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Hi beginners,

I get lots of messages about what sort of supplies beginners need to get started painting in watercolour so I thought I’d put this post together so it can be referred to in the future.

If you have any more suggestions yourself please let us all know in the comments. I can add to this post over time if necessary.

Good quality art materials are expensive so building up your stash of supplies will probably take you a few years.

Paper:

I’ve written a post before about watercolour paper here: https://www.patreon.com/posts/27336933

The number one most important item you need is good quality paper. I don't recommend  buying wood pulp paper because you will more than likely have no success with it. 

100% cotton watercolour paper is what you need - 300gsm (140lb) in weight is a good weight to start with.

I use Arches, Fabriano Artistico and Saunders Waterford. Arches is the most expensive and it is my favourite paper. Paper is a personal choice and as you grow as an artist some papers will suit you better than others. I began painting in watercolour with Arches paper. I bought the small A5 size pads and filled up many of them. Then I bought the next size up (A4) and painted on that size paper for a while - see my post here: https://www.patreon.com/posts/33658556

Cold pressed paper is best when you first start rather than hot pressed. I find that it’s a little easier to paint on. Cold pressed paper is textured. Hot pressed paper is smooth.

You can paint on both sides of good quality cotton paper. So when you are learning you can paint on one side and after you have finished and it has dried you can try again a second time on the other side. Be aware though,  if you have stretched your paper and the painting didn't work out and you want to paint on the other side - once you take it off your board and paint on the other side the paper will pucker because it's no longer attached to your board. I save my paintings that don't work out. I keep them in a drawer and when I need some paper to try something out (maybe a technique or a colour combination) I'll use the other side of the failed painting rather than get a new piece of paper out.

I always stretch my paper before I paint on it. I have a video about my process here: https://www.patreon.com/posts/31443575

Here is a written post with more information about paper stretching: https://www.patreon.com/posts/41954171

Stretching the paper before you start painting stops it from puckering and it’s much easier to paint on paper when it’s flat.

You can buy paper in pads, blocks or individual sheets. I suggest buying the pads or blocks to begin with.

Paints:

If you can afford it, only buy artist quality watercolour paint. I use Winsor and Newton and Daniel Smith mainly. I did buy some Winsor and Newton ‘Cotman’ paints when I first started painting in watercolour. They are student grade paints. They were ok to practice with but I quickly switched to artist quality paints.

Colours: When you first start painting and you have no supplies at all I suggest you buy 5 colours:

A warm and cool red, a warm and cool blue and a transparent yellow. You can mix just about any colour with the primaries.

Suggestions are: 

Cool Blue- Phthalo Blue or Winsor Blue (red shade- I use mostly)

Warm Blue - French Ultramarine 

Cool Red - Permanent Alizarin Crimson

Warm Red-  Cadmium Red or Scarlet Lake, 

Yellows - either Quinacridone Gold or Indian Yellow.

You will learn about staining colours, transparent colours, opaque colours, glazing colours and granulating colours along your journey.

Brushes

Synthetic brushes are cheaper to buy than natural hair brushes so start with them first.

When you go shopping, either in store or online, - look for/ask for ‘watercolour brushes’. They are different to oil and acrylic painting brushes.

I started my journey with Winsor and Newton Cotman brushes. They are cheap. I used them for about 3 or 4 years before I switched to natural haired brushes and they served me well. I haven’t bought any synthetic brushes since 2015 so I’m not familiar with all the brands. I can’t recommend one over another because I’ve never tried them. Please add your suggestions for beginners below in the comments.

For Australian patrons: here are the brushes I used when I first started: https://www.eckersleys.com.au/winsor-newton-cotman-111-water-colour-round-brushes

UK patrons: https://www.jacksonsart.com/en-au/winsor-newton-cotman-brushes

US patrons: 

https://www.dickblick.com/products/winsor-newton-cotman-watercolor-brushes/

I use round brushes mainly. I have them ranging in size from a 2/0 up to an 8.

In addition, a flat brush cut with an oval edge is very handy for painting water onto your paper.

