๐ง Watercolor Foundations Session #1 ๐งฉ Mastering Crisp Edges & the "Puzzle" Method (Patreon)
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Welcome to Watercolor Foundations, Episode 1! ๐จ By popular request, I'm starting a new series of foundational exercises ( watercolor workouts, if you will ๐ ) to help you practice essential techniques and brushstrokes in a stress-free way, using your favorite supplies and whatever brushes you already have on hand. The time you spend here pays off in every painting you make afterwards. ๐ง
๐งฉ Today, we're practicing edges - specifically, the so-called Puzzle Method: sequencing washes of different colors to achieve crisp edges and seamless color blocks. It's a skill that comes up again and again, whenever you're painting multi-coloured subjects: birds, flowers, even architecture. Once you've built it, you'll start seeing opportunities to use it everywhere.
Download the outlines below, or simply draw a grid of rectangles and overlapping circles, grab your favorite brushes and pigments, and let's spend some time sharpening your brush control. โณ
๐If you'd like to see the Puzzle Method applied in a real painting, check out our latest Dragonfruit and Dragonfly tutorial (Tiers 2 & 3): ๐ https://www.patreon.com/AnnaBucciarelli/posts/dragon-fruit-pt-163273415
๐ Coming up next: the wet-on-damp technique in Episode #2 (๐ https://www.patreon.com/AnnaBucciarelli/posts/watercolor-2-wet-167322876 ), alongside a bigger composition featuring a Betta Fish that puts it into practice. You can see the preview here (all Tiers): ๐ https://www.patreon.com/AnnaBucciarelli/posts/164743312
๐จ WATERCOLOR MATERIALS:
I'm using a mix of non-granulating watercolours, but use whatever you reach for most - the more contrast, the better. Do include at least one yellow, since it's much easier to get a crisp edge over yellow than over blues or greens.
For brushes, try ALL your favorites - you'll learn a lot about how they behave with edges, even ones you've had for years. I'll work through a mix of rounds and flats, but you don't need the same ones. I am using a variety of round synthetics and real sable, as well as a flat brush.
And I'm using 50% cotton cold pressed paper today - blending isn't the focus here, so cheaper paper is fine. 100% cotton paper will matter more for upcoming wet-on-damp exercises, but not for this one.