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With the permission of my student, I'm sharing a short clip from one of my Zoom lessons the other day as I thought it might be of interest to you guys too.

Some thoughts on how to target chord tones and the use of major and minor pentatonics. String bends galore for adding extra expression.

This is a simple two chord progression; A major to G major. I'm thinking of A major pentatonic over the A major chord, (and making a point to target notes from the A major triad), and I'm thinking of A minor pentatonic over the G chord.. (while targeting notes from a G major triad too of course).

My student had then asked how modes can be applied to this progression, in which case we can think A Mixolydian, followed by G lydian, (the V and IV chords in the key of D).

This is the type of simple exercise that I highly encourage everyone to do regularly.

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Comments

Rob James

This is great stuff Alex. Simple and extremely effective. Tastefully done

Rob Brazier

This is really helpful thank you. What’s the right way to think about this? It wouldn’t have been obvious to me to play A minor pentatonic over the G major chord. Probably my default thought over this progression would’ve been to just play out of the D major scale, or perhaps just to use the A major pentatonic and G major pentatonic over their respective chords. Thank you, Alex!

Erik Wolfe

You should have a whole other section of lessons each week just for playing over changes. I want the licks alone in this. Some of your lessons i skip (even though they are all great) but if you did playing over changes lessons like this i wouldn’t skip a single one.

Katie King

I agree. This is the kind of material that inspires me because it feels so "possible". Lessons like this, Alex's relatively recent A7 chord soloing, and "The Art of Authentic Blues Soloing" etc. are the ones I watch over and over. Don't get me wrong though; I don't miss any and watch every one at least once.. even when they are over my head which is quite a lot of the time =)

Rupert Hawkes

Uh? The c (b3 in Am) is not in GM pent. Ok it’s the 4 which is cool. But confused why you think Am over the GM! What is the tonal centre or do I need a 1:1 lesson ( yes I do! Just mega busy at mo). Ta

Mike Schaefer

Great lesson. When you mention triads, are you referring to treating the A and G as a triad pair?

John Canton

Good Question Rob. I was asking the same question. never would have thought of playing A minor Panta over GMajor. Can you elaborate more on this subject Alex?

Gert De Groof

I see what you did there Alex, can’t blame you for promoting your 1 on 1 lessons 😉. Exactly the snippet that leaves half of us like “cool!” and the other half like “WTF!” I dabble somewhere in the middle, mastering most of the ingredients to some degree but missing the ingredient that somewhat magically melts it all together…I guess that ‘magical’ ingredient is called ‘practice’, of which this snippet is an excellent showcase. Anyway , you got me, it’s a reminder for me that I really need to shoot you up for some private lessons 😀

Alex Farran Guitar

That’s good to know Erik, I’ll definitely do more lessons on this side of playing. I intend to make it a regular subject going forward. Obviously my lead studies are good for this stuff but I quite enjoy doing them in this more informal way too.

Alex Farran Guitar

Thank you Katie, glad you enjoy these lead lessons so much! 🙏🏻

Alex Farran Guitar

Thanks for the great question guys.. you’ve inspired me to make a proper video on this, so watch this space.. it’ll be out either this weekend or the next (depending on how much editing I can get done in the next couple of days!).

Alex Farran Guitar

Haha great question Rupert, you and a couple other guys on here have inspired me to make a proper video on this, answering that very question.. so watch this space.. it’ll be out either this weekend or the next (depending on how much editing I can get done in the next couple of days!). P.S; yes, a one on one lesson would shed light on this in an instant of course 🤪

Alex Farran Guitar

Thanks Mike. Much more simple than that.. just matching the appropriate triad to each chord as it comes, and using the notes as targets.

Alex Farran Guitar

Aha thanks Gert.. yes indeed, practice is the magic ingredient.. along with a lot of listening and mimicking of expressive players and singers. You’re well on your way to it though buddy, your playing is excellent and only getting better!

Katie King

What are the 1-1 lessons like?

Alex Farran Guitar

Very relaxed but always chock full of useful information (if I do say so myself!) 🤪

Marty Wisott

Amazing and very helpful tyvm Alex!