I have a Da Vinci Casaneo oval pointed wash brush (size 16) that I use all the time. Here it is below. A one or two inch flat brush cut with a straight edge is good to use for applying water as well.

Other items you will need to paint with:

A water container. I use a cheap painters' bucket I bought at a hardware store.  Some people like to have two containers - one with clean water and one with 'wash your brush' water in it. That doesn't work for me because I keep dipping my dirty brush into the clean water by mistake 🥴. So I change my water regularly while I'm painting.

Old towels or tea towels to wipe your brushes on.

Paper towel or tissues are also needed. You can’t paint without something to wipe your brush on. 

Lately I’ve been using a squashed toilet roll wrapped in paper towel to wipe my brushes on while I’m painting. Thanks to Sterling Edwards for the tip.

Palettes

You don’t need expensive palettes. A white ceramic dinner plate or serving dish will work just fine. I have them piled high in my painting room. One good thing about watercolour paint is you never waste it. It’s not like acrylic or oil paint where once it’s gone hard on the palette you have to throw it away. With watercolour all you do is refresh it with some water when it’s gone hard and you’re ready to start painting again. Go for white plates so you can see the colour of the paint properly.

A water spray bottle to refresh your paints.

Graphite pencils….hb, 2b

I transfer my line drawings onto my paper by scribbling over the back of them with graphite. I’ve written about different methods of transferring your drawing on to the paper here: https://www.patreon.com/posts/37395099

To summarise:

1.100% cotton cold pressed watercolour paper

2. Artist quality watercolour paint colour suggestions: Phthalo Blue or Winsor Blue, French Ultramarine, Alizarin Crimson, Cadmium Red or Scarlet Lake, Quinacridone Gold or Indian Yellow.

3. Synthetic round brushes sizes 2/0, 2, 3, 5, 7 and a flat brush with an oval or round edge (see my photo above)

4. White ceramic dinner plates for palettes

5. A water container - large is best

6. Tissues and paper towel

7. Water spray bottle

8. Graphite pencils

If you decide to stretch your paper you’ll need a board to attach it to. I use gator board, gummed tape and staples. See my paper stretching video - link above.

This should get you started and then you can add to your supplies over time. Let me know if I've forgotten something important.

Louise

💚

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Comments

Patti of ArtSeeBella Designs

Hello. Can anyone suggest a good light table that shines thru heavy watercolor paper Please. Not expensive

Kym Thompson

Thanks Louise! You mention that you always stretch your paper before painting, and that we can use the back of the paper to paint another picture. Does your stretching process need to change at all when stretching paper that already has a painting on the other side?

Nettie Moss

Thanks for this great post Louise! Although I am not entirely a beginner I am new to learning how to do things properly - and that's where you come in! I am learning so much. My favourite watercolour paints - along with W&N - are Sennelier and they do a lovely student grade called 'La Petite Aquarelle' which have the same vibrant colours as their Artist quality. With regard to synthetic brushes I am finding the Raphael AquaSoft to be great and recently bought some Casaneo (which I discovered thanks to you) synthetics which are excellent. With no judgment on anyone I find sable brushes difficult to think of using due to ethics. That said I have ordered the Da Vinci Maestro Series 35 #5 and #0 (no 00 here!) which will be my limited hair brushes - I think. The Arches paper is wonderful and needs no stretching!

5 Flavors

Great post Louise. on your advice I purchased a #5 Da Vinci maestro and am loving it. I hope to get a #7 soon. I was using Escoda Prado synthetics # 8 & #10 and they are very serviceable. Together I think I will be covered. As for paints, I prefer pans and some of the WN pans do not rewet nicely. DS offers very limited pans. My current solution is to use Da Vinci tubes and put into the pans. I hear DS tubes also mostly rewet nicely but DaVinci had such a nice set of smaller tubes of earth friendly colors, I could not resist and so far am happy with them. Now to the real work of practicing....

