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Lay Away

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Clare Manion

I loved this episode. I hope Chris Rock got some sort of accolade for his role here, because his performance is just tremendous. Cannon sending the rabid dog that is Gaetano back home is a brilliant move. Indeed, we haven’t seen much of Oraetta for a while now, but I’m sure that’s coming…I had a thought towards the end there that it would be super interesting to see Oraetta and Gaetano interact. They’re equally psychopathic, but in opposite styles, so it would be fascinating to watch.

kosmickrab

I keep forgetting out those horror moments peppered in the show because the come and go so quick, but it has me the most curious about what's going on, who is that ghost, and what is the purpose of it?

Suzanne Whyte

I knew the credit card idea would be stolen from the moment they pitched it. Of course the banker wouldn’t want to share credit for the idea or the profit from it when he knows the guys who pitched it would have no recourse under the law. Even if they weren’t black men working within a system that is stacked against them how do you protect an idea? You can copyright a physical invention but a financial instrument?

james repka

The Diner's Club billboard was a punch to the gut! I have to admit that I was fascinated by the opening showing Oraetta making the macarons to the tune of Twisted, a song written by Joni Mitchell some 24 years in the future of the show. She apparently is quite a good baker, as Dr. Harvard seemed to quite enjoy the cookie before the poison kicked in... Loy seems to see everything, most of all that things are stacked against him. He falls for Josto's lie about Satchel being dead, but not for Josto's blatant attempt to manipulate him. Letting Gaetano loose at this point may create more chaos for the Faddas than it will for him. Interesting that even "knowing" that his own son is dead, he can't bring himself to kill Zero.

Youtalkingtome

He really deserves some recognition for this role. He's killing it

Youtalkingtome

Right? Every season has a surreal aspect to it and this must be it!

Hu Main

I loved the use of Joni Mitchell's Twisted at that point, though to correct you its's the rare case of her covering a song, originally written and sung by Annie Ross in 1952, and covered a number of times since. Michell's version also includes a brief spoken bit by Cheech & Chong which I just found out. But it's an older pop jazz standard than her.