of a medley, but this, to date, ends the 41-year history of people getting to No.1 solely on the back of Lennon-McCartney songs. Only a few years before they had seemed like a crucial reference point again, but even then Oasis and their followers ended up reducing the Beatles’ music to a few sonic tics, just like Sam And Mark’s song does. And perhaps it’s appropriate their run ends here, with the light entertainment world they squeezed into and outgrew rising up to blanket pop again.

4 out of 10

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ThePensmith

Now I have to say for the record: I really like Sam and Mark. Not necessarily for the music you understand - although this is a perfectly serviceable cover of "...Friends", in fact it's better than I remember it being (it's a 5, maybe even a 6 for me). My reasons are much the same as yours Tom; they're genuinely likeable lads and they've got a good rapport together with a lengthy TV career that I don't think I'm being unkind in saying has largely gone unnoticed unless you've spotted them in the right places. But they more than hold their own in such areas. (Sam also happens to be a rather dab hand in the kitchen and as a foodie I find myself looking at his Instagram for new recipe videos a lot. Like the Barnsley version of Jamie Oliver). When it became clear that their music career beyond this number one was a bust (the follow up, "The Sun Has Come Your Way", which sounded for all the world like something a soon to be discussed multiple bunny holder could have recorded for their first album, conked out at #19 that May), they were promptly signed up to co-host Top of the Pops Saturday, a spin off show for CBBC with Fearne Cotton. Initially only signed up for that summer, so popular were they that they would continue co-hosting it until the show - by then renamed to Top of the Pops Reloaded - ended in March 2006 (coincidentally the same time CD:UK, which had relaunched a few months previously with Myleene Klass, Lauren Laverne and Jonny Pitts as it's hosts, was culled by ITV after eight years, and a mere few months before the Beeb culled TOTP itself altogether, bar the annual Christmas Day episode). They did continue in the Saturday morning remit though with TMi, co-hosted with the now sadly late Caroline Flack, and they were really rather good on that as well. Even if it wasn't in music that they were ultimately destined to work together, Simon Fuller and Cowell's instinct to pair them together post-Pop Idol was a canny one that, as we've seen, has paid dividends.