Louise De Masi

Hi Kym, No you don't need to do anything differently. If you stretch it and paint on it and the painting doesn't work out. Instead of wasting the paper you can paint on the back another practice painting. However because you've taken it off your board when you paint on the back it will pucker when you wet it again. I would only ever do that on practice paintings, studies, practicing techniques etc - never for a finished painting. I keep my paintings that down turn out. When I need to practice something or check colours etc I'll tape the failed painting to a board and paint on the back of it instead of wasting a new piece of paper. I'll clarify that in my post above.

Louise De Masi

Thanks very much for sharing Nettie. I've never tried Sennelier paints so that's good to know and thank you for the brush recommendations.

Julie Schwindt

I was given permission by Louise to post this here. 3 years ago I purchased a class called "Luminous Watercolors" taught by Kateri Ewing from a website called Craftsy for about $14 US. Kateri used the 3 primary colors, a warm and a cool of each primary. She went through color mixing and it was a top notch series of lessons, much like Louise's tutorials. She also has some color mixing tutorials on You Tube. Mixing greens and mixing neutrals. Her help, info, and teaching style much like Louise's rocked my watercolor world! I don't have all the colors Louise has, but because of the lessons in Kateri's teachings I am so confident about mixing something close to the color Louise is using that I don't rush out spending money on a color I may not use very often. I do appreciate when Louise recommends a substitute color. I also don't worry if my colors don't match her paintings exactly because I'm not showing my paintings next to Louise's. It is so hard for me to hear folks struggle unnecessarily in this watercolor journey, especially when there can be a solution already waiting ready to help. And I know Louise feels the same way or she wouldn't have posted this and so many other excellent tips for her students here and on You Tube! I appreciate Louise immensely! THANK-YOU! :-)

Nettie Moss

Do try Sennelier if you can sometime Louise - I should love to see a painting you do with them!

Catherine Kuehnis

Just have to ask- why have you switched to the flattened toilet paper roll wrapped in paper towels?

Louise De Masi

I saw it on YouTube Catherine and thought I'd give it a go. I normally use old tea towels but they get sopping wet pretty quickly. I'm finding the toilet roll does too though. 🤷🏼‍♀️

Karen Brodsky

I loved reviewing this post. I’ve been watercolor painting since the pandemic (my silver lining) and am addicted to it and to supplies. A few additional suggestions: 1. Mr. Clean erasers. Indispensable for removing errant marks on your paper. I rip of a small chunk from the rectangular block, dip an edge lightly in water, squeeze it out, and then lightly rub away the offender. 2. Painters tape. While I also use artists tape sold for crafters, blue painters take sold in hardware stores can be kinder to my paper when I remove it, depending on how long it was down. Of course a hairdryer will help release artist tape too. 3. A small handheld hairdryer. Helps speed up drying if you don’t want to wait. 4. Three tiered metal small rolling cart from the local crafts store. I don’t have dedicated space for my work so I paint anywhere I can and roll my supplies to that part of the house. Space saving cute little storage item. Comes in many colors. Of course my papers, extra frames, mat boards don’t fit on it nor do all of my palate plates so I still spill over into our living areas. Oh well. 5. Koi Coloring Brush Pen. This is a brush “pen” with a clear liquid that helps me sweep away paint that went over a border of where I wanted it to go. If you can’t lift it with a dab with a damp brush, this will definitely fix it. 6. Q-Tips. I keep these handy to roll gently over spots I want to lighten as an alternative to the damp brush technique. Thank you Louise for starting this exchange!

Teri F

I have heard that toilet paper or Kleenex (tissue-no lotion) is much easier on your brushes than paper/kitchen towel.

Teri F

I took the same class by Kateri a few years ago! It also helped me immensely to learn about colors in my watercolor journey. And I agree that once you have learned more about mixing colors and pigment numbers that make up each paint color, it’s much easier to get a color close to what you’re looking for without having to run out and buy another tube of paint (given that you have a good basic set of pigment colors). I love Louises teaching style and have learned another way to look at and use color. Her colors are so vibrant and so happy. I can’t wait for the day that color choice comes as second nature to me as well.

Amy Arendsen

I have tried many different plates to use for palettes. I found that small ceramic saucers with a short rim are very handy. They are normally used for bread dipping. I found a set of 4 online. The brand name is Detallo.

