Home
Creators
Search Recent Random
Posts
Search DMs Popular Hash Lookup Tags Random
Importer
Import FAQ
Register Favorites Keys Review DMs Logout
Community
Telegram ThePornDude
Home Creators Posts Import Register Favorites Logout

Twin Peaks: The Return EP 14 Uncut Reaction (Patreon)

Published:
2026-05-20 02:53:37
Imported:
2026-05
Tags:

Videos

Content

Hello Patreon supporters! Happy to have you along for the ride. Here you'll have special access to content that's created as a special thank you for your support! Let's keep building this awesome community. :D (Amazon for best sync)

Heading over family's for the week. After Episode 14, double uploads will be back! Rather give you guys one video rather than none this week. Thanks for the patience!

EP 14 Uncut: https://vimeo.com/1193812402/100e1745cb?fl=tl&fe=ec

Files

The Return EP 14 Uncut

Comments

Bobbobbobo

This is such a great episode! The Monica Bellucci dream is one of the great moments in the series. There have been references to dreams scattered throughout the whole series, and especially in The Return, but the idea is starting to take a more and more central role. The way I view it, it goes beyond reality vs dreams. There's a kind of layered reality that goes all throughout the series. In the first seasons they had that show inside the show, the soap opera, Invitation to Love. And the kinds of tropes that happened in those 80's soap operas got echoed, subverted, and inverted in the "real" show -- which of course is also a complete fiction, a confection. Like the original Dougie Jones, "someone manufactured" it. And now in The Return we have all these different stories all with their own scales of unreality and TV-show implausibility. Why HAS nobody asked if Dougie is mentally okay? What the hell is going on with those Las Vegas agents? How does the Road House book all these big groups, "The" Nine Inch Nails, Edward Louis Severson, ... Every story lives as a kind of metanarrative on the other stories. I don't actually think this was exactly Lynch's intention or interpretation -- he's the kind of director who just gets an idea while he's meditating and he goes with it. But I think he and Frost might have seen where this metanarrative structure was leading, and it's gonna be expanding more and more in the remaining episodes. And what the hell is going on with Audrey?! Why does she seem to be living in the 1950s? In Ep 12, right after Charlie asks if he needs to end her story (what the hell?), Audrey makes a reference to "Ghostwood." What is Ghostwood? (Other than the development project near the end of season 2; This Ghostwood, it turns out, is not that Ghostwood, though it may be on the same site.) And that stilted, scripted line: "Is it the story of the little girl who lived down the lane?" Is Audrey the little girl, or Laura, or someone else? Sarah Palmer? And don't forget how Doc Hayward said the last time he saw Cooper he was leaving the hospital after visiting Audrey while she was in the coma. In this episode, I love how they make such a big deal out of the fact that Andy's sandwich was "just cheese," as in no meat. I like to think that had something to do with later events. One random bit of trivia that means nothing now but might become clarifying information a couple episodes from now (not a spoiler, I swear): Gordon Cole (Lynch's character) is (and has been since his first appearance in Twin Peaks) named after a character from the classic film Sunset Boulevard, one of Lynch's favorite movies. I'm ashamed to say I haven't seen Sunset Boulevard yet, but I believe Gordon Cole was a detective or some kind of agent in that movie as well.

Bobbobbobo

Re: "Do we know a Tina?" Those girls in the Road House, one of them Tina's daughter, were talking about this guy Billy, who was supposedly last seen by Tina and her daughter. Remember Audrey's story that she told to Charlie: Audrey said she's fucking a guy named Billy, and she's panicked that nobody knows where he is. Audrey (who hates Tina) said Tina was the last person to have seen Billy. Charlie called Tina for information, none of which he shared with Audrey. Audrey said she saw Billy in a dream ("And dreams harken a truth!", she said). In the dream, Billy was bleeding from his nose and mouth. In this episode, Tina's daughter also said Billy was bleeding from his nose and mouth. In this episode we saw someone bleeding from his nose and mouth. (We also saw someone bleeding from his neck, but I'm quite sure that wasn't Billy!). Speaking of the guy bleeding from his neck ... Sarah Palmer would have been a little girl around the time of episode 8 (the later scenes of which took place in the mid-late 1950s). Final note (for now, LOL): James's question (the real James, not James Hurley) "are we all characters in the Fireman's dream?" got me thinking and free-associating (perhaps with the help of a product Jerry Horne would approve of) and I think a case can be made at this point that The Fireman represents David Lynch himself.

A B

Love twin peaks the return . Great reaction

Kazserah

Hey man, do you know when the next episodes will be uploaded?