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Happy AFI FRIDAY PEOPLE!

Pleasantly surprised by this one—wasn’t sure I could even put it into words by the end! Luckily, I got a second chance since I forgot to record my outro… is Mercury in retrograde?

***spoilers below***

This one hit in a lot of ways, and without spoiling too much, it definitely stirred up some feelings. I was completely drawn in by the film’s style—every shot, performance, soundtrack choice, and lighting decision just worked for me. But what really makes it stand out is how bold it feels for its time. It’s gripping as a crime thriller but layered with so much more—tension, power dynamics, and moments that still feel sharp today.

Sidney Poitier commands the screen with such presence, and Rod Steiger’s performance is just as compelling in a totally different way. I really wish we got more scenes with them together by the end and I loved Rod’s moments of vulnerability. Their dynamic drives the film, making every conversation feel like a battle of wills. That why I felt like there was no clear hero (but still feel like there was a hero 🤣).The way they play off each other, especially in an era where films like this seem like they weren’t the norm, is what I think makes it special. Especially that one scene! Wow!

Brilliant story telling for me, with an interesting plot point at the Center. Creative way to tackle the themes of the movie. I have a feeling this will only get richer with rewatches as I get more accustomed to the dialogue of the time. But hey, I think I’m already doing a pretty good job of getting it! LOL

Drop ur comments below! Or join discord to keep the post reaction feels going!

Xx

Ames

Files

In The Heat of the Night (1967)

Comments

Jeremy V.

You just made my night, Ames!

RFK Fan

Portier knocks it out of the park here naturally but I really need to give a shout out to the brilliant Rod Steiger. I'm very pleased to see you recognize him here as well. He's phenomenal in every role he's ever played from On the Waterfront to Dr. Zhivago to the HIGHLY underrated Leone classic Duck, You Sucker! He's always on his game...

Jeremy V.

Sidney Poitier gets all the big credit for this film, but this film could not happen without Rod Steiger. The two of them play off each other so brilliantly in fact, I truly believe that this film is a pocket in time frozen into celluloid. We don’t wanna live here again, but we need to look back to see where we’ve been.

Clay F

"There was a time when I could've had you shot." You commented on “the slap heard round the world” (which I think was at least heard round the US in 1967) – that you loved that scene. “They called me Mr. Tibbs” is not only badass as you mentioned but arguably iconic as the best-known line from the movie. As you, I would also love a world without racism, which may be naïve as you indicated, but maybe in time. 1966 (the calendar in Gillespie’s office shows “September 1966”) was not that long ago (I was born in 1963). There are arguably still Endicotts atop the hill today. Awesome movie. Rod Steiger and Sidney Poitier are excellent. By the way, Warren Oates (1928-1982) who played Sam Wood was also Lyle Gorch in The Wild Bunch who (along with his brother) was part of the gang led by Pike.

Toc

Yes!!! About to watch now!

Frankie H

The part near the beginning where the chief see's Virgil's badge and quietly says "Oh yeah", slightly embarrassed and then calls in his deputy and angrily shouts "OHH YEAAAH!" at him is one of my favorites moments. It was at that moment that they realized how badly they messed up.

James Rogers

I like that both Tibbs and Gillespie are portrayed as men with agendas and preconceived notions that they have to overcome. Shout out to director Norman Jewison (Canadian). Several films of his are worth looking in to. Moonstruck, Rollerball, And Justice For All - my personal favorites. I'd like to drop the mike like Virgil, but "They call me Mr. Rogers" doesn't seem to have the same amount of gravitas.

Lana Gorgeous

Loved watching this with you, oh a bit a realism. Most of this wasn't filmed in the south for safety reasons. Things were so bad in the south because of Jim Crow, that they feared for Sidney Poiter's safety. The only thing they could not duplicate were the cotton fields when he was going to Endicott's. That scene was authentic, and they needed special precautions to ensure Sidney's safety. There is actually a documentary about the making of this film you should watch sometime, very interesting https://www.youtube.com/watch?v=y4y75KlAK-w . Oh another bit of trivia, Rod Steiger was the Oscar, and that same year Sidney Starred in another great film and another amazing performance in a movie called Guess who's Coming to Dinner. Well worth a watch also.

China Andronicus

Sidney Poitier truly was one of the greatest. I again recommend Guess Who's Coming to Dinner? which I had submitted during your quest for romantic dramas. It features him going into a mixed-race marriage during the 60s, when that was very unpopular and still actually illegal in several states. Beah Richards, who you saw in this film as Mama Caleba, plays his mother, and has one of my absolute favorite monologues from any film ever. Katherine Hepburn won yet another Oscar in the role of his mother-in-law to be, and as always, is phenomenal. It's both dramatic and funny, and sadly as relevant today as ever. I don't think it's possible for me to love it more than I do.