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It’s rare that a new film suggests a historical comparison point as strongly as David Fincher’s new MANK does, so we’re taking the bait and putting it in conversation with the film that is its raison d’etre: Orson Welles’ towering 1941 directorial debut, CITIZEN KANE. Is there anything new to say about a film frequently hailed as the form’s crowning achievement? Perhaps not, so in this half of the conversation we dig into KANE’s legacy as much as the film itself, to consider how the film plays in the context of everything it inspired, whether it’s a useful dividing point in film history, and the ways it still manages to surprise us after all this time. Plus, Scott Tobias presents an abbreviated 2020 edition of his annual “Movies to See” checklist, covering all the films you need to see to be conversant in this past year in film.

Please share your comments, thoughts, and questions about CITIZEN KANE, MANK, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Outro Music: The White Stripes, “The Union Forever”

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Arthur Freitas

Great episode! It's funny, I also have this feeling when I think of watching Citizen Kane that it kind of feels like work, but *while* I'm watching it I remember how that's really not the case. It's a fun film to watch that is always moving “forward”, so to speak. I feel something similar to other Really Important Films as well, and I keep being surprised by how this kind of reputation usually keeps these films more distant from me than they should. That's where Roger Ebert's “Great Films” and The Dissolve “Essentials” really helped encouraging me to look forward to seeing these films.