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#36 on the AFI List and recent Poll Winner! The Bridge on the River Kwai

*****Slight SPOILERS Below*****

David Lean’s direction in The Bridge on the River Kwai is pure genius, and I'm blown away (pun intended) by his artistry and his vision, alongside Jack Hildyard's cinematography, was quite the chef's kiss! The locations are stunning and really popped in technicolour! I especially LOVED the wide shots capturing the raw beauty of the jungle and the grueling reality of the POW camp. The torture box...you could feel the heat and suffocation. The cinematography nails this gritty, somber vibe, balancing just enough light to highlight the brutal toll of war. The character arcs fascinated me with their many layers of duty, honour, and obsession, especially with Alec Guinness’s Colonel Nicholson. He was meticulous and steadfast in his leadership, which impressed me. I was perplexed by how committed he was to his task, not really taking into account maybe his personal interest in how he wanted the Brits to be seen as resourceful and resilient, even in captivity. That "snapping out " moment was really pivotal to watch. You see how far those ideals push each man, from Saito’s rigid control to Shears’ cynical survivalism (which had me laughing tbh). The small redemption he had hit hard, showing he had gained purpose within all the chaos he was thrown into. That ironic ending and whistling 'Colonel Bogey' as the bridge crumbles is just........ ! Great tension and suspense built up in the last half of the third act! I found it to be an interesting commentary on the destructive absurdity of war. Alec Guinness is phenomenal, carrying the film with a performance that’s both commanding and tragically human.

Let me know your thoughts below!

xx

ames

Files

The Bridge on the River Kwai (1957)

Comments

Toc

Wow, what a writeup, you could put that on a DVD box! Psyched to watch!

RFK Fan

Roger Ebert couldn’t have said it better Ames. Can you imagine the thrill of seeing this for the first time on the big screen? Who doesn’t miss Technicolor film processing? Lean, along with the great John Ford, was a stickler for filming on location and always working with the best in the industry. Sam Spiegal was that generations Jerry Bruckheimer. Financing BIG budget productions which were rare and must have given studios nightmares back then. Leans insistence on building and shooting this film deep in the jungles of Ceylon (now Sri Lanka) and casting Americas biggest stars (William Holden was a big draw in the 50s) immediately doubled the budget. But for me watching Alec Guinesses masterful performance is always such a treat. He would go on to work on just about every Lean picture starting with Great Expectations and ending with a passage to India. All of today’s great directors (Spielberg especially) cite David Lean as one of their biggest influences. Too many shots I love in this film to name but the battles in the jungle with shot of the thousands of flying foxes and the last 10 minutes of this movie are among Hollywoods greatest moments. A Film that never ages or loses its wonder even after repeated viewings..

tiny baby kitty man

Speaking of bridges.... I'm new here, but has Sorcerer (1977) ever been in consideration? I watched that movie for the first time during quarantine and it blew my goddamn mind.

Celeste McAllister🍓

William Holden was considered the handsomest leading man of his time...'Network' 'The Towering Inferno' 'The Wild Bunch' & 'Sunset Boulevard'.⭐️⭐️⭐️⭐️

Bubba Fett

The two conflicting views of the two brittish officers, we're soldiers its our duty to resist the enemy, and we're soldiers, we should exude excellence and pride in every task we undertake it well summarized by the final words of the one "madness". Nicholson def seemed a cant see the forrest for the trees sense about him. Holden always does well and plays a good variety of characters. 3 spectacular movies with him in this setting, Kwai, devils brigade, and bridges at toko ri he brings a different perspective each time. All worth exploring.

Marshmallow Venom (실리콘 밸리)

