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You all have mentioned to have the tissues handy and man am I glad that I took your advice this week.

I loved this OVA. It contains topics that are dear to my heart: Love, music, and the quest to fill a void in the hearts of many.

If you haven't seen this then get the tissues handy. This one is beautiful and I cannot wait to see where the story continues next week with episode 5!

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Luis Arispe (edited)

Comment edits

2026-10-15 21:00 Love this OVA....but it's brutal. It kicks you in the stomach without any second thoughts. Fun fact. Irma's voice actress is Youko Hikasa but the singing voice is TRUE herself. "Letter", the song that Violet writes, in the voice of TRUE gets me to tears every time I heard it. Here a performance of her singing "Sincerely" and "Letter". https://www.youtube.com/watch?v=gRjcYGrpJz4&list=FLEzAlzvW7QzD1Bhf4ivlzgg
2026-10-14 17:11 Love this OVA....but it's brutal. It kicks you in the stomach without any second thoughts. Fun fact. Irma's voice actress is Youko Hikasa but the singing voice is TRUE herself. "Letter", the song that Violet wrotes, in the voice of TRUE gets me to tears every time I heard it. Here a performance of her singing "Sincerely" and "Letter". https://www.youtube.com/watch?v=gRjcYGrpJz4&list=FLEzAlzvW7QzD1Bhf4ivlzgg

Love this OVA....but it's brutal. It kicks you in the stomach without any second thoughts. Fun fact. Irma's voice actress is Youko Hikasa but the singing voice is TRUE herself. "Letter", the song that Violet wrotes, in the voice of TRUE gets me to tears every time I heard it. Here a performance of her singing "Sincerely" and "Letter". https://www.youtube.com/watch?v=gRjcYGrpJz4&list=FLEzAlzvW7QzD1Bhf4ivlzgg

Nomad1991

I have not seen the ova and from what I have heard you say before I have not watched the show in order but I have seen it all ……I have had family members say I would be a good dad/father but I have a health problems and If they get passed down I would feel guilty….i would be happy to have a kid but I wouldn’t be sad if didn’t happen either 🤔😅🫶🏻

Glen Kelley

Violet never disappoints. FYI, email was invented around the early 1970's, the company I worked for back then was using email internally around 1974, but it's a bit older than that. By the late 1970's most tech companies were using email internally and with the partners. Probably more widespread public use started in the late 80's, think AOL, "You've got mail" from 1989.

Andrew Hellebrand (edited)

