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Today's post is a rerun that I have made free to air. But I'd forgotten it so maybe you have too.

One of my dumbest acts as a mid-teen (I estimate 15) was to burn all the superhero comics I'd drawn between 11 and 14 on a bonfire at Tom Rowley's house. I remember his dad, an artist and designer, being genuinely aghast when he heard what I'd done. At the time I thought of it as a cleansing fire as I moved towards the work of pure genius, away from the embarrassment of those faltering steps into becoming the new Jim Lee. Little did I realise that the greatest embarrassment would be the immolation of my early stories.

I wish I could read them now. I had a great creative formula for my early superhero comics, cooked up in the primordial ooze of 1988-1991. I would create my own incredible original characters, who were men, then use lady members of the X-Men to fill the feminine quotient of the line-up. Then I would name the team something very powerful.

Then, as now, I was not blessed with the most visual imagination, but pure enthusiasm drove me through, completing issues that were sometimes up to 11 pages long - not including the cover! Unconcerned with coherent plot or structure, I would work panel to panel, searching for meaning where others dared not.

In conversation with my friend Marc Ellerby today, I brought to mind my most consistent team. They were called, wait for it, PSYCHO FORCE. I must add here that their mission was to defeat psychopaths. They weren't psychopaths. Which in retrospect is like a top doctor calling themselves "Plague Man" but here we are. 

As previously explained, there is no visual record of Psycho Force, but my teenage muscle memory is always accessible. So I have drawn the characters for you today. Not the characters who were just the ladies from X-Men. Those characters are well established. I do not need to draw them here.

HERE WE GO

KABOOM! WHAT WAS THAT? Was it the arrival of the GREATEST AND BEST DESIGNED CHARACTERS OF ALL TIME? I think it was and you witnessed it, my fine friend. Let me take you through the squad.

(I'm thinking now, and I think they might also have been called, at one time, PSEUDO FORCE - but I don't think I knew exactly what "pseudo" meant. And in fairness, Pseudo Force doesn't really mean anything. Unlike Psycho Force!!!!)

FLIGHT was like a ninja, but his costume was white, and you could see at least some of his face. He had swords, which he would brandish. I don't remember ever drawing him having a physical fight with anybody. None of these characters ever had a physical fight. I could not draw an altercation.

SKYFOX could fly and shoot energy bolts out of his hands. This precluded the need for a physical fight. I have drawn his hair exactly as it appeared in 1989.

FIGMENT could visualise his thoughts through that box thing on the side of his head and manifest them. Were they holograms? This character was made up by a friend, and I coöpted him after we fell out. He has yet to come after me for this breach of his copyright. 

(The friend was so much better at drawing existing characters and effortlessly making up new ones that I think he could, in retrospect, have been a little more pleasant to me. But you can't be too hard on an 11 year-old for having a bad personality. If you'd had to pick which of us would have made it in comics, you wouldn't have picked me. But then, perhaps having a career in comics is the dumber choice. I'd be astonished if he's not incredibly rich now.)

THE BULLET was a bruiser who was fired out of a cannon. He's a slightly later addition, which you can tell because he actually has some kind of concept attached to him. I think I used him very briefly in Bobbins.

INCREDIBLE, RIGHT? Did they have a base? Probably!? Were they a government funded agency? Sure, possibly! Who were their enemies? I have no recollection! I think they spent most of their time trying to "get off" (I didn't know what this meant either) with the X-Men ladies.

I've tried to remember other characters, but I can't. That's it. That's Psycho Force. The greatest force of all time. I burned them on a bonfire.

PS I also drew Marc Ellerby as an incredible early 90s version of himself. The end.

Files

Comments

WJC

Psychopaths? Did they go after escaped madmen? Or uncover previously unknown ones?

Richard Carlsson

If his name is Flight, it makes sense that he wouldn't Fight.

Marc Ellerby

I had completely forgotten you Liefeld-ed me. Oh boy oh boy oh boy.

scarygoround

I can't remember a single villain from Psycho Force. I would imagine that they fought ninjas, generic robots, and perhaps orcs (rather than escaped madmen which would have been much better). I know that my limited repertoire of things I could draw/imagine would have limited their opposition. I wish I still had those comics so I could see what they were about.

James Churchill

Were you really Liefeld-ed when you clearly have feet and a torso that doesn't look like a fridge was crammed into it? Though to be fair you do get a thigh pouch.

