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I thought it'd be more fun to write them directly onto the pages than to just drop them in text form, so here. :)

TL;DR: the following is just a little ramble about my thoughts on words vs. meaning and prose vs. dialogue, in case you're into that sort of thing. ;)

I've always rolled my eyes at song lyrics written in comics, because there are so many  layers of meaning and emotion added to a song when it's sung and played that you can't capture in text alone. 

Which is why I was happy to have Berto's song translated into Spanish; the majority of the people who read it will either have only a slight inkling of the meaning, or not pay attention to the words at all, and only "hear" the song through the visuals. 

I jotted down these basic lyrics quickly, pushed them through Google Translate, and sent them off to Kier, a kind patron who has offered to help me with the Spanish in Elephant Town. I felt kind of silly sending off the lyrics in English, because they're so simple and unpolished. It's funny how poignant and heartfelt something can feel inside of you, and how clumsy and cliche it can sound when you assign a limited vocabulary of words to it, when you don't have the time to be clever and creative.

I'm always a little embarrassed by my prose writing. I don't have an impressive vocabulary, so I rely on arranging the words I know in a way that takes advantage of pattern & repetition, cadence of sound, the element of surprise, and wordplay in order to express a thought closer to the way I see it in my head, and that takes a lot of thinking, and most of the time, it still isn't right. 

Dialogue, on the other hand, is fun for me, because people (characters) rarely take the time to polish their words out loud - most people's speech doesn't come out like a well-constructed prose paragraph - so there's a depth that comes through deceit, sarcasm, hesitating or rushing, letting a sentence fall short of being a complete sentence, using the wrong punctuation, suggestion via ellipsis, repeating words by accident, repeating words on purpose by way of emphasis. Dialogue is human and uncivil, messy, wrong. Dialogue is more honest than prose because it can't easily hide its ulterior motives. It's perfect because it's real.

Adding visual art to dialogue gives the same kind of layering effect that listening to a piece of music (rather than just reading the lyrics) does.

When I made my first comic in third grade, I'd already fallen in love with drawing and writing. When I put the two together for the first time, I found my language. It's still not perfect - every page of Elephant Town falls a little short of what exactly I'm trying to say, because my art still isn't skillful enough to get everything right - but the dialogue is right, the facial expressions are mostly right, the lighting is awfully close. It's as close as I can get to showing you the story that's in my brain that I want to share with you.

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Comments

Betty P Thomas

Thanks for this extra step. It really added to the story for me!

Kara Frazier

This is so lovely. As an editor of comics, it's fascinating to me to see the way you weave art and language to tell a story. The comparison to song is a good one, and these panels really hit me in the same way as a beautiful piece of music. Thank you for sharing all of this!

NJGR

You say you are embarrassed by your prose and then hit us right in the heart with it. You have also seamlessly captured how music FEELS to me, because there is a poetry of form that is more than words. Amazing. And thank you. ♥

Ruth Merriam

This is why you have patrons, y'know.

John Willson

Thanks Danielle for this peek deeper into your thoughts on arts written and drafted :) Sometimes I let my eyes tear down the page, hungry for the unfolding story. I'll remind myself to slow down, appreciate the craft, and soak in the subtler contents of each frame.

Betsy

I love this explanation, and your thoughts on writing prose vs dialog really aligns with mine (but much better stated)!

Julie Howard

This is why I love your stuff. You really are so wonderful and creative, and I hope someone tells you that daily. Maybe Pip can!

David Neale-Lorello

This is why I love your work: it so reflects the depth of your thinking. I remember the first time I was reading GWS (found it about halfway through its run, I believe) and I was struck with your mastery of facial expression -- it was immediately clear that you thought deeply about how to communicate feeling richly and yet simply. Your explication above not only makes perfect sense knowing your work, but it helps me appreciate how masterful you really are. It's such a privilege to watch the creative process of someone like you! Thank you! <3 <3 <3

Susy

I hope you cut yourself some slack on thinking your art is not skilful. I love it!

MaryAnne Glazar

I'm not sure I've ever met a creative person who was sure they were really doin' it right. That may be what keeps them doing it. So, listen to your audience -- you're fine!

Andy Ihnatko

The execution here is without flaw. And I understand your reservations about song lyrics printed in comics. It feels like that became a trend in 90s comics. I do remember getting frustrated with some of my favorite indy books because of it. Sometimes it'd even be a two-pager. I think I eventually dropped a fave because these interludes were so utterly disconnected from the story or the characters that I wondered if the creator was hoping that one of his readers might be the next Elton John and they could help him become the next Bernie Taupin. But what you did there wasn't that. Even when done well, as you did it, it's a risk. Together, music and lyrics are like a hammer. If you take the head off the handle...well, one part alone _sorta_ works but they're only really effective together. This page worked because you set up the scene and the environment brilliantly, and used the music to tease something out of a character that's been a closed book to us until now. Well done!

dcorsetto

That was DEFINITELY a 90s comics thing, wasn't it! I like the hammer analogy. :) And, of course, thank you.

dcorsetto

Gotta keep that carrot dangling in front of our faces, even if we're spending our whole lives walkin' toward it! Thank you. :)

dcorsetto

David! Thank you, I'm so happy this all comes through to the reader. It really means everything to me. :)

dcorsetto

The adjective he mostly uses is "warm," but it's still nice. ;)

dcorsetto

I read comics like I'm checking an ingredients list for allergens, so I can relate! I'm really forcing you to slow down with these two-page weekly chunks, here. ;)

BrenaMarie

In my head The Fugees "Killing Me Softly" is playing in Miranda's head

Janne Peltonen

Sometimes the simplest words are exactly what is needed. Thank you for this.