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The eleventh book in the series will continue the war with Tymetron, and I'm aiming to do something a little different with it: I want to do a logistics book. So many times the negotiations and organization are pushed to the background so that the main characters can fight some more guys. Well, I'm going to try to make this aspect of war interesting, building a book around alliances and the management of the big sublime materials that nations fight over.

This necessitates a somewhat different structure, and I imagine it will be a little controversial. It doesn't have the average rising action to climax sequence, which is effective... but I've written that in multiple books, and as I've said before, I don't want TWC to be repetitive. I hope that this shift will make the war feel longer and more real without it being just hundreds of thousands of words of battle after battle.

Either of these decisions might not work for some readers, and I can only say that I did the tenth book with very conventional pacing, and I think the rising action of the twelfth book should be intense (because it will be a climax of not just one book but the whole arc). My hope is that if readers are this deep into the series, they'll tolerate the variation if they don't enjoy it.

I'm sure that some won't, however. It's always a little frustrating when people assume that you couldn't have possibly intended to write what you did, and you must have foolishly made a mistake when trying to write what they wanted to read. I'm putting a lot of effort into thinking about how to structure a book along different lines, both for individual readability and the series as a whole.

Of course, the fact that something was done intentionally doesn't mean that it's good: some won't like the result, and it's even possible that I'll agree. Right now, though, setting up the book this way seems like a fun way to take on war from a different angle and give both the characters and organizations a chance to show off new facets of themselves.

This isn't entirely an interim book, though. There are a couple long-running subplots that will be wrapped up, one that I think some will really enjoy, and another answering a narrative question that I haven't seen people asking.

I think the eleventh book is also the first time that the characters visit every single world in one book. I could have done this earlier, of course, but readers couldn't track that many locations. Hopefully by now it's comprehensible and feels like the scale is ramping up in more than just big numbers.

Anyway, I'm planning to release Crimsoncrest in early to mid October. This is the timing that works out for a number of reasons: I have some promotional deals coming first, and there will be an Audible launch that you'll hear about after. In the meantime, there will be the last blueprint, a fun tutorial, and perhaps some preview chapters!

Comments

Mr. tj333

An interesting idea. I look forward to it.

Jake Swartz

It sounds interesting. Hopefully we will be introduced to many new sublime materials and get lots of soulcrafting accomplished.

Quantenmecha

I‘m looking forward to the audible launch as my audiobook library needs some new books! Logistics/Empire building is also a change - I‘m looking forward to it. It‘s always satisfying to see when miltiple parts come together in formerly unanticipated/not seen ways.

Justin Barnett

I like the books that go into the logistics. it provides a different kind of challenge and builds the world and characters in ways you don’t usually see.

Zalut

Legend of William Oh is in an arc currently that I would say does this kind of thing very well! Going from 1v1 2v2 5v5 to hundreds vs hundreds now, while having a power system heavily focused around items and swapping around builds. Might be worth a look! Can't wait for the next book in any case!

Wei Shi Lindon

Sounds fun, I’m looking forward to it!

Corwin

Reminds me of how Herman Wouk wrote Winds of War and War and Remembrance. Both were great books in my humble opinion

Andrei

I don't mind, your price is VERY good so even if a few chapters are boring it's not a big deal, and in Kindle form it should remain interesting as you don't have to wait for the next chapter.

chad osborn

I look forward to it as just having battles wouldn't feel like ths plot was moving forward because in my eyes fight scenes are the junk food of writing(they are exciting at first but ultimately just hold up the progression of the story.) And it's refreshing you are trying to stay away from using overused, tired old tropes that on some should be beaten and never see the light of day again

AnythingAtAll

Structurally, I think the series has only really faltered in Chasmfall, with an ending that petered out and a slow first half. Looking back, the first three books also felt slow, but that's not a matter of pacing, just taste. Deathseed and especially Skyvenom have had stellar pacing. I may have found Esaire really annoying then, but I gotta admit, he was a really good narrative tool! Bloodcrete also spent the majority of its runtime splitting the gang, and that still has probably my favorite 1v1 of the series. Crimsoncrest's conventional pacing actually worked against it for me, even if I still really liked it. Coming off of the nonstop thrill ride that was Skyvenom, Crimsoncrest's interim events between its climaxes felt sparse in comparison and I felt like the political games were lacking. Bottom line being, the series really shines when it leans into doing something different. Logistics and Theo sound like a match made in heaven, and the series has never faltered when handling all these multi-world plotlines, which is one aspect that Crimsoncrest handled really well. So if they're gonna visit ALL nine worlds, there's a lot of wonderful juggling to be had in the future. Also, if this is the logistics book, I hope we finally get the mini-arc where the gang organizes a tournament that you teased a long time ago!

Desertopa

>I'm sure that some won't, however. It's always a little frustrating when people assume that you couldn't have possibly intended to write what you did, and you must have foolishly made a mistake when trying to write what they wanted to read. I think this is a pitfall that comes up any time a writer tries to do anything actually original. I've seen loads of commentators criticize works of fiction for failing to properly follow through or maintain cohesiveness with their themes, pointing out ways in which they mixed their messaging, while I'm looking on dumbfounded thinking "That was obviously never a theme of the work in the first place. You're just assuming it was a responsibility of the work to retread the same cliche themes that've been covered a thousand times before, and you failed to notice that it decided to do something else."

