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Today, while I was in bed trying to recover, I decided to print The Thunder, Perfect, Mind and read it with a pen in my hand.

As I moved through the text, I noticed something that I hadn’t seen before. Nearly every passage seemed to fall into recurring groups of three lines. Out of curiosity, I began colour-coding them as three alternating voices rather than a single continuous monologue.

Surprisingly, the rhythm often feels remarkably natural. I don’t know whether this reflects the author’s original intention or simply reveals another possible architecture hidden within the text, but the experiment has completely changed the way I hear it.

I’m now reconstructing the whole work as a kind of choral score to see where this intuition leads.

What do you think? Do you hear three voices as well, or something entirely different?

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Comments

I.CH.ronoS⏳

That's an interesting thought. I'll definitely check it out after I get some sleep. How are you feeling?

Anthony L

Truly I don't have the focus and attention needed to analyze such a text in this way. Maybe I'll summon it up in the future....but your idea sounds very credible. If you see/hear it as tercets, I don't doubt for a moment it is - whether each group of lines is three alternating speakers or voices depends strongly on the interpretation and the 'music' of the result. If you establish it's a "triple responsorial" (or whatever the term would be), that would be fascinating in itself and open up many questions for context, usage etc. Think about looking for scholarly summary or analysis of the text somewhere out there (if any). And keep getting stronger.