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Here I am with former President Chester A. Arthur. Why? Because today I am going to talk about the past.

I received an email yesterday with an Excel spreadsheet attached, where one of my readers had very sweetly attempted to create a complete bibliography of my work, in publication order. I can understand why they, as a fan, might have done this. Because my little comics kingdom is in chaos.

More than a decade ago I made friends with the man who ran a big Mount Eerie website, the one that exhaustively catalogued everything the musician Phil Elverum had ever put out, from limited tour releases to setlists to (if memory serves) a one-off promotional tarpaulin. He was possessed of so fierce and intense an intelligence and recall that I felt I needed to bring not only my conversational A-game to our occasional meetings, but also to better organise my own recollections, as I am a dismal anecdotalist. I've had a lot of great adventures and half of them have been reduced to one sad little sentence in the memory bank because I seldom look back. I have to focus on the next thing, the next thing, the next thing or I will never get them done.

(Around the time my friend was tending his website, Phil Elverum released a one-off single called "Get Off The Internet" and we were all pretty sure that the two things were linked.)

Now, I feel nothing but gratitude that people want to try to make sense of my work enough to try to establish a chronology, a linear reading, that my curation (or non-curation) of the work demands. Because what started as an easy-to-parse daily online free comic strip splintered into branches that had their own logic and form (to me, at least). Some stories only ever came out in print. Some have vanished from the free internet. Some reference earlier stories and, on occasion, contradict them. I'm not well organised enough to keep everything straight in my head, so I have to keep chipping manageable lumps off the whole to develop into separate things.

This - of course - is a choice. There's an alternative version of history where I kept everything in a neat line. I could have done it, with a little work. All I had to do was put one foot in front of the other. I'd have had to avoid a few of my detours, we could still be on bobbins.org and I could have done almost every story in order. Even Steeple! Even By Night! They'd have been slightly different, but every idea could have been run neatly through the sausage machine. 

But I'm not the only person doing this, and over the years, I couldn't help but be aware of long-continuity webcomics where the author was constantly held to account by work they did ten, fifteen years earlier. Work written and drawn by inexpert hands, that old hand readers would direct new ones too. Ancient, forgotten waystations that had to be passed just to understand what the fuck's goin' on, man. 

I couldn't work that way. I don't remember half of what I've done the way readers do, I drew it in 2007 and most of the time I don't want to remember it. I love that people go back and read everything but I don't actually want anyone to have to go back more than a few pages to make sense of what is going on in the moment.  A character from 2009 isn't suddenly going to return and blow everything up, because a character who last appeared in 2009 is as much of a mystery to me as they are to someone who just discovered my comics.

And that's part of why everything is siloed. Bad Machinery at GoComics and in print, Scary Go Round and everything around it in the PDFs. There's no easy nailing on of another in-continuity chapter. These are closed books. 

I don't like that the first five Steeple issues aren't on the website, I don't like that badmachinery.com is a jumble of side projects, most of which will never be printed or collected "properly". This stuff is never going to be straightened out because 99% of my focus is on what's next. I barely have time to do what I have to do, let alone what I want to do. God forbid that I should attend to what anybody else wants me to do.

But I do like that overall it's a puzzle that can be put together, or never put together. And as I say, that people care enough to want to try.

So thank you, John DeFilippo, for the Excel spreadsheet that you sent me. It's downloadable underneath as a PDF.

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Comments

Luke

What a walk down memory lane! Most of these I can place, but the titles get hazy around the new bobbins era. Does anyone remember which one had Erin and Boycey trapped in Mum Terry's walled neighborhood?

Justin Harman

several of the books listed as not being available in print are (signed someone who owns most of the Scary Go Round bound volumes, Murder She Writes, THAT, Mordawwa, Expecting to Fly, etc.)

Rob Brewer

That's New Bobbins: End of the Road.

Perry L. van der Meer

yes! thank you! John and John! appreciate all of it -- love the chaos, love the spreadsheet -- I once saw a very similar effort at excel-organization for the many early recordings of Jonathan Richman, modern lover days and beyond -- all so wonderful all so unnecessary -- jump in anywhere!

Mark Wilson

'as I am a dismal anecdotalist' - STRONGLY DISAGREE. All caps John. How do you like them apples?

C Cooke

What a labor of love. Thank you very much for all the creativity and the tracking John X 2!