Ames, I'm gobsmacked at the insights you brought to a movie that doesn't just ask you to laugh at it or cringe at it or marvel (Marvel?) at it, but rather to think about the issues it raises. I sometimes wonder if the Japanese watched this movie and took its lessons to heart. In 1957 they were right on the cusp of a miraculous turnaround from the national despair of defeat in World War II to global leaders in technology, manufacturing and management. You were appropriately affected by this simple yet remarkably revealing comment by Colonel Nicholson: "If you had to operate on Saito, would you do your best or would you let him die?" This perfectly represents all the questions this movie poses. It dares to pit duty, responsibility, patriotism, etc. versus morality, love for humanity, and a real desire to put people above hatred and that is, for me, what makes this movie so great. I understand where Saito is coming from. If the bridge is built, his career is safe - he may even get a promotion. The officers above him won't care if he didn't follow the Geneva Convention, only that he succeeded. But if he fails, duty and honor will force him to commit ritual suicide. Nicholson is, in his way, the consummate soldier - ever ready to make any sacrifice, even his life and the lives of his men, for king and country. It's one thing to do that if you're headed into battle, but quite another if you're a POW. But he has a point, which is that the men are treated better and morale and discipline, which is absolutely necessary in any army, has been restored. Spears, on the other hand, is more of a pragmatist - unconcerned with questions of duty or propriety. He didn't join the Navy as a career, but probably because he was drafted. Or at least because he would have been humiliated at home when everyone else was going. He initially tries to help because he's willing to take the chance of surviving rather than face a court-martial and certain conviction. If he succeeds or fails, he's a hero; otherwise, he's a fraudster and criminal. In the end, he tries to help and pays the price for it. I think he had something of the same revelation that Nicholson did. "What have I done?" sums it all up, and I think Spears wondered the same when he had no choice but to face it. Major Warden is just like Nicholson. He's a career officer and duty rises above all else, even if it means being willing to be left behind so as not to risk the mission. I don't think the women who were so invaluable will ever forgive him, though. It's the ultimate irony that he was the lone survivor. Clipton? He was a doctor through and through, concerned only with the preservation of life and the relief of suffering, and war is the absence of all of that. He's there out of the same duty as Spears, but his professional calling and oath are the foundation of his whole persona. "Madness...madness!" is Lean's underlying message, I think, about all wars and it's fitting that those words would be spoken by Clipton. Ames, you said something I loved. "And that is the cost of war, my friends." Well, yes and no. The costs, unfortunately, go far beyond the soldiers, sailors, marines, etc. Animals die in war. Economies are devastated by war. Valuable land is destroyed by war. And, most importantly, civilians and especially children, suffer and die in war. I am so glad you saw this movie. It's my number one movie ever, and that includes Lawrence of Arabia. Here's to more great movies to come! P.S. Alec Guiness said the walk from the torture hut to Saito's office on the day Saito capitulated was the best acting of his career.

Cliff Adams

The combination of Col. Nicholson's obsessions, his hearing the trees could be used to build a bridge which might last 600 years, then adding his name (only) to the sign on the bridge, and wanting the bridge to be a monument to his leadership... he became the traitor, only to realize his idiocy in his final moment... Shears steps up while Nicholson plumbs the depths of egotism.

AJ

My grandfather had this on a lot at his house when I was a kid in the 80s. It's nice to have finally seen it. I'm sure it was amazing to see this in color in 1957 cause it still looks great today. I thought the acting was great and thank goodness there was some humor...I was worried about that. Shears was a great balance to Nicholson. Nicholson was a great balance to Saito. Loved the Saito line...For a brief moment between escape and shot they were soldiers again. Loved the Nicholson line...I suppose if I were you I'd have to kill myself.

Stanley Etienne

I love this film! David Lean is one of my best directors for sure. I can't wait for you to see Lawrence of Arabia. In my opinion, David Leans masterpiece.

Clay F

A more recent movie about the Bridge is "The Railway Man" (2013) (Colin Firth, Hiroyuki Sanada, Nicole Kidman).

Alan Jones

"All work and no play makes Jack a dull boy." This is a traditional saying that first appeared in print in 1659, according to Wikipedia. It's just quoted here, as it is in The Shining. Some versions add a second line (also according to Wikipedia): "All play and no work makes Jack a mere toy."

Catchermag

Your thoughts before the movie brought up a very important subject that upsets me to no end. There’s a famous San Francisco bread company called Boudin, they make the best sourdough bread EVER and are well known for it. A while back they opened about 25 California restaurants and bakeries. I get sourdough baguettes and dinner rolls and *chefs kiss!*. On the regular I would get their chicken pesto sandwich, it was YUMMY, they made it with a sliced baguette. SUDDENLY, out of nowhere and for no reason, they started using effin sliced bread!! SLICED TOASTED BREAD!! The unmitigated gall and audacity!!! I am now forced to buy the baguette, scrape the insides off the toast, and make it myself. I HAVE A LIFE YOU KNOW, BOUDIN!!! Anyway. Totally with you on restaurants changing things you like. Now, on to the film.