Home Creators Posts Import Register Favorites Logout
haven't archived this post yet. have a subscription? use the importer!

Content

Kojika slowly slides Visola's open-toe stockings down and off of her legs, revealing slender stems and smooth soles. Kojika is so turned on by the sight that she can no longer the uncomfortable confinement of her heaving breasts a single second longer. She lets out a loud, passionate moan and with strength more powerful than what her slight appearance would indicate, she tears open her shirt.

      Things are going a lot farther and faster than Visola anticipated, but those two, beautiful spheres are all the motivation she needs to be down for it. She pushes aside her loin cloth and her pulsing futa member rises to salute her lover. She unfastens her thong and is now ready to be gotten off by whatever means Kojika fancies.   

Files

Previews only

Comments

Feet and Futa

I had been envisioning this top pic for a while. It was inspired by Melanie Griffith's nude scene in Something Wild. That moment Melanie yells playfully while tearing open her top left a big impression on me. I had made learning how to morph clothing a top priority. This was seriously ticking off my now former instructor, who only works with DAZ, as this effect can only be created using a sculpting program, Blender in this case. I've learned a lot about lighting since doing these renders, no thanks to my aforementioned colleague who was giving horrible advice on how to light a scene, suggesting that only environmental lighting ever be used and that local lights were for amateurs. Explains the poor lighting of his indoor renders. Still, he has a point and one can go a long way with environmental lighting if the indoor scenes have a lot of windows and are set during the daytime. You'll see less bleaching and more subtlety with lighting effects in the future. I've also completely done away with using regular point lights, switching over instead to ghost lights. This cancels out the horrible eye reflections I was getting in the past.