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This is the ad-free version of my latest YouTube video "The One Watercolor Professionals Swear By (But Never Talk About!)", where I demonstrate the exciting power of Neutral Tint in watercolor painting ✨ Often misunderstood or overlooked, Neutral Tint is one of the most versatile pigments you can add to your palette. In this tutorial, we’ll explore how it interacts with a variety of colors—from warm reds to cool blues—and how it can help you:

Mix a wider range of expressive, custom hues

Enhance your shadows without creating mud

Add depth and contrast while preserving transparency and luminosity

I’ll also share some of my favorite ways to use it in real compositions—especially for building subtle, realistic shadows—and walk you through a floral painting that features Neutral Tint combined with vibrant Quinacridones to create dimension and drama.

🎨 Neutral Tint: https://amzn.to/4kAi9AO

💜 Lilac Reference Photo: https://pixabay.com/photos/lilac-flowers-spring-tree-blooming-9195592/

Whether you’re new to this pigment or looking to make better use of it in your own work, I hope this video gives you new ideas and inspiration. Happy painting!

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Comments

Kathy Stringer Watercolor

These are wonderful tips I didn't know with those beautiful colors! I've basically used it to darken a few color but not with these beauties. I love neutral and thank you so much for sharing 💜

Will R

AMAZING!!!! So Beautiful and Helpful Thank

Debbie

I have neutral tint but never knew how to use it. Thank you for educating me!

Kimberly potts

WONDERFUL video, Anna! I did not know this about neutral tint!

Lindsay

Your first video on neutral tint is what made me buy it a few weeks ago, and it has already made a MASSIVE difference in my paintings! A lot of artists don’t like it and choose to use complementary colors instead, and while I do believe that that’s a vital skill for beginners to learn, having neutral tint makes things *much* easier, and sometimes I don’t want to have to mentally go through my entire palette to find a color that is both complementary *and* transparent so that it won’t ruin what I’m trying to do with my quinacridones. If I’m darkening one of them, or any transparent color, I go straight to neutral tint. If it’s a semi opaque color, I’m more likely to play around with complementary colors for the sake of the practice and the joy of getting to know my colors better. I’m a firm believer that beginners need to learn to do things the hard way- like having a limited palette and learning to mix all of their colors from scratch- but that once you have those skills nailed, you can absolutely take shortcuts.

Diane

Fabulous! Neutral tint typically sits in my pallette unused. After watching your video, I'm excited to experiment with it. Thank you, Anna!

Tan Siew Kheng

Tks Anna for this fantastic tips. Like many others, I hv neutral tint but hardly use it. Wil certainly start using neutral tint for my future botanic paintings. I also like to thank you for the composition of the two turtle doves which I have just completed. The doves represent peace and the heart shape represent love. This composition represent peace and love which is such a blessing when adorn on the wall of my home. Looking forward to such meanful compositions from you. Once again, thank you Anna. Peace be with you.

Janis hawkins

Hi Anna, Thank you for this video. I am excited to experiment with neutral tint. Also, thank you for your reference to Nancy Waldock’s FB page; I have already found numerous photos I would like to paint. Question: do you think neutral tint would work for the shadows and to deepen blue shadows on white flowers that have a blue/grey hue?

blossom kitty

As long as you carefully swatch your colors it should work well. I have two neutral tints from two different brands. One is more bluish and the other more neutral gray. You can always mix in additional colors to get your desired result.

Annelies Degenkamp

Thank you for your inspiration! I already have nutral tint but didn't use it often.... Untill now ❤️

Lynn

Thank you for this video. I really like neutral tint by Winsor & Newton but have never used it for shadows. I’m looking forward to trying it! I was surprised to notice that the pigment numbers on the W&N brand are the same as their Payne’s Gray but the Neutral Tint has a slightly more purple hue while PG is more blue. Is this due to different amounts of the color pigments in each?

Will R

I love the Beautiful Watercolor Art Videos from Anna Bucciarelli

Diane Johnson

I just no idea neutral tint was used to change colors. So informative, thank you for this video!

Koko

Hello Anna, is this the place to speak to you about my account. I just check on the last payment and it did post on my new card. Do you need me to do something specific?

Anna Bucciarelli

Hi There! The best way to reach me is via Direct Message Feature here on Patreon as it goes directly to my email Inbox, it's private, and I respond every Friday. Thank you!

Anna Bucciarelli

Great question! Payne’s Grey leans toward a more cool, bluish-gray; as a result it actually changes the color temperature in any mix. Neutral Tint is more of an all-purpose NEUTRAL gray. It really shines as a mixing color — perfect for gently darkening or toning down other shades WITHOUT really changing their overall feel or temperature. I’m not a chemist, but my understanding based on all the articles W&N and Daniel Smith put out describing their colors, is that even when two tubes use the same pigment number, the way they treat that pigment during manufacturing process — and whatever else they do to it before adding the binder — can vary quite a bit from brand to brand and from color to color. That’s why the same “color” can look and behave so differently depending on who makes it and how they make it. Think of PR122 which is Quin Magenta ... BUT ALSO Fluorescent Opera Pink. Same CI code - different look altogether. In this case, I think both Grays can be used, with a caveat that Paynes Gray will "cool off" the hue of the resulting mix slightly. I hope this makes sense!:)

Anna Bucciarelli

Janis, Absolutely it will work! But don't be afraid to introduce other colors into your shadows, especially from surrounding objects. Shadows contain a variety of colors from cool to warm. I highly recommend a white shell tutorial https://www.patreon.com/posts/white-shell-pt-1-73430798 or the old White rose video from my Youtube channel if you want to dive in deeper into shadow theory.

