Home Creators Posts Import Register Favorites Logout

Videos

  • 546904717.mp4

Downloads

Content

I love period dramas.

When I was little, my father and I would watch My Fairy Lady on television, complete with intermission, crack peanuts, and dance together (move your blooming arse).

My favorite book growing up was A Little Princess, which then led to my obsession with different adaptations of the work, but especially the Alfonso Cuarón 90s adaptation (all girls are princesses).

Growing up in the States, period dramas were often about periods in white European history or based on popular books in the Western canon. With a few exceptions (Brandy’s Cinderella/Much Ado About Nothing), the whiteness of the period drama was a given.

That has been changing.

With Hamilton on Broadway being the transformative Obama-era work towards this and the overwhelming success of Bridgerton, Six, and others, we have seen a true shift in the whiteness of the period drama.

Although the new adaptations of Pride and Prejudice and Sense and Sensibility are giving recession indicator levels of whiteness.

The genre has, however, struggled with issues of how to write characters of color in a way that is consistent with the narrative they want to tell.

Some have found a way of highlighting the actual Black and non-white populations that could have existed in places like working-class London (Harlots) or just include it without explanation or need to defend that creative choice (Mary, Queen of Scots and Wolf Hall Part 2). Both choices are causing a lot of whinging about the issue.

Others have reshaped the history of how we see this period with the acknowledgement of the fact that Black people have existed in Europe for longer than many would think, and that with slavery, there is no reason to exclude Black people from the Regency era. We can talk about race while still having an escapist story with beautiful gowns (Sanditon and The Spanish Princess).

But sometimes … bullshit happens, and I can’t think of a clearer example of that than Apple TV’s The Buccaneers.

Footage used:

My Fair Lady, A Little Princess (1995), Much Ado About Nothing (1995), Brandy's Cinderella, Hamilton trailer, SIX trailer, The Spanish Princess Part One, The Buccaneers 2022, The Buccaneers 1995, The Age of Innocence (1993), House of Mirth (2000), Downton Abbey, The Gilded Age S3, Reign

Files

Comments

The Raven and the Swan

I was so excited to see this pop up just now ETA: 8:30 And now I’ve watched it! I should have realized there would be Buccaneers season 2 spoilers but it makes no actual difference to me because the first couple of episodes in it were already too much. It was fun for me in the first season, but agreed completely on the melodrama. I thought Conchita was supposed to be the Meghan Markle but did not enjoy that storyline. And Mabel and…Hortense? were cute but yeah, on the margins. Ginny’s story was so textbook but is also there to cause drama for the other girls. And the main love triangle, yeah. Just looking at the promo thumbnails of it made me *Spock eyebrow raise* internally. Not in love with that conceit. Not a great show, but I had enough feelings that it was thrilling to see that you were going to break it down. And you were wonderful at it. Edith Wharton is one of those “I know it’ll be great but haven’t read them” authors. I need to let her break my heart already. Reign was very interesting in that is was fun but, as you say, they took the story seriously even if it wasn’t meant to be historically accurate. I used to love the meta—long gone now sadly—by this one person who argued that Reign was using its period drama setting to tell a story about issues that still plague us, with the setting creating a cognitive distance that potentially made those issues more visible. A particular thing which sticks in my memory is what she pointed out about Mary’s ladies in waiting. The show was pretty blunt about how, as much as the girls could be affectionate and seem to have a good time around Mary, their position vis a vis her came with its drawbacks; as their queen, she felt entitled to their lives, and they weren’t always willing to serve her interests first. It was interesting that Greer, who if I recall correctly stayed on good terms with Mary, still ended up okay after making a life apart from her, while Lola, who throughout the series had wavered between Mary and her own interests, died because she chose loyalty to Mary in the end. (Kenna was my favorite though.) Thank you for this wonderful overview of both The Buccaneers and the genre of period drama. This is the final push I need to get into The Gilded Age! And A Little Princess. (My only exposure to that classic is getting partway through the visual novel adaptation, A Little Lily Princess. Another thing to get back to.)

Hannah

I have so many chores to do rn so thank you for posting content that is catnip to me specifically at this exact time

Cara

this is the content you know i came for. I hadn't even started the video before I gushed about it to my sister.

Hannah

Have watched now and I love the ASOIAF shoutout. I think my love for women like Lily Bart is what primed me to be the Sansa Stark defender I am today

thesilentstar

Teenage girls weren't interested in history? Um, Adelaide, each morning when I got ready for high school my junior year onward, I had a documentary on the History Channel running in the background. As an aside, Princess, you made a good point regarding the distortion that is involved when the past is thought of as distant, as opposed to seeing the figures who lived back then as multi-dimensional people. I remember when I watched the period drama, Turn: Washington's Spies, I read a complaint from a critic that the plot's usage of a former newspaperman, Rivington, throwing in his lot with the Loyalists after his press was destroyed by the Rebels was unnecessary, as the critic thought that it was injecting modern politics and concerns (show came out in 2017) into a historical drama. Historically speaking, however, incidents like this did happen during the American Revolution. My point is that by not treating the past as alive, we fail to see how we get from Point A to Point B on social and political issues.

Thera Pitts

Alfonso Cuaron’s Little Princess fucks me up every single time. I’ve watched it at least once per year since it came out and it still gets me bawling without fail 😭