FoolRegnant

I always like experimenting with structure, especially in a genre as devoted to one structure as progression fantasy.

Matthew Bartlett

Sounds a bit odd, but not bad. I believe in you. Also Theo should complain about the lack of trains. I want to see discussions of trains.

guillaume nguyen

Well, between two big fight sequences, it's customary for you to place a politics heavy arc, I think every TLS player will recognize themselves in this ^^ Not saying it's a bad thing, at the contrary, it's just a part of your style that you excell in. Few can make politics as interesting.

Todd Wright

I think it will be fun. Thank you for stepping out of the box.

guillaume nguyen

That's precisely one of the 'annoying Earth references' he's trying to not be obnoxious about in this second try.

Bryce Leo

I love the way you approach writing and I'm excited to see how it comes out!

ZJJ

First... hurray, a new audiobook! Did I understand correctly that the audiobook release will be after the Crimsoncrest release--mid to late October? I eagerly await it whenever! I look forward to the experimental structure of the next book and am willing to accept it for what it is. In fact, I've discovered that, while fights and battles are exciting the first time through, when I reread these books it's the soulcrafting and interpersonal interactions of the trio that I most enjoy... and I actually find myself skipping the big battles whenever I reread.

sarahlin

I am not actually sure in the sense you mean, I'm afraid! No parts of the Nine Worlds have high industry, but some do have train-like technology via soulcrafting.

sarahlin

First, I want to be clear that the Audible launch will be a new series, not more TWC. That said, it is early November!

Adamanus

Hey the point of art is creativity, so I really appreciate trying to push for new narrative structures. I enjoyed Skyvenom's structure, so I'm looking forward to book 11 too.

Shweta Narayan

OMG this next book sounds like exactly what I've been wanting! been binge rereading the series (on skyvenom again oh no, nearly done) and it definitely seems like what's missing to me. I love seeing bits of Theo being a logistics nerd and more of that will be fantastic! Honestly though, I'm mostly here for the characters and the soulcrafting details. the first time I read any battle I feel like 🫣 and I only truly enjoy them on reread. so I'm probably not going to line up with normal readers.

Shweta Narayan

haha I'm the opposite! I like the fights better on reread when they're less stressful. But both our approaches show that the fights are really well done, because we're both responding to them being unpredictable and exciting

Shweta Narayan

I kinda want to see Theo try to make trains happen only for everyone else to be all ??? about the enormous investment for dubious returns

Shweta Narayan

huh. I adore chasmfall myself. What do you find rough about the ending? I felt like it was a pulling the curtains off kinda ending -- the reveal of the larger scope, with the whole tymetron arc being set off, and senka's reveal. but wondering if I've been missing something?

AnythingAtAll

Nah, I think we just have different tastes, which is of course fine. The most significant revelations of Chasmfall are the first glimpse of Vistgil after the prologue, and how he can manipulate Fithe well enough to start a continents-spanning war, or how there are other forces somewhat equal to him that can resist him. All these revelations happened with no input from the characters. Their major action there was fighting over a staff, then they simply watched the climax of the plot. I kept waiting for some obstacle to appear as a result of Vistgil and the House of Lost leader's clash, or for the gang to barely escape Vistgil's suspicion if he detected *someone* there, but not necessarily Theo, which would've tied all those reveals to the perils of the Chasmfall (since Vistgil planted the staff there), but that didn't happen, so the ending felt like it just petered out to me. Pacing-wise, I do think Chasmfall shares an issue with Skyvenom in that the first half felt too slow. Skyvenom fixes that with what I think is the series' best midpoint and second half overall. Chasmfall's exploration sections in the second half were great too, but I suppose I just wanted to see more of the Chasm itself. The preparations in the first half could've been compressed to the first quarter, but I suppose by that point, it's a matter of taste, since SL has mentioned multiple times she loves those aspects of the series.

Matthew Bartlett

I mean I like trains. Nothing more nothing less. I understand that it probably doesn't fit. I just like them. Also imagine kreekree in a train conductor hat.

Charenold

It reminds me of how a lot of documentaries or stories will make ww2 to be on a knifes edge up until the end of the war. When in reality it was pretty much decided when germany failed to take stalingrad, arguably when germany failed to win the battle of britain. For the japanese side it's even worse, the war was lost for them the moment the US didn't capitulate over pearl harbor. Of course, that's all historical hindsight, knowing the state of the economy and organization of the enemy, which isn't possible in the moment. Still, I'm curious if the ending of this book will be pretty much decided early on, like, mid point or earlier, and it'll become a question of "just how much will it cost us to win?" Though conversely, they could end up losing. Certainly a possibility, but that would be quite the major plot twist, and likely saved for book twelve if it does happen.

JACOB HEBERT

I do like me some logistics. For worlds with cultivators or other high power individuals, any single materials to make then stronger are just as logistically important as food and ammo supply chains for the regular armies, so I imagine Nine Realms logistics to only partially reflect military logistics in our world. Retrieving specific materials for individuals or small groups will probably look a lot like the main characters' efforts to find materials for their own soul homes, just with more people, institutional funding, and perhaps being less picky about sublime materials. Looking forwards to it!

AyashiiDachi

Nice. I hope to see these numbers CRUNCHED.

Ferlin Sutton Léo

> there will be an Audible launch that you'll hear about after Can't wait to hear about the secret project :)