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50 - Dave Rubin's Dumb & Sorry To Bother You Is Great ft. Ana Kasparian & Briahna Gray (Patreon)

Published:
2018-08-01 22:37:27
Imported:
2026-06
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Content

Michael and Anna Kasparian ruthlessly take down Dave Rubin. 

This is free content from the weekly edition of TMBS. To support the Michael Brooks Show on Patreon and receive hours of weekly members-only content, subscribe at Patreon.com/tmbs 

Follow The Michael Brooks Show and crew on twitter: @TMBSfm @_michaelbrooks @mattlech @davidslavick @davidgriscom

Files

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TMBS - 50 - Dave Rubin's Dumb & Sorry To Bother You Is Great ft. Ana Kasparian & Briahna Gray

This is the free weekly edition of TMBS. To support the Michael Brooks Show on Patreon and receive hours of weekly members-only content, subscribe at Patreon.com/tmbs Follow The Michael Brooks Show and crew on twitter: @TMBSfm @_michaelbrooks @mattlech @davidslavick @davidgriscom 6:14 6:14 Michael breaks why the third way idea is dead and why we should keep it that way. 25:10 Shoutout to King James for speaking denying Trump's nonsense. 35:04 Ana Kasparian (@AnaKasparian) host/producer of The Young Turks calls in and destroys Dave Rubin. 1:02:44 Griscom talks about supercommuters, rising housing costs, and why tech-UBI isn't going to save you. 1:12 We throw Joe Lieberman into the gulag for his attacks on AOC and being a weirdo in general. 1:20:58 Crew and senior politics editor at The Intercept Briahna Joy Gray joins us in studio (@briebriejoy) to talk about Boot Riley's great new movie "Sorry to Bother You." In this Majority Report clip, Watch the Majority Report live M–F at 12 p.m. EST at youtube.com/samseder or listen via daily podcast at http://Majority.FM Download our FREE app: http://majorityapp.com SUPPORT the show by becoming a member: http://jointhemajorityreport.com LIKE us on Facebook: http://facebook.com/MajorityReport FOLLOW us on Twitter: http://twitter.com/MajorityFM SUBSCRIBE to us on YouTube: http://youtube.com/SamSeder

Comments

J P 3

Sorry to Bother You -- re: the performance art scene, I would look at Detroit's performance, in light of Cassius's own version of performance art -- using the "white voice" and his rap at the WorryFree mansion. Cassius doesn't change his ways in one dramatic event -- it's a series of events and realizations that lead him in a new direction. But I would look at the performance art scene as part of his evolution. I think what Boots Riley is driving at is that art can help us see reality in a new light and be a catalyst for action. It's not a substitute for action, but it still serves a function. Riley does it in a really funny and absurd way, but I think that's part of what the message is.