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Welcome to Watercolor Foundations, Episode 1! ๐ŸŽจ By popular request, I'm starting a new series of foundational exercises ( watercolor workouts, if you will ๐Ÿ˜„ ) to help you practice essential techniques and brushstrokes in a stress-free way, using your favorite supplies and whatever brushes you already have on hand. The time you spend here pays off in every painting you make afterwards. ๐Ÿ’ง

๐Ÿงฉ Today, we're practicing edges - specifically, the so-called Puzzle Method: sequencing washes of different colors to achieve crisp edges and seamless color blocks. It's a skill that comes up again and again, whenever you're painting multi-coloured subjects: birds, flowers, even architecture. Once you've built it, you'll start seeing opportunities to use it everywhere.

Download the outlines below, or simply draw a grid of rectangles and overlapping circles, grab your favorite brushes and pigments, and let's spend some time sharpening your brush control. โณ

๐ŸŽIf you'd like to see the Puzzle Method applied in a real painting, check out our latest Dragonfruit and Dragonfly tutorial (Tiers 2 & 3): ๐Ÿ‘‰ https://www.patreon.com/AnnaBucciarelli/posts/dragon-fruit-pt-163273415

๐Ÿ  Coming up next: the wet-on-damp technique in Episode #2 (๐Ÿ‘‰ https://www.patreon.com/AnnaBucciarelli/posts/watercolor-2-wet-167322876 ), alongside a bigger composition featuring a Betta Fish that puts it into practice. You can see the preview here (all Tiers): ๐Ÿ‘‰ https://www.patreon.com/AnnaBucciarelli/posts/164743312

๐ŸŽจ WATERCOLOR MATERIALS:

I'm using a mix of non-granulating watercolours, but use whatever you reach for most - the more contrast, the better. Do include at least one yellow, since it's much easier to get a crisp edge over yellow than over blues or greens.

For brushes, try ALL your favorites - you'll learn a lot about how they behave with edges, even ones you've had for years. I'll work through a mix of rounds and flats, but you don't need the same ones. I am using a variety of round synthetics and real sable, as well as a flat brush.

And I'm using 50% cotton cold pressed paper today - blending isn't the focus here, so cheaper paper is fine. 100% cotton paper will matter more for upcoming wet-on-damp exercises, but not for this one.

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Comments

Patricia D

I love this. Thank you for sharing these fundamental but very important skills๐Ÿ’™

Kay

Thank you for a calm and reassuring experience. As a beginner who tends to get stressed if things go wrong. I found this a very clear tutorial making it very reassuring. Canโ€™t wait for the next one xx

D Rao

Thank you so much, Anna๐Ÿฉท I have done the leaves exercise and now doing this one. Iโ€™m gonna do the leaves one again and see if I can stay within the lines.๐Ÿ˜€

Amy Soule

Thank you for sharing these foundational skills, Anna! I learned so much from this, and it is lovely to practice crisp edges in such a fun, low-stress way. I'm excited about the wet-on-damp class you've planned next for this series too! Thank you for all you do to provide such amazing tutorials - your work is much appreciated! ๐Ÿ˜

Margaret Dwyer

I have watched many of Anna's tutorials and one of the most important things along with a better understanding of colour is to slow down and think first . Anna's painting is always slow and deliberate showing what amazing skill she has developed and her impressive understanding of how to use colour. Her tutorials are wonderful ๐Ÿ’œ.

Lynn

Thank you, Anna,for starting Watercolor Foundations. This video was exceptional and so helpful. Iโ€™ve painted with watercolors for about 5 years using the wet on dry method and Iโ€™m leaning to explore new methods through your videos and tutorials. My biggest problem is drawing and tracing from reference photos. What to include and what to leave out that provides a good basis for a painting. When a painting of mine fails, it is usually because of the drawing. I was wondering if you might consider this topic for a future Foundations lesson if others are interested. Thanks for all you do!

Amy Soule

I'm interested in this too!๐Ÿ‘Also, for me, the logic of light is a helpful topic - I love how Anna sprinkles this type of instruction throughout her tutorials, and I could also really use a heaping helping of practice and understanding in this area!

Anna Bucciarelli

Thank you Lynn (and Amy)! I don't know if you saw this but I have a growing collection of drawing tutorials specifically to address this - it's called Drawing for Watercolor artists. It covers the basics (I recommend starting with blue plums) but if you want ti get more into composition building - the wreath and the pumpkins show my full process and :thinking through these changes in real time: https://www.patreon.com/collection/1666609

Anna Bucciarelli

Thank you for your feedback Kay! I think you will enjoy the next one I am working on for next week - dedicated to water control and wet-on-damp technique:)

Anna Bucciarelli

Thank you for your feedback!!! The leaves was a good format for a wide range of techniques, I am now building this library to include a deep dive for each - i hope you enjoy the next one on water control and wet-on-damp technique!

Anna Bucciarelli

Thank you so much Amy! Wet-on-damp exercise + water control coming your way next week:)

Anna Bucciarelli

Thank you so much for your feedback Margaret! I hope you continue to enjoy these series along side regular tutorials.

Amy Soule

Thank you so much, Anna - I will definitely check those out right away!

Lynn

Thanks so much, Anna. I will check out the tutorial. I havenโ€™t done that one yet. I am learning so much from your tutorials and your book.

Mary-Anne Buist

What a wonderful tutorial - I have your book and have just now joined Patreon - you are a gifted teacher and I am looking forward to starting with these exercises to better understand my tools. Thank you!

Dianne Carpenter

Thank you so much, Anna! This was fun and I definitely need to practice. What a great way to learn.

Kathleen Huffine

This was so helpful. I've been painting for a little over a year and I'm still struggling with a lot of things. Having a solid, repeatable lesson is incredibly helpful. I even tried my own (far too complex) version because it was so much fun. Weather is hot and dry right now, so my large paint sections look pretty blotchy, but it works! Thank you!

Melanie

Thank you so much Anna. I have had a whirlwind year Was diagnosed with early stage lung ca this year. Never smoked! So am trying to get back into my favorite things instead of necessarythings!! Creativity helps heal.. and I have missed it!!!

Cynthia Connell

Fantastic exercise, Anna. I discovered I really do like my sable brush, especially when used with the right amount of water and paper grain.

Yasmin

I did this exercise (wet on dry) on several papers of different quality and learned that the brushes have to be really soaked with water and paint or the paint dries too fast on the paper and the washes are getting uneven. It's better to just remove the excess water/paint than to recharge the brush severel times and risk the edges to dry out. And to not go over the already painted areas again. It's easier with 100% cotton than 100% cellulose, but uneven washes can happen on both kind of papers. I think the brush should BE able to hold a lot of water (Da Vinci casaneo is better than Colineo than Spin) for big areas, but also has to have a very fine tip (casaneo and colineo are better than Spin). The smaller the area the less water it needs to BE able to hold. I still have to test wetting the paper before adding paint.