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詛咒人偶可說是跨越文化藩籬的一種負面神秘符號,只要人類還存在惡意詛咒永不止息,那對於自己的惡意是否也算是一種對自身的詛咒呢?現代社會的人們在各種壓力下不只承受著來自城市裡的惡意,經常也會產生對自己極度厭惡的情緒,這些對看似無能的自身的詛咒,也是逐漸侵蝕自我,讓人逐漸不像人,逐漸丟

詛咒人偶可說是跨越文化藩籬的一種負面神秘符號,只要人類還存在惡意詛咒永不止息,那對於自己的惡意是否也算是一種對自身的詛咒呢?現代社會的人們在各種壓力下不只承受著來自城市裡的惡意,經常也會產生對自己極度厭惡的情緒,這些對看似無能的自身的詛咒,也是逐漸侵蝕自我,讓人逐漸不像人,逐漸丟棄掉自己的枷鎖。有趣的是,這組作品是我在逛唐吉軻德的時候偶然看到便宜的詛咒稻草人道具而想到的,也許這些東西深深刻在靈魂的某處也說不定。

Cursed doll is kinda a cross culture negative symbol. As long as the malice from human beings still exist, the curse will never end. What about the malice to ourselves could become a curse to us? We are bearing too much pressure from the city and often contaminated self hatred. These curses are corrading our ego and making us less human. A fun fact is this set was inspired by a cheap stage property selling in a Japanese shopping mall.

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