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The Sundance hit Rye Lane is broadly speaking a romantic comedy, but it is more specifically a walk-and-talk romance, focused on two attractive young strangers who share a moment that turns into a day spent traveling around a city while getting to know each other. That naturally pointed us in the direction of Richard Linklater’s Before Sunrise, in which strangers on a train make a momentary connection that they decide to extend through the night — and, eventually, through two more films in the resulting trilogy. It’s hard not to discuss those subsequent films in this week’s revisitation of Before Sunrise, and we don’t entirely succeed, but we do our best to remain in the moment of Jesse and Céline’s first date as we discuss the film’s interest in transitory moments, cynicism in the face of romance, and all the varied ways in which humans communicate.

Please share your comments, thoughts, and questions about Before Sunrise, Rye Lane, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

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Jonathan Anderson

I know it was a different time and all that, but Jesse telling Celine that story about he and his friends taunting a homeless guy was pretty hard for me to get past. Also, I Just caught up with your M3GAN episode and did anybody ever tell Genevieve that the movie she's talking about with the microwave kill and the killer in the wiring sounds like Rachel Talalay's Ghost in the Machine?