Lynn Woodward

There is yet a gentler painters tape that is lavender colored, called Delicate Surface by Scotch. I do still use my heat gun to remove it gently.

Marijke de Boer

Hi Louise, how lovely to read that you can also use the backside of papers. But I wonder what would happen if I want to use the back of a 'failed' painting and stretch it. Have you tried that? Will the water become coloured and then colour the paper or will the colour dissolve? Perhaps best to use the back of papers for little test runs instead? Thank you for all your tips and ideas:)

Mark Bendickson

I noticed the link for US Patrons regarding brushes, doesn’t seem to work on my iPad. It links to the URL shortened page instead of product.

Louise De Masi

Hi Mark, it was working before- let me see if I can find it again. Thanks.

Louise De Masi

It's working now. I replaced it with another link. It worked the other day. I checked it twice. Technology is weird........ 🤷🏼‍♀️ 😀

Charlotte Waymire

You may already know this, but just in case.. you have to launder towels differently if you want them to be the most absorbent. Buy 100% cotton, wash, do not use fabric softener of any kind. Check your laundry detergent as well especially if you use pods, some of them contain the softener inside. Fabric softener coats the fibers and thy will not hold as much moisture. You can try to soak towels you have already washed wrong in vinegar for a while, then wash properly, it helps sometimes. I find a good terry washcloth works way better than paper.. but if you wish for disposable you can also try the blue ones they sell for workshops etc. You can find them in the auto parts store or section of a department store, or in a hardware/home improvement store. They are much thicker and do not leave lint.

Charlotte Waymire

I have no idea why but I never even thought of lifting with qtips.. grabbing a bunch for my art table right now!

Tara Slater

I tried this exact thing today. I soaked the failed paintings briefly and then stretched them with the clean side up. Some of the initialmpaint did dissolve off in the tub but it didn't transfer to the blank side st all and I have ended up with two stretched pieces ready for more practising. Very handy especially when we all now how costly the paper can be! 😊

Marijke de Boer

Oooh wow, thank you. I have not tried it myself yet. I have a large failed painting which I will no re-stretch:)

Jocelyne Kent

Hi Louise, I’m so excited to be part of your patron. I have watched so many of your YouTube videos❣️ I’m looking forward to learning from you and acquire knowledge of your watercolor techniques. Could you please provide me with the link of where to purchase the square panel LED light that’s on your desk? Jocelyne

Linda Newnham

Thank you for this, it is very helpful! I am a complete beginner to watercolour and had no idea what supplies to get. I did get a 12 pan set of Winsor and Newton Cotman but will use them to practice with! I am assuming the tubes are better than the pans for watercolours right? I was debating on what palette to get but am happy to read that a nice white plate is a good idea, luckily I already have one! So thank you for your help in making my entry to watercolours easier!

Louise De Masi

Hi Linda, I'm glad this is helpful. I rarely use pans. I find tubes easier to use. I can squirt out fresh paint when I want to mix colours. Pan paints are very useful when you want to paint outdoors.

MartyJ

Spot on Louise, just what I needed to know.

Louise De Masi

Hi Julie, I'm not sure what you mean here. My drawings aren't printed on transfer paper. Transfer paper is fine art paper that acts like the old carbon sheets we used to use in receipt books. You can use it transfer your line drawing onto the watercolour paper. I have a post on different ways to transfer drawings onto watercolour paper: https://www.patreon.com/posts/37395099

Mary C Shade

Dear Louise, I was wondering what kind of pen you use when doing say, the butterfly, or other areas you use an ink pen to outline things or fill in eyes.

Louise De Masi

Hi Mary I usually use Sakura Pigma Micron pens. They have pigment ink so they are archival (long lasting) and they are waterproof.

Barbara MacLeod

Hi Louise, when I see a colour like Alizarin Crimson is that the same as Permanent Alizarin Crimson? I'm not sure what the permanent means and I see it on a lot of colours.

Louise De Masi

Hi Barbara, Permanent Alizarin Crimson is a different pigment to Alizarin Crimson and it has better lightfastness.