Nick Gibbins

As I see it, there are two ways of looking at your work. It’s either a sprawling and convoluted multiverse full of Tackleford-616 and Bizarro Tackleford and “SEE ISSUE #23” and so on, or it’s like a prolonged jazz improvisation full of the equivalent of musical self-quotations. I don’t care if the Conan Gary the Horse is the other Gary the Horse, or whether the Shelley who was a zombie is the same Shelley who wrote Tibkins, or whether Sheffield University actually has a Dick Bruna building (although it is important that it still has a paternoster, obviously). We know what the throwaway references are (and if we don’t, it doesn’t really matter).

N. Forsythe

I both enjoy the obsessive cataloguing and think that continuity is the bugbear of limited imaginations. Hopefully the world has room for both! John, your dedication to spinning off your characters is always inspiring, keeping it loose and exciting. Though I do kind of wonder how the Conan story would fit into an alternate "All-Bobbins Timeline"

Chris Wichtendahl

Very interesting timing, sir, as I've just started rereading everything from the first SGR collection.

Chris Wichtendahl

I've also started my nth reread of Dragonriders of Pern, which makes for a fun counterpoint.

Jack Christmas

Aha, a kindred spirit! As someone who also put together a bibliographical spreadsheet (a Bobbliography?) as a guide for myself - which it hadn't occurred to me to share here, but I'd be happy to do so if there's interest in it - the continuity aspect is interesting. On the one hand, the inter-series continuity in your stories is mostly just an extra layer; they generally stand alone, and that's probably for the best. But on the other hand, if you want to read everything anyway and are able to do it, why *not* ensure that you read Des Fishman's introductory story in Scary Go Round before reading the first Bad Machinery story where he turns up? Though primarily the appeal of making ordered lists and such is that by reading comics broadly in publication order, it allows you to see most clearly how the art and writing evolved over time. That, and you get to be sure you didn't miss anything. Looking at this PDF, there do seem to be some noteworthy omissions, like I'm not sure why Steeple's only inclusion is as a non sequitur reference, and Expecting to Fly is missing its dates, but overall it's a solid list. 👍

Jack Christmas

Possibly they meant "in print" in the sense that new copies are still being printed, not just that they were printed in the past.

Josh Steinmetz

Nice work. Weirdly I did essentially do this myself recently, but I didn't write any of it down. I only came in at Giant Days, only when that ended did I start hunting down everything else. I was worried this list would reveal that I had missed something, but it looks like I did manage to track down almost everything in various online archives, or random marketplaces I had never heard of before. I never tracked down the original Bobbins stuff. I struggled with the look of SGR a bit, the computer art looking ones, but basically everything ranges from CLASSIC to MASTERPIECE! p.s. by recently I guess I mean 5 years ago. p.p.s The Great Brittish Bump Off (masterpiece) is missing from this list!

Tudza

"Anecdotalist" Yodel lay he who!

Emil

John, I'm afraid you've forgotten the one character who could always return from the past to blow up everything. Hugo.

CatWillMew

I think a couple of the SGR books are still available from Topatoco. Meanwhile it looks like not all of the Bad Machinery cases are online right now.

Egg

'I've had a lot of great adventures and half of them have been reduced to one sad little sentence in the memory bank because I seldom look back.' Oooh, I share that experience exactly. It's a bit sad if I actually think about it but fortunately the nature of the affliction means that I rarely do. I sort of hope that a lot of it comes back when I'm in a nursing home? I've heard that old memories get a lot more salient then...

Jeremy Impson

Thank you, John. And you, John! But the only thing I want to know is where the classic picture is of, in my recollection at least, the tackleford boys riding their bicycles towards the reader, with the onomonpoaeic sound effect STUNTS blazoned across the background.

William Cole

I remember that image, and it is indeed classic! I can't recall off the top of my head which BM story it would have belonged to, but my instinct is earlier rather than later.

William Cole

I tend to be pretty completist about things I love, so sometimes the many branches of the John Allison Experience sometimes drive me a bit mad as a fan. But if that's the price one pays for the continuous stream of delightful things that come out of his mind, it's a price I'm happy enough to pay. Lord knows, I'm no paragon of order and consistency in my own life, so I can't really demand that from anyone else.

Rob Brewer

All the main cases and Space is the Place should be accessible on GoComics (the current run is the second time round). John did a post on the front page of badmachinery.com (now on page 3) giving links to them all. The Big Hiatus isn't available but was distributed as an eBook for patrons.

Rob Brewer

It's towards the end of Team Spirit, on page 118 of the large-format Oni Press book. July 30, 2016, or October 5, 2020, on GoComics.

CatWillMew

Good to know, a friend was actually asking about it the other day.

Julian Pie

This is super helpful! I stopped paying attention to these comics for a while in 2020 and struggled to pick up the various threads again ever since.