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Hi everyone,

Painting wet-on-wet is the most distinctive aspect of watercolour painting, setting it apart from other mediums.

Watercolour is fluid and spontaneous and its unpredictability is part of its charm. But this technique seems to trouble a lot of beginners which is why I made this tutorial.

In this tutorial I demonstrate a few different exercises that you can practice over and over. Paint on the back of your paintings that failed if you don't want to waste paper.

Experiment as much as you can. Learn by doing. Try different wetnesses on the paper. Try different consistencies of paint. See what happens. Take note of what happens.

Experimenting with different water to paint ratios is essential learning when you want to paint with watercolours because it allows you to understand how much water is needed to achieve the desired effect.

After 12 years of painting with watercolour I am still learning to use it and I am always making mistakes, plenty of them!

As well as this video I have written a blog post about the wet-on-wet technique. It has a few more tips. You can read it here: https://www.louisedemasi.com/tips/2023/4/19/working-wet-on-wet

I also have a technique tutorial where you can practice the wet on dry technique. 

Dom and I have been working on the website trying to improve it. I'll be adding more blog posts like this one as often as I can.

Below this message I've included some photos of the exercises I completed when I made the video. You can download them if you need them. So get your paints out and start experimenting.

Have fun!

Louise

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Tutorial Index Links to bookmark:

Website index with linked images: http://www.louisedemasi.com/new-index

Clickable Word index: https://www.patreon.com/posts/34865676

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Copyright Information:

My tutorials are designed to help you on your creative journey. Any painting you create from a tutorial where I use my own reference photo is for personal use only. They can't be sold or entered into an art competition. I write on the Supplies Lists where the photos come from.

Permission is not given to paint any of my earlier paintings that are not tutorials because some of them are licensed. Also, a few of my earlier paintings were painted from photographs where I sought the permission of the photographer. The photographer gave me permission to use it, not others.

If I do a tutorial where I use another photographer's photo (eg from Pixabay or Unsplash) that is available for anyone throughout the world to download (copyright free) and use I’m happy for you to sell the paintings you create from the tutorial. I know art supplies are expensive, so it's good to be able to recoup the costs of supplies.

If I do a tutorial and I use a photo that I have paid for and downloaded from the website Wildlife Reference Photos in order for you to sell the painting you create from the tutorial you need to purchase and download the photograph yourself. This is in accordance with the Terms and Services of the Wildlife Reference Photowebsite.

If you share a finished painting on social media I would really appreciate it if you could link back to my account (be it on Facebook, YouTube or Instagram) and mention that you painted it in one of my tutorials. @louisedemasi

Thank you!

Files

Wet on Wet Technique for Beginners on Patreon

Louise De Masi©

Comments

Diana Mcgill

That was so helpful. Thank you

Susan Cook

This was so very helpful! Thank you!

Louise De Masi

Wonderful. I'm pleased. Thanks Susan. Have a look at the blog post too because there's some more tips on it.

Susan Cook

Thanks, I will look at them!

Isobel Hernandez

Thank you ..very helpful indeed ( it seemed I was not "getting " any better with my paintings..

Leigh Ann Peek

Thank you. I definitely need more practice with this.

Louise De Masi

Thanks Leigh Ann. I hope it helps with your practice.

colleen

Thank you Louise, I could see from this tutorial I was not wetting my paper enough or wetting it to much. This is such a great tutorial, thank you so much. ❤️

Louise De Masi

That's really good to know Colleen, thank you! Have a read of the blog post too because I've included some extra tips there that aren't in the video.

Linda

Thanks, Louise🥰. Looking forward to this🎨.

Jackie Sills

You are the best🤩. Thank you and Dom💕

Lynn Sloan

I chuckled when you said, "So I had to go back and do a little repair work." As a beginner, repair work is my specialty! 😆 Thank you for this tutorial.

Mary

Thank you very much, Louise. After wetting the paper, would there be any difference between mopping up the excess water with your brush and just leaving it to dry a bit?

Janet Ross

Such a clear explanation. Thankyou. I have difficulty when I apply water over a painted area with the paint layer being reactivated. Is that to do with the quality of paper and paint or just my poor technique?!

Maria Eadie

Thank you Louise, that was very helpful!

Louise De Masi

Thanks Diana. It's good for practicing because it saves you wasting a new piece of paper.

Louise De Masi

You could leave it to dry for a bit but I worry that those areas that aren't as wet will dry more than the areas that are quite wet and that could cause problems when you start to paint. I'm also eager to get some paint on there- I'm a bit impatient.