WJC

Ninja robots I’d imagine considering the times. But you’d definitely recognise them now, I bet. You’ve been carrying those villains around all this time and they would’ve crept out somewhere I’m sure.

Marc Ellerby

I probably need some sort of “head glove” with an antenna to be full Liefeld (and I say all this as someone who really likes those early Liefeld comics)

Kevin

I'm gonna write a podcast about this lost media.

Luke Drotos

I remember inventing my own superhero, Burrito Boy, back in elementary school, taking inspiration from the Captain Underpants series to the point where I drew him some one-page comics. I would hope that I’ve gotten way better at writing characters now, or maybe Burrito Boy is a testament to high thematic art or something. Also I read on Bobbins’ Keenspot page that the first drawings of that cast were with superpowers. (Though you also specify you could be lying). Funny how this wasn’t the last time the concept of “Shelley with a powerful glove” was drawn.

glenn

If it's something really important you'll remember it (even in the strangest way) because it's never lost completely, it only gets better, improved, perfected.

Ross Webster

By far my favorite drawing here is Ellerby going full-Leifeld. I think I personally like the idea of PSYCHO FORCE being sort of lost in the Bobbinsverse trying to find their purpose going from odd-superhero job to odd-superhero job until they settle down in Somerset and start a coffee shop (with the help of master barista, Lottie Grote of course). As for your troubled youth John, I think many of us 90s kids who had an indie comics epiphany (mine was the discovery of Manga, Vertigo, and Blue Monday from Oni Press) went through some kind of "purge" phase of our old superhero comics (mine was considerably less dramatic. I either sold them, gave them away, or trashed them). In time I corrected that with digital collections.

scarygoround

I only burned the superhero comics I made, not the ones I had bought. Though I did sell those at some point too. I never regretted that as I'd completely internalised them by reading and rereading them. I retained just enough of those old comics to maintain a library of the things I found genuinely formative, which I have to this day. But I'm not a big collector generally.

Ross Webster

Ah my apologies for the misunderstanding. Same here for the internalizing of all those old Claremont X-Men stories.

Claire

I am very excited by this John

Carlo Condo

This is all I've ever dreamt of

Katherine Wharton

I think if I am ever brave enough to read the "book" I was writing when I was 11, I might wish I'd burnt it

Marc Arsenault

So... you burned your drawings... Did you keep all your old 80s Marvel comics?

Jason Clements

I did think Figment had a 1980s mobile phone clamped to his head before I read the far more plausible explanation.

Jarrod Jones

LONG LIVE PSYCHO FOR—oh, yeah

Jason Clements

PPS 'Pseudo Force' might not have been a good choice of name - too near to 'Paedo Force' for some people?

Simon

Hey, Flight has some of those...thingies.. on his legs Liefield used to put on everything (no offence). On the basis of that style, Marc's Duvet Shoulderpad is much too small.

Simon

About 93, I drew a short Deadpool piece for my mate's A-Level media studies course work. It has never been found. And you're right - physical fights are hard. To draw.

Sean Kinlin

Psycho force are certainly cool. And they have impressive packages - I can see why the X-heroes would hang out (or get off?) with them.

John Lee

Ever since I was young I've been constantly combatting my parents to not throw out numerous sketches and notebooks containing my beautiful artwork from elementary-hs years. I feel the pain of self-lost media.

Steve McSheffrey

Pseudo Force could have been their evil doppelgangers. Fight, Ground Weasel, Reality, and Cannonball.

Steve McSheffrey

This gave me the smile I so desperately needed today. Thank you!

William Cole

Now THAT was a thrilling saga!

scarygoround

I might have done that to amuse myself yesterday. Superhero men in the late 80s/early 90s comics always had very flat crotches. What I did here was borderline Tom of Finland by comparison.

scarygoround

If I'd been thinking with this clarity, I think the team could have actually had some physical fights.

John Lee

I definitely have to get around to this sometime soon. 😶‍🌫️

scarygoround

I try never to miss an opportunity for one.

Jeremy Impson

Well they say that shared sorrow is halved, but now I have to live the remainder of my life with the knowledge that I'll never see PSYCHO FORCE

Jeremy Impson

John, have you ever posted about how you digitize your physical works? I've been meaning to look into how to do high resolution document archival. I imagine it's easy enough to find a scanner, but are there any subtleties or gotchas to consider?