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These six frames took me 35 minutes to make.  Specifically, I wanted these pages to resemble layouts from Osamu Tezuka.  Line density, placement, sizing, I obsessed over it until satisfied.  35 minutes.

Sketching takes place next and the trick is making each character render interesting.  This means different angles, different perspectives.  I still feel rusty in this regard.

However I'm satisfied with the line work (thus far) and after being unsure about how to proceed for a number of weeks, I'm quite pleased with the reintroduction of the wind.

At this point in the book there is an element of menace to it, but more than this I can't say.


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J

There's going to be a rather famous line coming up in the book, in fact.