Louise De Masi

That happens to me a lot too Janet. It happens less if your colours are light. If you go in early with dark heavy pigment it will most definitely lift. I find even staining colours (that aren't supposed to lift as easily as other colours) still lift. So keep your first layers pale and use a soft brush and a soft touch when you are re-wetting. Also try to use a large brush so you are brushing over the paper less than you would with a smaller brush.

Maria Eadie

Louise you had send me the name of the two laps you use. One your son bought and the other one it was sent to you.

Maria Eadie

would you please send me again the name of both lamps. Thank you again.

Patrica Clarke

Just finished one of your roses. After watching this tutorial I was very mindful of how much water I had on my paper, in my brush and in the paint. The result was was much better and I had greater confidence in what I was trying to do. Thank you for all you amazing tutorials.

Ronelle Visser

Thank you. That answered a lot my questions. Have a great weekend.

Beverly Amato

When one begins to pickup the paint, how wet should the brush be?

Louise De Masi

Hi Beverly, it needs to be wet but not dripping wet. When you start to paint the brush should move effortlessly over the paper. If it doesn't, if you find it grabbing and you start to struggle applying the paint then you probably haven't got enough enough water in the brush.

Beverly Amato

Thank you, Louise and Dom. This tutorial and all the posts are very helpful. I’m learning more every day.

Melissa Jayne

Hi Louise, is it possible to post a pic of the dried painting samples from this video. The first and last (leaves) in particular. I thought it would be useful to see the samples when dry so we can see the different effects. Thanks heaps. 💙

Louise De Masi

Hi Melissa, They are there for you to download under my message under the video. Thanks!

Melissa Jayne

Hehe, sorry, I didn’t see them 😳🤪. Thanks Louise 💗

Louise De Masi

Fantastic. I'm so pleased Patricia. Thank you 🥰.

Anne Watman

This is so helpful, especially showing us how to practice. Right before coming here I was letting my month run out on another watercolor course because I wasn’t getting anywhere. The artist is very talented, but I could not figure out how she was doing her wet on wet tutorials. The “beginner” tutorials jumped in too quickly, and even another mini course she offered on her website for beginners wasn’t helpful. Being able to practice before moving on to more complex paintings is so important. I never mind practicing, especially when I’m shown how.

Louise De Masi

One is a Nanguang LED desk lamp and the other which I don't like as much is a BenQ desk lamp. I don't like the switches on the second one. They are too touchy. I accidentally change the settings by touching it and then I can't get to back the way I had it.

mary graham

I really appreciated this tutorial. You clarified so many details for me.

Chastity Ann

Extremely informative and helpful! Thank you!

Marcy Stebbins

Can’t wait to start practicing these exercises!

Adriene Yvonne Harding

Louise, You are a Master Teacher. I look forward to the experience of watching you paint each day. I am thrilled with the knowledge and level of confidence that I have gained from your teaching as I advance in my painting. Where is the link for Skill Share on your website? I would love to get the offer that you speak of. Thanks again, for all the knowledge that you impart to us.

Louise De Masi

Thank you so much for your kind words Adriene. It's always fulfilling for me to see my students progressing and growing in their skills 🤗! I have information about Skillshare on this pagehttps://www.louisedemasi.com/online-classes. (That's the online classes page).

Anne Watman

This is a bit confusing for me. When you demonstrated wet on dry I followed your instructions on loading my brush with water, tapping it on a cloth to absorb the drips, and then filling it with paint. Now you are showing how you use your brush to wet the paper, then you are picking up some fresh paint, placing it on the mixing palette, and either adding some water with your brush or using the water that’s already in the brush. What decisions are you making when it comes to making sure the brush has enough water when you add paint to it before you add paint to the wet paper? I hope that makes sense! I notice that some artists say they always use a separate brush for mixing paint, but it looks like you are using the same one you paint with, and then you seem to go directly to applying that mix that’s already on your brush to the wet area. I’m pretty sure you’ve shown this in some of your tutorials, but I don’t remember which one(s).

