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Hello there!

I've been struggling a bit with how I should approach the music Chapter Five of Hunter: The Parenting. So then I was just playing around with some musical ideas and this thought struck me; That I should make a concept music track for the chapter that I then could take some motifs from and transform depending on what the scene needs. I thought that the idea was good (at least in my head), but we'll see how that idea turns out in the end. I might just skip that idea entirely if it doesn't work naturally with the chapter.

And so I made a track like that and showed it to the team and they gave me some feedback. They wanted me to make it a little more anxious sounding, for good reason, so I then went back and made some changes and they approved of it.

Anyway, I thought I'd let you guys hear the first version of this concept music track for Chapter Five of HTP, and also the second, approved version.

Hope you enjoy :)

// Mackeerre

Comments

Gerik

Hmm, I can hear the anxiety from 1.2 like you say, though it runs a little colder than I'd usually think an anxiety track would. The first track though, it makes me think more of a rout, after a defeat and the hopelessness there. I suppose it's all quite chilling in the end.

Mackeerre

Interesting to hear your thoughts about the first track. I like that description. 1.2 though; I didn’t describe it right. It’s not supposed to an all anxiety inducing track, but rather more anxious than it previously was. And there was more to the feedback than just anxious, but I can’t share that feedback without giving away spoilers 😮‍💨 Let’s just say “a little more movement and drive” was also part of the feedback 🎶

SalutHaiduc

I almost feel like I can hear a muffled and drawn out version Remold's theme bassline in version 1. It's so faint, but it would be wild if a piece of that was actually in this concept piece. I could totally be imagining it though. In the second track, I hear that 2nd bass thumping and I absolutely love that. It reminds me of the opening track for The Thing, which brings that feeling of, "Oh gosh, what's going to happen?" Side mention, Remold's Theme sounds so 3D with headphones on. It feels like the violins and violas are dancing around my ears. It's such a neat feature.

Mackeerre

Very interesting, Taave! I'm sad to say that Remold's theme bassline is not in there, at least not intentionally! But my gosh, if it is in there unconsciously that would be hysterical indeed! Powers beyond me would have taken control! Also, I'm very glad you enjoy Remold's Theme with headphones! Since I don't have a good place to use studio monitors (studio speakers) most of my music is intended for headphones!