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On my current project, an ELMO AARDVARK five page story, I am tackling a problem I rarely do: "heavy" perspective. Not because I was asked to, but because the script involved an Atomic Pogo Stick to England, and I found that using my t-square and triangle make the images believable and exciting. Having a "real" location setting and being about flight I feel demands it. I didn't start the pages that way, but used the depth to solve one single problem, and it jes' grew.

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A problem of using only comics as a model is that one's ambition stops where the comics traditions do. Why not at least try to be a DaVinci?  And go beyond from there?

COPYRIGHT 2020 BY MILTON KNIGHT

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