Louise De Masi

Hi Anne, When painting wet on wet- roughly the same amount of water is in the brush that is on the paper. That allows the pigment to flow over the wet paper. Sometimes, when I work wet on wet I might dab on my cloth before I pick the paint up and sometimes I may not. It’s not something I’m usually conscious of. It might depend on what I’m painting or how large the area is that I’m painting. If I’m painting an under wash at the start of the painting then everything can be quite wet but if I’m adding detail to an area then I will want more control so I’ll be more conscious of the amount of water I have on my brush. Sometimes my loaded brush might be too wet when I touch the paper with it- then I’ll quickly dab it and adjust. Sometimes it might be too dry or maybe the paint mixture is too thick for what I want to do. Then I adjust. Sometimes I’m not sure whether my brush is too wet, my paint is too thin or my paper is too wet. So after I have picked the paint up I’ll test it on the paper. If the paint spreads too far for what I want to do, I’ve either got my brush too wet, my paint too wet or my paper is too wet. Then I adjust the brush or paint – or I wait for the paper to dry a little more. Generally, when painting wet on dry you don’t want the brush to be dripping with water because you will dilute your paint mixture when you pick it up and you might be painting in a tight area where you want more control. If the brush is dripping wet you might get into a mess. If you are painting a large area it may not matter if your brush is dripping wet. It depends on what you are doing. As a starting point, give it a quick dab on your cloth when you work wet on dry, but don’t worry too much about giving it a quick dab when you work wet on wet. Knowing whether your brush is too wet or not wet enough becomes intuitive the more you paint and all of this depends on what you are painting. When I mix paint (two or more colours together) I like to use freshly squeezed pigment - sometimes I’ll use an old flat brush to do the mixing because I think mixing pigment can be hard on your brushes and I like to keep my good brushes in tip top condition. In these tutorials I’m only using one colour. I wipe the wet brush over the pigment that has hardened on my palette and I mix some water into it so the paint will flow. I’m not using freshly squeezed pigment and mixing two colours together so I will use one brush to do it all.

Anne Watman

Thank you very much for the detailed response. This is very helpful, and I’m starting to get better at judging what I need to do. I can see where there’s some trial and error, and it’s especially helpful to know how you check and adjust. 😍

Sue

May I inquire about your palette? Is that porcelain or plastic? I would like a similar one but wonder whether to invest in porcelain. Thank you for sharing your gift of watercolor with us!

Mary Robbins

Louise, this is the best explanation I have read/seen about water control! Your explanations and careful videography is a game changer for me.

Nancy Godwin

I am not a total beginner but still struggle with wet on wet. I live in Arizona where it is very dry and my paper dries so quickly. Then I over compensate and have it too wet. Just can't seem to get the right balance. Your explanations are always clear and helpful. I'll keep practicing!

Louise De Masi

Hi Nancy, thank you! I have a new video on YouTube where I give some tips on keeping paper wetter for longer. It's here: https://youtu.be/s8ymQCvipF8 Copy and paste that link in your browser. It might help you.

SherBear

I’m sooo glad I’ve discovered your YT channel. I’m very much a beginner watercolorist! This is the instruction I’ve been craving. Thank you! ❤️

Louise De Masi

Thank you SherBear! I hope you learn a lot here. 🥰

Deborah Scannell

Such valuable information… love the quality of video capture, expression on your instruction and overall thought… thank you…

Louise De Masi

Thank you very much for you kind words Deborah. I'm glad it's helpful.

Gerda snyers

this was really helpful Louise,thank you so much for clearing up a few struggles I had

MARTA FAUSTINO

I really learned about this technique. Thank you.

Vicky

Hi Louise, I have cold-pressed watercolour paper, 300gsm, but they are not 100% cotton. I was wondering if I could practise on these papers instead of using 100% cotton paper, which I also have. Thank you.

Louise De Masi

Hi Vicky, You can definitely practice on paper that isn’t 100% cotton, but the results may differ from what I demonstrate. Non-cotton papers don’t handle water and paint as well as 100% cotton paper, which might make your process less predictable and potentially frustrating.

Vicky

Hi Louise, thank you for your advice. I am going to stick with Baohong for studies instead.

Vicky

Hi Louise, I have another question when it comes to watercolour paper. Could you please tell me what kind of watercolour journal you use? I watched one of your videos and noticed you use the Strathmore watercolour journal. I also have a Strathmore watercolour journal, the 400 series I bought on Amazon. I am pretty sure this Strathmore watercolour journal is not 100% cotton. Thank you for your input.

Vicky

Thank you, Louise. I will be using what you are using. Thank you for telling me about the website. I also live in Australia, so it is handy to purchase them.

Kasia Amparano

Dear Louise: The more I paint, the more i appreciate your patient, clear step-by-step instructions. I work with other artists, but I always come back, and I am slowly working through all of your tutorials. Thank you for always providing the sketches, so that I can practice on technique. I hope you are recovering well and as to be expected. Cheers, Kasia

Susan Fairbairn

Failed paintings? I don’t believe you! 😘

Susanne Simons

Hello Louise, I started watching your YouTube video’s and I love the way you teach! Because of that I just signed up at your Patreon and can’t wait to start learning to watercolor 🥰 Love from the Netherlands 💗

Leanna

love these explanations. Thank you!!!!

Maggie

I wish you had more daily 5-10 minute practices making shapes. Shapes make final paintings. I appreciate you very much. I am glad I found these exercises.