Anna Bucciarelli

Hi Siew, Thank you for your kind words — I’m so glad the Neutral Tint tip was helpful, and I look forward to hearing how it works in your future botanical paintings. It means so much to know the Doves now hang in your home and carry such a beautiful meaning of peace and love. Knowing it resonates with you in such a special way is a real gift to me as an artist. Peace be with you, Anna

Anna Bucciarelli

I love hearing this! I completely agree — learning complementary mixing is an important skill, but it takes time, while Neutral Tint can be a wonderful shortcut and time-saver, not to mention help keep your colors vibrant!

Lynn

Thank you so much! Very interesting. I’m paying more attention to pigment specs and always appreciate your comments on the colors you and how they interact with other pigments.

Susanne Bachun

Hi Anna, loved the Neutral Tint Tutorial, and immediately did a little research for different formulas of the popular manufacturers (in the past I tried a lot of them, from Shadow Violet by Mijello to Schmincke Paynes Gray (the not Blue Version)). Most of them also contain Black as the WN Neutral Tint does. Long time ago I discovered a shade called Neutral Gray by Schmincke. This one really doesn't contain Black. Currently it's a mix of PR255, PB60, PO62, and it shades colors beautifully and delicately. The thing is, I forgot it during the years of painting. Inspired by your tutorial I am going to give it another try, because I always have a hard time with the search for the right shadow color, (i.e. for a bright red like Scarlet, shall I go for a more blueish or more yellowish tone for the shadow, sometimes it's trial and error, you name it ) Thank you, Anna, have a nice weekend!

Anna Bucciarelli

Hi Susanne, thank you so much for your thoughtful note! 💙 I love that you went down the rabbit hole of exploring different Neutral Tint and shadow color formulas — it’s such a fascinating subject, isn’t it? Neutral Gray by Schmincke sounds like a beautiful option, especially since it skips black altogether! I find myself delighted and surpised every time I look at Schminke CI recipes - not that I need any more colors on my palette hehe but I am definitely tempted to try a couple of new pigments they've designed. Wishing you a wonderful weekend of painting and rediscovery! 🌸

gayla

Very informative tutorial on the Neutral Tint. I had to chuckle at myself; I've had Daniel Smith Neutral Tint forever but have never used it because I had no idea what it really was for or did. I am really grateful for experts in the different mediums that we work with so that I learn what different items are for and how to use them. Thanks so much Anna for the really useful tutorial! Much appreciated. Gayla Burson.

Bonnie Moore

I love this and will be ordering a tube of the neutral tone to try immediately. I am very new to watercolor and am beginning to quickly fall head over heels in love with this medium. Thank you for all of your video tutorials and hard work.

Anna Bucciarelli

That's amazing - thank you Bonnie! Enjoy experimenting with Neutral Tin and your favorite colors - it's a fantastic way to expand your palette.

Nancy Swan

I started a 2"x3" swatch card file of paint colors that I have on hand. I was inspired by your use of swatch cards you've used in your tutorials. The swatch cards have helped me to match colors on my portraits and florals and to prevent me from buying duplicate tubes. I was inspired by this video tutorial on benefits of neutral tint. I plan to ad another swatch file of mixtures, including Neutral Tint from Winsor Newton that I just recently purchased. My husband kept a swatch board similar to the one you made for most of his paintings, but I was inspired to make a swatch notebook of color mixes. Thank you for this important information.

Linda Watkins

Neutral Tint! All this time I've ignored it. I have a BFA in Art. My major wasn't in painting though. i was required to have 6 hrs of painting so i did that in one round of summer school at a local college & then transferred those hrs to the University to take care of the painting requirement for my degree. That summer, 15 weeks of painting & all shadows were done with Payne's Grey, period! Not even the complementary color trick. It must have been before complementary colors were invented... LOL!!!!

Anna Bucciarelli

Oh I am so glad you saw this video Linda! Modern neutral Tints were introduced very recently (around 2012 I believe ) historically they share the same origin with Payne’s gray (which is why I think your school recommended it. Neutral tint is just much more versatile and TRULY NEUTRAL - neither warm nor cool . Also it doesn’t granulate as Payne’s gray sometimes does (especially ultramarine containing variations). Enjoy!

Bea

Hi Anna, can i mix diffrants watercolors ? Newton with Qor, and Daniel Smidt??? Greetings, Bea

Bea

Sorry Anna, for.my question. I have already the anser from you're video 🫣

Anna Bucciarelli

Bea - Yes of course! qor has a different binder and flows faster but generally its not an issue:)