Comment edits

2026-10-18 11:00 This OVA was originally released with the DVD/Blu-ray boxset of the series and wasn't broadcast as part of the show first time round in Japan, so most folk originally saw it after watching all thirteen episodes that had already aired on TV/streaming services. I saw it in that order on my first watch, but I think having it like this in the right chronological position helps the story make more sense in terms of observing the arc of Violet's development. OVAs (Original Video Animations) are a concept that started in Japan in the early 80s; usually a single anime under an hour or shorter runs of a handful of episodes that were physical releases, FLCL is an example of the latter that you've seen. These then potentially saw post-watershed screenings on satellite/cable channels, had higher relative budgets per episode so could be more ambitious visually and often were less affected by content restrictions & censorship than content made for terrestrial TV broadcasts. If they were successful enough in terms of sales then they'd sometimes be considered feasible for a longer series in a more traditional format. Since the early 00s they've been used more for standalone side stories or expanding on existing content in established franchises, as well as additional episodes not included in the original broadcast run that encouraged purchasing physical releases. This falls into that latter category, much like the Team Monaka episode you watched at the end of season one of Sound Euphonium. The MIA bulletin board with photographs outside the train station that Irma waits near each evening is something that first started occurring more frequently around world war one. Rail is still the primary form of long distance travel in this world, so post-deployment reunions at the train station would be common. You also see things similar to this in the modern day after natural disasters, it's almost a way of maintaining hope and seeing you're not alone in the experience you're going through, whilst the same time honouring a person's memory if they have perished. In modern first world society most people are raised somewhat insulated from the reality of death/mortality in a way that older generations weren't, back in the 19th century and even upto the 1950s infant mortality rates were so much higher that families would have more children because it was expected that not all of them would survive into adulthood, same as the higher percentage of deaths occurring in childbirth (both child and/or mother). With your story about your late band director's voicemail at the end, it made me better understand how the laptop moment in A Place Further Than The Universe triggered you so hard, given it gets me even without a similar connection. I moved around a few times during my childhood and teenage years, so gradually losing touch with people is a theme I'm all too familiar with, though there are a small handful of friends I've managed to persevere & maintain contact with to this day.
2026-10-15 06:45 This OVA was originally released with the DVD/Blu-ray boxset of the series and wasn't broadcast as part of the show first time round in Japan, so most folk originally saw it after watching all thirteen episodes that had already aired on TV/streaming services. I saw it in that order on my first watch, but I think having it like this in the right chronological position helps the story make more sense in terms of observing the arc of Violet's development and the struggles she goes through here, including the process of asking her co-workers for help. OVAs (Original Video Animations) are a concept that started in Japan in the early 80s; usually a single one-shot style anime under an hour in length or shorter runs of a handful of episodes that were physical releases, FLCL is an example of the latter that you've seen. These then potentially saw post-watershed screenings on satellite/cable channels, they had higher relative budgets per episode so could be more ambitious visually and often were less affected by content restrictions & censorship than content made for terrestrial TV broadcasts. If they were successful enough in terms of physical sales, then they'd sometimes be considered feasible for a longer series in a more traditional format. Since the early 00s they've been used more for standalone side stories or expanding on existing content in established franchises, as well as additional episodes not included in the original broadcast run, that encouraged purchasing physical releases. This falls into that latter category, much like the Team Monaka episode you watched at the end of season one of Sound Euphonium. The MIA bulletin board with photographs outside the train station that Irma waits near each evening is something that first started occurring more frequently in the western world around world war one. Rail is still the primary form of long distance travel in this setting, so post-deployment reunions at the train station would be common. You also see things similar to this happen in the modern day after natural disasters, it's almost a way of maintaining hope and seeing you're not alone in the experience you're going through, whilst the same time honouring a person's memory in the event they have perished. In modern first world society most people are raised somewhat insulated from the reality of death/mortality in a way that older generations weren't, back in the 19th century and even upto the 1950s infant mortality rates were so much higher that families would have more children because it was expected that not all of them would survive into adulthood, same as the higher percentage of deaths occurring in childbirth (both child and/or mother). The latter is still a worst case scenario possibility to this day, but a lot of folk seem remarkably naive to that fact (or in fairness perhaps willfully ignorant so they don't have to deal with the potential ramifications of that serious concept). With your story about your late band director's voicemail at the end, it made me better understand how the laptop moment in A Place Further Than The Universe triggered you so hard, given it gets me even without a similar connection. I moved around a few times during my childhood and teenage years, so gradually losing touch with people is a theme I'm also all too familiar with, though there are a small handful of friends I've managed to persevere & maintain contact with to this day.

This OVA was originally released with the DVD/Blu-ray boxset of the series and wasn't broadcast as part of the show first time round in Japan, so most folk originally saw it after watching all thirteen episodes that had already aired on TV/streaming services. I saw it in that order on my first watch, but I think having it like this in the right chronological position helps the story make more sense in terms of observing the arc of Violet's development and the struggles she goes through here, including the process of asking her co-workers for help. OVAs (Original Video Animations) are a concept that started in Japan in the early 80s; usually a single one-shot style anime under an hour in length or shorter runs of a handful of episodes that were physical releases, FLCL is an example of the latter that you've seen. These then potentially saw post-watershed screenings on satellite/cable channels, they had higher relative budgets per episode so could be more ambitious visually and often were less affected by content restrictions & censorship than content made for terrestrial TV broadcasts. If they were successful enough in terms of physical sales, then they'd sometimes be considered feasible for a longer series in a more traditional format. Since the early 00s they've been used more for standalone side stories or expanding on existing content in established franchises, as well as additional episodes not included in the original broadcast run, that encouraged purchasing physical releases. This falls into that latter category, much like the Team Monaka episode you watched at the end of season one of Sound Euphonium. The MIA bulletin board with photographs outside the train station that Irma waits near each evening is something that first started occurring more frequently in the western world around world war one. Rail is still the primary form of long distance travel in this setting, so post-deployment reunions at the train station would be common. You also see things similar to this happen in the modern day after natural disasters, it's almost a way of maintaining hope and seeing you're not alone in the experience you're going through, whilst the same time honouring a person's memory in the event they have perished. In modern first world society most people are raised somewhat insulated from the reality of death/mortality in a way that older generations weren't, back in the 19th century and even upto the 1950s infant mortality rates were so much higher that families would have more children because it was expected that not all of them would survive into adulthood, same as the higher percentage of deaths occurring in childbirth (both child and/or mother). The latter is still a worst case scenario possibility to this day, but a lot of folk seem remarkably naive to that fact (or in fairness perhaps willfully ignorant so they don't have to deal with the potential ramifications of that serious concept). With your story about your late band director's voicemail at the end, it made me better understand how the laptop moment in A Place Further Than The Universe triggered you so hard, given it gets me even without a similar connection. I moved around a few times during my childhood and teenage years, so gradually losing touch with people is a theme I'm also all too familiar with, though there are a small handful of friends I've managed to persevere & maintain contact with to this day.